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Crivelli Carlo, Annunciation
Carlo Crivelli ( – ) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanni Bellini. Early life Crivelli was born around 1430–35 in Venice to a family of painters and received his artistic formation there and in Padua. The details of Crivelli's career are still sparse: He is said to have studied under Jacobello del Fiore, who was painting as late as 1436; at that time Crivelli was probably only a boy. He also studied at the school of Vivarini in Venice, then left Venice for Padua, where he is believed to have worked in the workshop of Francesco Squarcione and then, after being sentenced in 1457 to a six-month prison term fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Annunciation, With Saint Emidius
''The Annunciation, with Saint Emidius'' is an altarpiece by Italian artist Carlo Crivelli showing an artistic adaptation of the Annunciation. The Annunciation is a religious event described in the Bible which involves the archangel Gabriel appearing to the Virgin Mary and announcing a sacred message. This altarpiece was painted for the Church of SS. Annunziata in the Italian town of Ascoli Piceno, in the region of Marche, to celebrate the self-government granted to the town in 1482 by Pope Sixtus IV. Furthermore, this painting incorporates important religious symbols and subjects such as the archangel Gabriel, The Virgin Mary, Saint Emidius, and the Holy Spirit to convey the sacredness of the scene. Lastly, the architecture and clothes depicted in this painting, as well as the techniques used to create this painting, showcase that this is a Renaissance piece of art. Subject The Annunciation is a key pivotal event within the Christian religion. In the painting archangel Gabri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacobello Del Fiore
Jacobello del Fiore ( – 1439) was a Venetian painter in the late fourteenth century and early fifteenth century. His early work is in the Late Gothic style popularized by Altichiero da Verona and Jacopo Avanzi, two of his contemporaries, while his mature work displays a local Venetian style established by the school of Paolo Veneziano, an artist and workshop proprietor with notable Byzantine inspiration in his work. This stylistic return to his roots sets him apart from Niccolò di Pietro and Zanino di Pietro, Venetian contemporaries he is often associated with. During his lifetime, he received commissions primarily on the Adriatic coast and in Venice. Early life and works Birth and family Jacobello del Fiore is likely to have been born around 1375, since by the time of his marriage in 1394, he was still under the tutelage of his father, Francesco del Fiore. While it is known that Jacobello del Fiore was married in 1394, the identity of his spouse is unknown, as is wheth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trompe-l'œil
; ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a Two-dimensional space, two-dimensional surface. , which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and Typographic ligature, ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical mural might depict a window, door, or hallway, intended to suggest a larger room. A version of an oft-told ancient Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Gothic
International Gothic is a period of Gothic art that began in Burgundy, France, and northern Italy in the late 14th and early 15th century. It then spread very widely across Western Europe, hence the name for the period, which was introduced by the French art historian Louis Courajod at the end of the 19th century. The spread of ideas and portable works, such as illuminated manuscripts throughout Europe led to consensus among artists and their patrons that considerably reduced variation in national styles. The main influences were northern France, the Duchy of Burgundy, Flanders and Brabant, the Imperial court in Prague, and Italy. Royal marriages such as that between Richard II of England and Anne of Bohemia helped to spread the style. It was initially a style of courtly sophistication, but somewhat more robust versions spread to art commissioned by the emerging mercantile classes and the smaller nobility. In Northern Europe "Late Gothic" continuations of the style, especially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Crivelli - Saint Francis Collecting The Blood Of Christ - Google Art Project
Carlo is a given name. It is an Italian form of Charles. It can refer to: *Carlo (name) *Monte Carlo *Carlingford, New South Wales, a suburb in north-west Sydney, New South Wales, Australia *A satirical song written by Dafydd Iwan about Prince Charles. *A former member of Dion and the Belmonts best known for his 1964 song, Ring A Ling. *Carlo (submachine gun), an improvised West Bank gun. * Carlo, a fictional character from Animal Crossing: Pocket Camp * It can be confused with Carlos * Carlo means “man” (from Germanic “karal”), “free man” (from Middle Low German “kerle”) and “warrior”, “army” (from Germanic “hari”). See also *Carl (name) *Carle (other) *Carlos (given name) Carlos is a masculine given name, and is the Maltese, Portuguese and Spanish variant of the English name ''Charles'', from the North Germanic '' Carl''. Royalty *Carlos I of Portugal (1863–1908), second to last King of Portugal *Charles V, ... {{disambig Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the '' Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyptych
A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a work of art (usually a panel painting) which is divided into sections, or panels. Some definitions restrict "polyptych" to works with more than three sections: a diptych is a two-part work of art; a triptych is a three-part work; a ''tetraptych'' or ''quadriptych'' has four parts. The great majority of historical examples are paintings with religious subjects, but in the 20th century the format became popular again for portraits and other subjects, in painting, photography, and other media. Historically, polyptychs were panel paintings that typically displayed one "central" or "main" panel that was usually the largest; the other panels are called "side" panels, or if hinged, "wings". Folding forms were much more common north of the Alps. Sometimes, as evident in the Ghent Altarpiece and Isenheim Altarpiece, the hinged panels can be varied in arrangement to show different "views" or "openings" in the piece, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transfer Of Panel Paintings
The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century. It has now been largely superseded by improved methods of wood conservation. The practice evolved in Naples and Cremona in 1711–1725 and reached France by the middle of the 18th century. It was especially widely practiced in the second half of the 19th century. Similar techniques are used to transfer frescos. Oil paintings on canvas often receive additional support or are transferred to a new backing. Methods The process is described by Henry Mogford in his '' Handbook for the Preservation of Pictures''. Smooth sheets of paper were pasted over the painted surface of the panel, and a layer of muslin over that. The panel was then fixed, face down, to a table, and the wood planed away from the back until it was "as thin as a plane may safely go", and the remainde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the Binder (material), binder. It has been the most common technique for artistic painting on canvas, wood panel, or oil on copper, copper for several centuries. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark". The oldest known oil paintings were created by Buddhism, Buddhist artists in Afghanistan, and date back to the 7th century AD. Oil paint was later developed by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Sebastiano, Venice
The Chiesa di San Sebastiano () is a 16th-century Roman Catholic Church (building), church located in the Dorsoduro ''sestiere'' of the Italian city of Venice. The church houses a cycle of paintings by the artist Paolo Veronese, as well as paintings by Tintoretto and Titian. The church is a member of the Chorus Association of Venetian churches. It stands on the Campo di San Sebastiano by the Rio di San Basilio, close to the Giudecca Canal. It is one of the five votive churches in Venice, each one built after the passing of a pandemic, plague through the city. Following construction, the church was dedicated to a saint associated with the disease; in this case Saint Sebastian, St. Sebastian. History San Sebastiano is located on the site of a former hospice which was founded by the confraternity of Hieronymites, Gerolimine fathers in 1393. Close to the hospice was an Oratory (worship), Oratory, built in 1396, and dedicated to Santa Maria Full of Grace and Justice. This was lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand II Of Naples
Ferdinand II (; 26 June 1467 – 7 September 1496) was Kingdom of Naples, King of Naples from 1495 to 1496. He was the son of Alfonso II of Naples and the grandson of Ferrante I of Naples. At the start of the Italian Wars in 1495, Alfonso abdicated in favor of his son, Ferdinand, when a French army led by Charles VIII of France, Charles VIII threatened Naples. Unable to effectively defend the city, Ferdinand fled with a small retinue to the island of Ischia. Charles quickly occupied the city, then split his army, leaving half of it to garrison Naples, and taking the other half to return home. By May 1495, with fresh troops and the support of Aragon allies, Ferdinand returned to the peninsula and with the assistance of the Spanish general Gonzalo Fernández de Córdoba, expelled French soldiers from the entire kingdom. He died soon thereafter on 7 September 1496 and was succeeded by his uncle, Frederick IV of Naples, Frederick. Biography Birth On 26 June 1467, Ferrandino was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brera Gallery
The Pinacoteca di Brera ("Brera Art Gallery") is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the 13th to the 20th century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera. History The Palazzo Brera owes its name to the Germanic ''braida'', indicating a grassy opening in the city structure: compare the ''Bra'' of Verona. The convent on the site passed to the Jesuits (1572), then underwent a radical rebuilding by Francesco Maria Richini (1627–28). When the Jesuits were disbanded in 1773, the palazzo remained the seat of the astronomical Observatory and the Braidense National Library founded by the Jesuits. In 1774 the herbarium of the new botanical garden was added. The buildings were extended to designs by Giuseppe Piermarini, who was appointed professor in the Academy when it was formally founded in 1776, with Giuseppe Parini as dean. Pier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
