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Céphale Et Procris (Grétry)
''Céphale et Procris'' (''Cephalus and Procris'') is an opera by André Grétry with a French-language libretto by Jean-François Marmontel based on the Classical myth of Cephalus and Procris as told in Book Seven of Ovid's ''Metamorphoses''. It takes the form of a ''ballet héroïque'' in three acts. It was first performed at the Palace of Versailles on 30 December 1773. Performance history ''Céphale et Procris'' was first given at Versailles on 30 December 1773 as part of the royal wedding celebrations of the Comte d'Artois (the third grandson of King Louis XV) and Princess Maria Theresa of Savoy. It was not well received as the audience found the music too modern. It was revived at the Académie royale de musique (the Paris Opéra) on 2 May 1775, where it ran for 12 performances. Again, the reception was poor, with critics focussing on the inadequacies of Marmontel's libretto. A revival in May 1777 was more successful, with a total of 26 performances. Music and libretto ''Cé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cephalus And Procris
''Cephalus and Procis'' is a 1580s painting by the Italian Renaissance painter Paolo Veronese. It is on display in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 634. The exact dating of the painting is uncertain, although it was not begun before 1580 and not finished after 1584. Its dimensions have previously been given as 162 × 190 cm (64 × 75 in) but are most recently given as 162 × 185 cm (64 × 73 in). The painting is the pendant of the Prado's '' Venus and Adonis''. It is likewise a depiction of a tragic couple from Ovid's ''Metamorphoses'': the painting depicts the moment where Procris expires, as her confused husband Cephalus tries both to understand her and to explain himself. ''Cephalus and Procris'' belonged to the Spanish royal collection from 1641 (when Diego Velázquez bought it in Venice) until at least 1809. It was one of the paintings plundered from the collection by Joseph Bonaparte during his brief rule of Spain. It wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie Lyrique
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Irving (conductor)
Robert Augustine Irving, DFC*, (28 August 191313 September 1991) was a British conductor whose reputation was mainly as a ballet conductor. Born in Winchester, England, the son of mountaineer and author R. L. G. Irving, he was educated at Winchester College and New College, Oxford, graduating with a degree in music. He studied with Malcolm Sargent and Constant Lambert at the Royal College of Music from 1934 to 1936. During World War II, he served with the Royal Air Force, and was awarded the Distinguished Flying Cross (DFC) and bar. He then became assistant conductor with the BBC Scottish Symphony Orchestra, and was conductor and musical director of Sadler's Wells Ballet from 1949 to 1958, working closely with Sir Frederick Ashton on several ballets. Having assisted Ashton in choosing music for his ''Picnic at Tintagel'' for New York City Ballet in 1952, Irving helped the choreographer to surmount musical problems in the last act of his '' Sylvia'' in September the same ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constant Lambert
Leonard Constant Lambert (23 August 190521 August 1951) was a British composer, conductor, and author. He was the founder and music director of the Royal Ballet, and (alongside Ninette de Valois and Frederick Ashton) he was a major figure in the establishment of the English ballet as a significant artistic movement. His ballet commitments, including extensive conducting work throughout his life, restricted his compositional activities. However one work, '' The Rio Grande'', for chorus, orchestra and piano soloist, achieved widespread popularity in the 1920s, and is still regularly performed today. His other work includes a jazz influenced Piano Concerto (1931), major ballet scores such as '' Horoscope'' (1937) and a full-scale choral masque '' Summer's Last Will and Testament'' (1936) that some consider his masterpiece. Lambert had wide-ranging interests beyond music, as can be seen from his critical study ''Music Ho!'' (1934), which places music in the context of the other ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefan Sanderling
Stefan Sanderling (born 2 August 1964 in East Berlin, East Germany) is an orchestral conductor. He is the son of the conductor Kurt Sanderling and the double-bass player Barbara Sanderling. His half-brother is the conductor Thomas Sanderling. His brother Michael Sanderling is a cellist and conductor. In his youth, Sanderling played the piano and clarinet. His early university experience was in Halle, Germany. At the Los Angeles Philharmonic Institute, Sanderling studied with the conductors Leonard Slatkin, Yuri Temirkanov, Edo de Waart and John Nelson. He later attended the University of Southern California Thornton School of Music and studied with Daniel Lewis. He also studied with Kurt Masur at the Leipzig conservatory. Sanderling's first professional position was in Potsdam, Germany. In addition, he has been the Music Director of the Staatstheater and the Philharmonisches Staatsorchester Mainz (Philharmonic Orchestra). In 1996, he became chief condu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Van Waas
Guy Van Waas ( Brussels, 15 April 1948) is a Belgian conductor, clarinetist and organist. He was clarinetist of the Orchestre des Champs-Élysées, Akademie für Alte Musik Berlin and the Orchestra of the Eighteenth Century. Since 2001 he is director of Les Agrémens, a baroque orchestra sponsored by the Communauté française de Belgique and conductor of the Choeur de Chambre de Namur. He was also professor of chamber music at the Conservatoire of Mons. Discography * Joseph Haydn : Symphony Nr. 82 & 86 & Ludwig August Lebrun Hoboconcert, (Ricercar, 2010) * André Ernest-Modeste Grétry ''Céphale et Procris ou l'Amour conjugal'' Ballet-héroique 1773. Ricercar RIC 302 2CDs, 2010. * Rodolphe Kreutzer '' La mort d'Abel'' Ediciones Speciales, 2012 * Antoine Dauvergne: ''La Vénitienne'' Opéra-ballet (Ricercar, 2012) * François-Joseph Gossec: ''Thésée'', Tragédie-lyrique (Ricercar, 2013) * André Modeste Grétry: ''La caravane du Caire'', Comédie-lyrique (Ricercar, 2013) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupid
In classical mythology, Cupid (Latin Cupīdō , meaning "passionate desire") is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known in Latin as ' ("Love"). His Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons, he experiences the ordeal of love. Although other extended stories are not told abo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosalie Levasseur
Marie-Rose-(Claude-)Josephe Levasseur (or Le Vasseur), known in her day as Mademoiselle Rosalie, and later commonly referred to as Rosalie Levasseur (8 October 1749 – 6 May 1826) was a French soprano who is best remembered for her work with the composer Christoph Willibald Gluck. Biography Born in Valenciennes in 1749, she first appeared at the Paris Opéra in a revival of Campra's '' L'Europe galante'' in 1766. After an undistinguished beginning to her career, when she appeared only in minor roles, such as Cupid in Berton and Trial's, ''Théonis'' (1767), and La Borde's ''Ismène et Isménias'', (1770) her status in the company rapidly improved following Gluck's arrival in Paris in 1774. The new maestro and the primadonna in office, Sophie Arnould, could not stand each other, while Levasseur was the mistress of the Austrian ambassador and Gluck's countryman Florimond de Mercy-Argenteau, who exerted moreover a strong influence on the Dauphine Marie Antoinette, herself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie-Jeanne Larrivée Lemière
Marie-Jeanne Larrivée, born Marie-Jeanne Lemière ( Sedan, Ardennes, 1733 – Paris, 1786) was a French soprano. Biography Marie-Jeanne Larrivée was a prominent member of the Paris Opera company, where she made her debut in 1750 under the name of Mlle Lemière (also spelt Lemierre or Le Mière). She was the sister of violinist Jacques Lemière and cellist Jacques-Louis Lemière both engaged at the Paris Opera in the same period. Her parents were Louis-Michel Lemière, a wig maker, and Julienne Lemière. After performing several light roles as a cover, at the beginning of 1752 Lemière left the theater scene. She probably intended to improve her voice, but her five-year absence from the stage was mainly related to her stormy relationship with the Duke of Gramont, whose abusive behaviour, even bordering on rape, darkened this period of her life. In July 1752 she gave birth to her first daughter, Marie-Antoinette, but neither of the parents acknowledged her, and only her grandfa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophie Arnould
Sophie Arnould (13 February 1740, in Paris – 18 October 1802, in Paris) was a French operatic soprano. Born Magdeleine Sophie Arnould, she studied in Paris with Marie Fel and La Clairon, and made her stage debut at the Opéra de Paris on 15 December 1757 and sang there for 20 years. She created for Christoph Wilibald Gluck the roles of Eurydice in ''Orphée et Eurydice'' and the title role in '' Iphigénie en Aulide''. She also obtained considerable success in operas by Jean-Philippe Rameau, François Francoeur, and Pierre-Alexandre Monsigny. Her love life was extremely colorful. Her tumultuous relationship with Louis-Léon de Brancas, duc de Lauragais, resulted in four children, including , colonel of the First Empire dead at Essling. She was also the lover of Paul Barras and Nicolas-François de Neufchâteau, among many others.Jean Haechler, ''Le règne des femmes - 1715-1792'', Paris, Grasset, 2001, . In fact, she was notorious for having as many affairs with women ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Henri Larrivée
Henri Larrivée (9 January 1737 – 7 August 1802) was a French opera singer. He was born in Lyon. His voice range was ''basse-taille'' (equivalent to baritone).Dratwicki, p. 85 According to Fétis, Larrivée was working as an apprentice to a wigmaker when the head of the Paris Opéra, Rebel, noticed his talent for singing and hired him as a chorus member. He made his first solo appearance as a high priest in a 1755 revival of Rameau's '' Castor et Pollux''. He was particularly associated with the works of Christoph Willibald Gluck, helping Gluck establish his "reform operas" in France. He found Gluck's rival, Niccolò Piccinni, less congenial but still worked with him on the premieres of operas including ''Roland'' (1778).Rushton p. 269 After already getting a pension in 1779, he retired from the ''Académie Royale de Musique'' in 1786 and devoted most of the time he had left to live to tour around with his two daughters, Camille (later known as Mme Delaval) and Henriette, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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