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Czech Suite (Dvořák)
The ''Czech Suite'' in D major (), Op. 39 (B. 93), was composed by Antonín Dvořák in 1879 and published later in his life. Adolf Čech conducted the premiere. Dvořák had only recently become introduced to Fritz Simrock by Johannes Brahms but had already become displeased with several of his new publisher's business practices, including releasing older works with high opus numbers, implying they were new. He offered this work, recently written, to Simrock with a somewhat earlier number (that of works he'd written a few years before) as part of his response. The suite consists of five movements as follows: References External links Work detailsantonin-dvorak.cz (in English) * * , NDR Sinfonieorchester, John Eliot Gardiner Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach, especially the Bach Cantata Pilgrimage of 2000, performing Church cantata (Bach), Bach's ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Major
D major is a major scale based on D (musical note), D, consisting of the pitches D, E (musical note), E, F♯ (musical note), F, G (musical note), G, A (musical note), A, B (musical note), B, and C♯ (musical note), C. Its key signature has two Sharp (music), sharps. Its relative key, relative minor is B minor and its parallel key, parallel minor is D minor. The D major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D Harmonic major scale, harmonic major and Melodic major scale, melodic major scales are: Scale degree chords The scale degree chords of D major are: * Tonic (music), Tonic – D major * Supertonic – E minor * Mediant – F-sharp minor * Subdominant – G major * Dominant (music), Dominant – A major * Submediant – B minor * Leading-tone – Diminished triad, C-sharp diminished Characteristics D major is well-suited to violin music because of the structure of the instrument, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8September 18411May 1904) was a Czech composer. He frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them," and Dvořák has been described as "arguably the most versatile... composer of his time". Dvořák displayed his musical gifts at an early age, being a talented violin student. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted scores of symphonies and other works to German and Austrian competitions. He did not win a prize until 1874, with Johannes Brahms on the jury of the Austrian State Competit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolf Čech
Adolf Čech (born Adolf Jan Antonin Tausik; 11 December 184127 December 1903) was a Czech conductor, who premiered a number of significant works by Antonín Dvořák (the 2nd, 5th and 6th symphonies, more than any other conductor; other important orchestral works, four operas, the ''Stabat Mater''), Bedřich Smetana (''Má vlast'', five operas), Zdeněk Fibich (two operas) and other Czech composers. He also led the first performances outside Russia of two operas by Pyotr Ilyich Tchaikovsky and the Czech premieres of seven operettas by Jacques Offenbach. He was also a bass singer and a translator of opera librettos. Career Adolf Čech was born in Sedlec-Prčice, south of Prague as Adolf Jan Antonin Tausik, the son of a singing instructor. His brother was the singer Karel Čech. He trained as an engineer in Prague before turning to music. From 1862 he was choirmaster and assistant conductor at the Provisional Theatre, where he conducted operas such as Verdi's '' Il trovatore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Simrock
Friedrich August Simrock, better known as Fritz Simrock (January 2, 1837 in Bonn – August 20, 1901 in Ouchy) was a German music publisher who inherited a publishing firm from his grandfather Nikolaus Simrock. Simrock is most noted for publishing most of the music of Johannes Brahms and Antonín Dvořák. Simrock published almost all of Brahms's pieces from Opus 16 to Opus 120Sadie, Stanley; Tyrell, John eds. (2001). ''The New Grove Dictionary of Music and Musicians'' (2nd edition). New York: Oxford University Press. and was very good friends with Brahms, even going on holidays to Italy with him. Simrock generally paid Brahms well for his music, but with Dvořák he was often unwilling to publish orchestral pieces, for example, his Eighth Symphony. Simrock was so involved in the lives of prominent musicians that Joseph Joachim came to believe that his wife Amalie was cheating on him with Simrock, and Brahms wrote a famous "lengthy letter" in support of Amalie's innocence, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Brahms
Johannes Brahms (; ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period (music), Romantic period. His music is noted for its rhythmic vitality and freer treatment of dissonance, often set within studied yet expressive contrapuntal textures. He adapted the traditional structures and techniques of a wide historical range of earlier composers. His includes four symphony, symphonies, four concertos, a Requiem, much chamber music, and hundreds of folk-song arrangements and , among other works for symphony orchestra, piano, organ, and choir. Born to a musical family in Hamburg, Brahms began composing and concertizing locally in his youth. He toured Central Europe as a pianist in his adulthood, premiering many of his own works and meeting Franz Liszt in Weimar. Brahms worked with Ede Reményi and Joseph Joachim, seeking Robert Schumann's approval through the latter. He gained both Robert and Clara Schumann's strong support ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section (music), section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sousedská
The sousedská is a semi-slow Bohemian dance in three quarter time. It has a calm, swaying character and it is usually danced in a pair. The dance was used by some Czech composers, including Antonín Dvořák Antonín Leopold Dvořák ( ; ; 8September 18411May 1904) was a Czech composer. He frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predec ..., who used it in his '' Slavonic Dances'' (the Sousedská is the fourth and sixth dance from his Op. 46, and the eighth dance from Op. 72). Josef Suk’s last composition is also a Sousedská for an unusual combination of instruments. References {{DEFAULTSORT:Sousedska European dances Bohemia Culture of the Czech Republic Dance forms in classical music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andante (tempo)
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture. The others are meter, which is indicated by a time signature, and articulation, which determines how each note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Furiant
A furiant is a rapid and fiery Bohemian dance in alternating 2/4 and 3/4 time, with frequently shifting accents; or, in "art music", in 3/4 time "with strong accents forming pairs of beats". The stylised form of the dance was often used by Czech composers such as Antonín Dvořák in the first and eighth dances from his '' Slavonic Dances'', Piano Quintet Op. 81 and 6th Symphony; in his '' Czech Suite'', fifth movement; in his Terzetto for Two Violins and Viola, third movement; and by Bedřich Smetana in ''The Bartered Bride ''The Bartered Bride'' (, ''The Sold Bride'') is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It ...'' and in his second volume for piano of Czech Dances (''České tance 2''), published in 1879 (Op. 21). It was also used by Brahms in the middle section of the second movement of his Sextet No. 2 in G Major. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
