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Doo-wop
Doo-wop (also spelled doowop and doo wop) is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was commercially viable until the early 1960s and continued to influence performers in other genres. Origins Doo-wop has complex musical, social, and commercial origins. Musical precedents Doo-wop's style is a mixture of p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Teenagers
The Teenagers were an American music group, most noted for being one of rock music's earliest successes, presented to international audiences by DJ Alan Freed. The group, which made its most popular recordings with young Frankie Lymon as lead singer, is also noted for being rock's first all-teenaged act. They were inducted into the Rock and Roll Hall of Fame in 1993. History The Teenagers had their origins in the Earth Angels, a group founded at Edward W. Stitt Junior High School in the Washington Heights section of Manhattan by second tenor Jimmy Merchant and bass Sherman Garnes. Eventually, Garnes and Merchant had added lead singer Herman Santiago and baritone Joe Negroni to their lineup and evolved into The Coupe De Villes. In 1954, 12-year-old Frankie Lymon joined the Coupe De Villes, who changed their name to first the Ermines and later the Premiers. The same year Lymon joined the group, he helped Santiago and Merchant rewrite a song they had composed to create " W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heart And Soul (1938 Song)
"Heart and Soul" is a popular song composed by Hoagy Carmichael with lyrics by Frank Loesser. It charted with different artists between 1938 and 1961. A simplified version is a popular piano duet. Larry Clinton and his Orchestra were the first to record and release the song in 1938 with Bea Wain on vocals. Musical format The song's A-section is often simplified as a repeating I-vi-IV-V progression and taught to beginning piano students as an easy two-hand duet, with one person playing the chords and another playing the melody.The Bouncy Joy of 'Heart and Soul' , NPR, D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'50s Progression
The 50s progression (also known as the "Heart and Soul (Frank Loesser and Hoagy Carmichael song), Heart and Soul" chords, the "Stand by Me (Ben E. King song), Stand by Me" changes, the doo-wop progression and the "ice cream changes") is a chord progression and turnaround (music), turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am–F–G. As the name implies, it was common in the 1950s and early 1960s and is particularly associated with doo-wop. Theory In Western classical music during the common practice period, chord progressions are used to structure a musical composition. The destination of a chord progression is known as a Cadence (music), cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the Tonic (music), tonic or I chord; following the circle of fifths, the most suitable chord to precede the I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beach Music
Beach music, also known as Carolina beach music, and to a lesser extent, beach pop, is a regional genre of music in the United States which developed from rock/ R&B and pop music of the 1950s and 1960s. Beach music is most closely associated with the style of dance known as the shag, or the Carolina shag, which is also the official state dance of both North Carolina and South Carolina. Recordings with a 4/4 " blues shuffle" rhythmic structure and moderate-to-fast tempo are the most popular music for the shag, and the vast majority of the music in this genre fits that description. Though primarily confined to a small regional fan base, specifically to " Grand Strand" communities such as Myrtle Beach, Carolina Beach, and the Golden Isles of Georgia, in its early days what is now known as Carolina beach music was instrumental in bringing about wider acceptance of soul music/ R&B among the white music lovers on the south-east coast. While the older styles of R&B have faded f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
50s Progression
The 50s progression (also known as the " Heart and Soul" chords, the " Stand by Me" changes, the doo-wop progression and the "ice cream changes") is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am–F–G. As the name implies, it was common in the 1950s and early 1960s and is particularly associated with doo-wop. Theory In Western classical music during the common practice period, chord progressions are used to structure a musical composition. The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the tonic or I chord; following the circle of fifths, the most suitable chord to precede the I chord is a V chord. This particular cadence, V–I, is known as an authentic cadence. However, since a I–V–I progression is repetit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Loesser
Frank Henry Loesser ( "lesser"; June 29, 1910 – July 28, 1969) was an American songwriter who wrote the music and lyrics for the Broadway theatre, Broadway musicals ''Guys and Dolls (musical), Guys and Dolls'' and ''How to Succeed in Business Without Really Trying (musical), How to Succeed in Business Without Really Trying'', among others. He won a Tony Award for ''Guys and Dolls'' and shared the Pulitzer Prize for Drama for ''How to Succeed''. He also wrote songs for over 60 Hollywood films and Tin Pan Alley, many of which have become standards, and was nominated for five Academy Award for Best Original Song, Academy Awards for best song, winning once for "Baby, It's Cold Outside". Early years Frank Henry Loesser was born to a Jewish family in New York City, the son of Henry Loesser, a pianist,Frank Loesser biography , p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoagy Carmichael
Hoagland Howard "Hoagy" Carmichael (November 22, 1899 – December 27, 1981) was an American musician, composer, songwriter, actor, author and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s and 1940s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies such as old-time radio broadcasts, television, microphones, and sound recordings (musical records). Carmichael composed several hundred songs, including 50 that achieved hit record status. He is best known for composing four of the most-recorded American songs of all time: " Stardust" (1927), with lyrics by Mitchell Parish, "Georgia on My Mind" (1930), with lyrics by Stuart Gorrell, " The Nearness of You" (1937), with lyrics by Ned Washington, and " Heart and Soul" (1938), with lyrics by Frank Loesser. He also collaborated with famed lyricist-songwriter Johnny Mercer (1909-1976), on " Lazybones" (1933), and later " Skylark" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Moon (1934 Song)
A blue moon refers either to the presence of a second full moon in a calendar month, to the third full moon in a season containing four, or to a moon that appears blue due to atmospheric effects. The Calendrical_calculation, calendrical meaning of "blue moon" is unconnected to the other meanings. It is often referred to as “traditional”, but since no occurrences are known prior to 1937 it is better described as an invented tradition or “modern American folklore”. The practice of designating the second full moon in a month as "blue" originated with amateur astronomer James Hugh Pruett in 1946. It does not come from Full_moon#Native_American, Native American lunar tradition, as is sometimes supposed. The moon – not necessarily full – can sometimes appear blue due to atmospheric emissions from large forest fires or volcanoes, though the phenomenon is rare and unpredictable (hence the saying “once in a blue moon”). A calendrical blue moon (by Pruett's definition) is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodgers And Hart
Rodgers and Hart were an American songwriting partnership between composer Richard Rodgers (1902–1979) and the lyricist Lorenz Hart (1895–1943). They worked together on 28 stage musicals and more than 500 songs from 1919 until Hart's death in 1943.Rodgers and Hart Biography Guide to Musical Theatre, accessed April 5, 2009 Many of their songs are classics of the American songbook. History Richard Rodgers and Lorenz Hart were introduced in 1919 while Rodgers was in high school and Hart had already graduated from |
Recitative
Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by Basso continuo, continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. It adds a sense of progress within a piece of music and can be used to introduce a source of tension. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight- bar phrase in a 32-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release'' ", or ''boredom-breaker'', . Etymology The term is a calque from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cappella
Music performed a cappella ( , , ; ), less commonly spelled acapella in English, is music performed by a singer or a singing group without instrumental accompaniment. The term ''a cappella'' was originally intended to differentiate between Renaissance music, Renaissance polyphony and Baroque (music), Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 BC, while the earliest that has survived in its entirety is from the first century AD: a piece from Greece called the Seikilos epi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
