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Creative Music - 1
''Creative Music - 1'' is the first recording as a leader by American jazz trumpeter Wadada Leo Smith, which was released in 1972 on his own, privately pressed label Kabell. Subtitled "Six Solo Improvisations", the album featured Smith solo using trumpet, flugelhorn and various drums, gongs, bells, and home made percussion. It was reissued in 2004 as part of the four-CD box '' Kabell Years: 1971-1979'', released by John Zorn's imprint Tzadik Records.''Kabell Years: 1971-1979''
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Wadada Leo Smith
Ishmael Wadada Leo Smith (born December 18, 1941) is an American trumpeter and composer, working primarily in the fields of avant-garde jazz and free improvisation. He was one of three finalists for the 2013 Pulitzer Prize for Music for '' Ten Freedom Summers'', released on May 22, 2012. Biography Smith was born in Leland, Mississippi, United States. He started out playing drums, mellophone, and French horn before he settled on the trumpet. He played in various R&B groups and, by 1967, became a member of the AACM and co-founded the Creative Construction Company, a trio with Leroy Jenkins and Anthony Braxton. In 1971, Smith formed his own label, Kabell. He also formed another band, the New Dalta Ahkri, with members including Henry Threadgill, Anthony Davis and Oliver Lake. In the 1970s, Smith studied ethnomusicology at Wesleyan University. He played again with Anthony Braxton, as well as recording with Derek Bailey's Company. In the mid-1980s, Smith became Rastafarian and ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Reflectativity
''Reflectativity'' is the second album by American jazz trumpeter Wadada Leo Smith and the debut with the ensemble New Dalta Ahkri, which was recorded live at The Educational Center for the Arts, New Haven, and released in 1975 on his own Kabell label. Background At this time, Smith was living in New Haven and he formed the band with his students and other young musicians based in the area. For this performance it was a trio with pianist Anthony Davis and bassist Wes Brown. In 2000, Smith released an extended remake with Brown replaced by Malachi Favors on John Zorn's imprint Tzadik. The original album was reissued in 2004 including the second set of the concert as part of the four-CD box '' Kabell Years: 1971-1979'', also on Tzadik.''Kabell Years: 1971-1979''
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John Zorn
John Zorn (born September 2, 1953) is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". Zorn's avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music.Milkowski, B."John Zorn: One Future, Two Views"(interview) in ''Jazz Times'', March 2000, pp. 28–35,118–121; accessed July 24, 2010. In 2013, '' Down Beat'' described Zorn as "one of our most important composers" and in 2020 ''Rolling Stone'' noted that " ltough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".Steamer, H.‘He Made the World Bigger’: Inside John Zorn's Jazz-Metal Multiverse ''Rolling Stone'', June 22, 2020. Zorn entered New York City's downtown music scene in the mid-1970s, collaborating with improvising artists while devel ...
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Tzadik Records
Tzadik Records is a record label in New York City that specializes in avant-garde and experimental music. The label was established by composer and saxophonist John Zorn in 1995. He is the executive producer of all Tzadik releases. Tzadik is a not-for-profit, cooperative record label. Tzadik has released over 400 albums by a variety of artists with diverse musical backgrounds, including free improvisation, jazz, noise, klezmer, rock, and experimental composition. On the label's catalogue are releases by Zorn himself and his multifaceted "songbook" group Masada; singer Mike Patton; guitarists Derek Bailey, Yoshihide Otomo, Tim Sparks, Buckethead and Keiji Haino; noise music icon Merzbow; composers Gordon Mumma, Frank Denyer, Arnold Dreyblatt, and Teiji Ito; experimental groups Kayo Dot, Time of Orchids and Rashanim, microtonalists Syzygys; drummer Tatsuya Yoshida and his bands Ruins and Korekyojinn; trumpeter Wadada Leo Smith Ishmael Wadada Leo Smith (born December ...
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AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as All-Music Guide by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guid ...
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The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the ''Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ...
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Eugene Chadbourne
Eugene Chadbourne (born January 4, 1954) is an American banjoist, guitarist and music critic. Life and career Chadbourne was born in Mount Vernon, New York, but grew up in Boulder, Colorado. He started playing guitar when he was eleven or twelve, inspired by the Beatles and hoping to get the attention of girls. Although he was drawn to Jimi Hendrix and played in a garage band, he found rock and pop music too conventional. He gravitated to the avant-garde jazz of Anthony Braxton and Derek Bailey. Braxton persuaded Chadbourne to abandon his intention to enter journalism and instead pursue music. During the early 1970s, he lived in Canada to avoid military service in the Vietnam War. Returning to the United States, he moved to New York City in the mid 1970s and played free improvisation with Henry Kaiser and John Zorn. Around this time, he released his first album, ''Solo Acoustic Guitar''. In the early 1980s, he led the avant-rock band Shockabilly with Mark Kramer and ...
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Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a ...
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Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of molded plastic. The recorders' internal and external proportions vary, but the bore ...
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Autoharp
An autoharp or chord zither is a string instrument belonging to the zither family. It uses a series of bars individually configured to mute all strings other than those needed for the intended chord. The term ''autoharp'' was once a trademark of the Oscar Schmidt company, but has become a generic designation for all such instruments, regardless of manufacturer. History Charles F. Zimmermann, a German immigrant in Philadelphia, was awarded a patent in 1882 for a “Harp” fitted with a mechanism that muted strings selectively during play. He called a zither-sized instrument using this mechanism an “autoharp.” Unlike later designs, the instrument shown in the patent was symmetrical, and the damping mechanism engaged with the strings laterally instead of from above. It is not known if Zimmermann ever produced such instruments commercially. Karl August Gütter of Markneukirchen, Germany, built a model that he called a ''Volkszither'', which was more clearly the prototype of ...
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