Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, ; ; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theatre: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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List Of Works By Gian Lorenzo Bernini
The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini. The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in ''Gian Lorenzo Bernini: The Sculptor of the Roman Baroque''. Works Notes References * * * * * * * * Further reading * * * * External links Web Gallery of ArtMap Showing the Location of Bernini's Works in Rome {{DEFAULTSORT:Bernini, Gian Lorenzo Arts-related lists, Bernini Lists of works of art, Bernini Works by Gian Lorenzo Bernini Lists of sculptures ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Rape Of Proserpina
''The Rape of Proserpina'' (), more accurately translated as ''The Abduction of Proserpina'', is a large Baroque marble group sculpture by Italian artist Gian Lorenzo Bernini, executed in 1621 and '22, when Bernini's career was in its early stage. The group, finished when Bernini was just 23 years old, depicts the abduction of Proserpina, who is seized and taken to the underworld by the god Pluto.Wittkower 1955, p. 235. It features Pluto holding Proserpina aloft, and a Cerberus to symbolize the border into the underworld that Pluto carries Proserpina into.Hibbard 1990, p. 45. Cardinal Scipione Borghese commissioned the sculpture and gave it to the newly appointed Cardinal-nephew, Ludovico Ludovisi, possibly as a means of gaining favour. The choice to depict the myth of Proserpina may relate to the recent death of Pope Paul V, or to the recent empowerment of Ludovico. Bernini drew inspiration from Giambologna and Annibale Carracci for the sculpture, which is the only work for wh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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David (Bernini)
''David'' is a life-size marble sculpture by Gian Lorenzo Bernini. The sculpture was one of many commissions to decorate the villa of Bernini's patron Cardinal Scipione Borghese – where it still resides today, as part of the Galleria Borghese. It was completed in the course of eight months from 1623 to 1624. The subject of the work is the biblical David, about to throw the stone that will bring down Goliath, which will allow David to behead him. Compared to earlier works on the same theme (notably the ''David'' of Michelangelo), the sculpture broke new ground in its implied movement and its psychological intensity. Background Between 1618 and 1625 Bernini was commissioned to undertake various sculptural work for the villa of one of his patrons, Cardinal Scipione Borghese. In 1623 – only yet 24 years old – he was working on the sculpture of '' Apollo and Daphne'', when, for unknown reasons, he abandoned this project to start work on the ''David''. According to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Apollo And Daphne (Bernini)
''Apollo and Daphne'' is a life-sized marble sculpture by the Italian artist Gian Lorenzo Bernini, which was executed between 1622 and 1625. It is regarded as one of the artistic marvels of the Baroque age. The statue is housed in the Galleria Borghese in Rome, along with several other examples of the artist's most important early works. The sculpture depicts the climax of the story of Apollo and Daphne ( Phoebus and Daphne), as written in Ovid's ''Metamorphoses'', wherein the nymph Daphne escapes Apollo's advances by transforming into a laurel tree. History ''Apollo and Daphne'' was the last of a number of important works commissioned by Cardinal Scipione Borghese from Gian Lorenzo Bernini that helped to define Baroque sculpture. Thereafter, Bernini served a succession of popes. ''Apollo and Daphne'' was commissioned after Borghese had given an important work of his patronage, Bernini's The Rape of Proserpina (1621–22), to Cardinal Ludovico Ludovisi. Through this genero ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Franco Mormando
Franco Mormando (born 17 August 1955) is a historian, university professor, and author, focusing on the art, literature, and religious culture of Italy from the late Medieval period to the Baroque. His principal publications have been on fifteenth-century preacher Bernardino of Siena and Baroque artist Gian Lorenzo Bernini, with other notable contributions to the study of the artist Caravaggio and the bubonic plague. Early life and education Mormando was born and raised in New York City, in Manhattan's Lower East Side, of Italian immigrant parents. His undergraduate education was at Columbia University, where he was a John Jay National Scholar, receiving his B.A. (1977) ''summa cum laude'' and Phi Beta Kappa. At Columbia, he also received the Bigongiari Award for Excellence in Italian Studies. From Columbia, he went on to Harvard University, where he received both his M.A. (1979) and Ph.D. (1983) in Italian literature, with a dissertation on ''The Vernacular Sermons of Bernardin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Galleria Borghese
The or Borghese Gallery is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. The Galleria Borghese houses a substantial part of the Borghese Collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V (reign 1605–1621). The building was constructed by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a '' villa suburbana'', a country villa at the edge of Rome. The museum displays one of the most prestigious art collections in the world, with masterpieces by artists such as Caravaggio, Bernini, Canova, Raphael and Titian. Scipione Borghese was an early patron of Bernini and an avid collector of works by Caravaggio, who is well represented in the collection by his '' Boy with a Basket of Fruit'', ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Baroque Sculpture
Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space. Baroque sculpture often had multiple ideal viewing angles, and reflected a general continuation of the Renaissance move away from the relief to sculpture created in the round, and designed to be placed in the middle of a large space—elaborate fountains such as Gian Lorenzo Bernini‘s Fontana dei Quattro Fiumi (Rome, 1651), or those in the Gardens of Versailles were a Baroque speciality. The Baroque style was perfectly suited to sculpture, with Bernini the dominating figure of the age in works such as '' The Ecstasy of St Theresa'' (1647–1652). Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Irving Lavin
Irving Lavin (14 December 1927 – 3 February 2019) was an art historian of Late Antique, Medieval, Renaissance, Baroque, and Modern painting, sculpture, and architecture. His wide-ranging contributions centered primarily on the correlation between form and meaning in the visual arts. Scholarly life and work Irving Lavin was born in St. Louis, Missouri, the son of Isadore Lavin and Jenny Shuff. Lavin began his career studying philosophy, first at the University of Illinois at Urbana-Champaign, then as a student of Horst W. Janson at Washington University in St. Louis, where he graduated with a B.A. in 1949. At the invitation of Bertrand Russell, Lavin went to Cambridge University to become his tutee. The following year, as he often joked, he turned to a more practical field, namely art history. At the Institute of Fine Arts, New York University, he studied with, and was the assistant to, Walter Friedländer, Richard Offner, and Erwin Panofsky. With Horst W. Janson he wrote his ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fontana Dei Quattro Fiumi
Fontana dei Quattro Fiumi (''Fountain of the Four Rivers'') is a fountain in the Piazza Navona in Rome, Italy. It was designed in 1651 by Gian Lorenzo Bernini for Pope Innocent X whose family palace, the Palazzo Pamphili, faced onto the piazza as did the church of Sant'Agnese in Agone of which Innocent was the sponsor. Description The base of the fountain is a basin from the centre of which travertine rocks rise to support four river gods and above them, a copy of an Egyptian obelisk surmounted with the Pamphili family emblem of a dove with an olive twig. Collectively, they represent four major rivers of the four continents through which papal authority had spread: the Nile representing Africa, the Danube representing Europe, the Ganges representing Asia, and the Río de la Plata representing the Americas. Design Bernini's design was selected in competition. The circumstances of his victory are described as follows in Filippo Baldinucci's ''The life of Cavaliere Bernini'' (168 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Scipione Borghese
Scipione Caffarelli-Borghese (; 1 September 1577 – 2 October 1633) was an Italian cardinal, art collector and patron of the arts. A member of the Borghese family, he was the patron of the painter Caravaggio and the artist Bernini. His legacy is the establishment of the art collection at the Villa Borghese in Rome. Biography Early life and cardinalship He was born in Artena with name Scipione Caffarelli, the son of Francesco Caffarelli and Ortensia Borghese. Because his father ran into financial difficulties, Scipione's education was paid for by his maternal uncle Camillo Borghese. Upon Camillo's election to the papacy as Pope Paul V in 1605, he quickly conferred a cardinalship on Scipione and gave him the right to use the Borghese name and coat of arms. In the classic pattern of papal nepotism, Cardinal Borghese wielded enormous power as the Pope's secretary and effective head of the Vatican government. On his own and the Pope's behalf he amassed an enormous fortune thr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pietro Bernini
Pietro Bernini (6 May 1562 – 29 August 1629) was an Italian sculptor. He was the father of one of the most famous artists of Baroque, Gian Lorenzo Bernini, as well as the sculptor-architect Luigi Bernini. Biography Bernini was born in Sesto Fiorentino, Tuscany. He moved to Naples to work on the Certosa di San Martino there, and Gian Lorenzo was born in Naples in 1598. In 1605 the family moved to Rome under the protection of Cardinal Scipione Borghese. In Rome, he worked on various projects for Pope Paul V, another Borghese, including the Pauline Chapel in the Basilica of Santa Maria Maggiore. One of Pietro Bernini's best-known contributions to the city of Rome is the Fontana della Barcaccia (''Fountain of the Old Boat'') which resembles a beached ship and is located at the foot of the Spanish Steps. It was commissioned by Pope Urban VIII and built in 1627. He also contributed to the Fountain of Neptune, Naples, completed between 1600 and 1601. Initially collaborating ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Baroque Style
The Baroque ( , , ) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, it had evolved into an even more flamboyant style, called ''rocaille'' or ''Rococo'', which appeared in France and Central Europe until the mid to late ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |