|
Countersubject
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called monothematic, while music based on several themes is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In classical music, a fugue (, from Latin ''fuga'', meaning "flight" or "escape""Fugue, ''n''." ''The Concise Oxford English Dictionary'', eleventh edition, revised, ed. Catherine Soanes and Angus Stevenson (Oxford and New York: Oxford University Press, 2006). ) is a Counterpoint, contrapuntal, Polyphony, polyphonic Musical composition, compositional technique in two or more voice (music), voices, built on a Subject (music), subject (a musical theme) that is introduced at the beginning in imitation (music), imitation (repetition at different pitches), which recurs frequently throughout the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to Music history of the United States, early American (i.e. shape note or "Sacred Harp") music and West gallery music, West Gallery music. A fugue usually has three main sections: an exposition (music), exposition, a development (music), development, and a final ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition (music)
In musical form and analysis, exposition is the initial presentation of the thematic material of a musical composition, movement, or section. The use of the term generally implies that the material will be developed or varied. *In sonata form, the exposition is "the first major section, incorporating at least one important modulation to the dominant or other secondary key and presenting the principal thematic material." *In a fugue, the exposition is "the statement of the subject in imitation by the several voices; especially the first such statement, with which the fugue begins." In sonata form The term is most widely used as an analytical convenience to denote a portion of a movement identified as an example of classical tonal sonata form. The exposition typically establishes the music's tonic key, and then modulates to, and ends in, the dominant. If the exposition starts in a minor key, it typically modulates to the relative major key. There are many exception ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music From The Idol
The original music created by Canadian singer the Weeknd for the 2023 HBO Drama (film and television), drama television series ''The Idol (TV series), The Idol'' (which he also created and starred in), consists of six separately released Extended play, EPs released between June 9, 2023, and July 3, 2023. Originally, the music was set to be released all together on June 30, 2023, as a soundtrack album titled ''The Idol, Vol. 1'' through XO (record label), XO and Republic Records. However, it was later announced on June 8, 2023, that EPs containing original songs and instrumentals from the show would be released following or preceding the release of each episode. The overall soundtrack was executively produced by Tesfaye himself, EPs contain guest appearances from Mike Dean (record producer), Mike Dean, Lily-Rose Depp, Suzanna Son, Future (rapper), Future, Moses Sumney, Jennie (singer), Jennie, Ramsey, Lil Baby, and Troye Sivan. Singles Before the album was repurposed into multip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata For Two Pianos (Goeyvaerts)
Sonata for Two Pianos (1950–51), also called simply Opus 1 or Nummer 1, is a chamber music work by Belgian composer Karel Goeyvaerts, and a seminal work in the early history of European serialism. History Goeyvaerts composed the sonata during the winter of 1950–51, and brought the score with him when he attended the Darmstädter Ferienkurse in the Summer of 1951. There he met Karlheinz Stockhausen, five years his junior and at the time and a student in his last year at the Cologne Conservatory. Goeyvaert's and Stockhausen's analysis and performance of the second movement of the Sonata in Theodor W. Adorno's composition seminar had considerable significance for those young composers eager to develop serial thinking. The influence of the Sonata is also evident in Stockhausen's early serial compositions, particularly ''Kreuzspiel'', which Stockhausen began composing on his way home from Darmstadt and finished on 4 November 1951. Adorno, however, did not appreciate the qualities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 19255 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war contemporary classical music. Born in Montbrison, Loire, Montbrison, in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism in the 1950s, Aleatoric music, controlled chance music in the 1960s and the electronic transformation of instrumental music in real time from the 1970s onwards. His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces considered landmarks of twent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Structures (Boulez)
''Structures I'' (1952) and ''Structures II'' (1961) are two related works for two pianos, composed by the French composer Pierre Boulez Pierre Louis Joseph Boulez (; 26 March 19255 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war contemporary classical music. Born in Montb .... History The first book of ''Structures'' was begun in early 1951, as Boulez was completing his orchestral work '' Polyphonie X'', and finished in 1952. It consists of three movements, or "chapters", labelled ''Ia'', ''Ib'', and ''Ic'', composed in the order ''a'', ''c'', ''b''. The first of the second book's two "chapters" was composed in 1956, but chapter2 was not written until 1961. The second chapter includes three sets of variable elements, which are to be arranged to make a performing version. A partial premiere of book2 was performed by the composer and Yvonne Loriod at the Wigmore Hal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphonie X
''Polyphonie X'' (1950–51) is a three- movement composition by Pierre Boulez for eighteen instruments divided into seven groups, with a duration of roughly fifteen minutes. Following the work's premiere, Boulez withdrew the score, stating that it suffered from "theoretical exaggeration". (In a 1974 interview, he referred to it as a "document" rather than a "work".) Despite Boulez's dissatisfaction with the piece, it played a key role in his development: one writer called it "the linchpin connecting Boulez's early mastery of gesture and contour... with his later interest in large ensembles and grand forms", his "brave 'first attempt' to produce a work that exhausted a particular musical technique with large orchestral forces by developing an expansive, additive structure at the earliest stages of composition", and "one of the purest representations of Boulez's first turn toward integral serialism". Background In 1948 and 1949, Boulez worked on '' Livre pour quatuor'' for string qua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erwartung
' (''Expectation''), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by . Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera '' Bluebeard's Castle'' (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg described ''Erwartung'', saying "the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour." Philip Friedheim has described ' as Schoenberg's "only lengthy work in an athematic style", where no musical material returns once stated over the course of 426 measures. In his analysis of the structure, one indication of the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alois Hába
Alois Hába (21 June 1893 – 18 November 1973) was a Czech composer, music theorist and teacher. He belongs to the important discoverers in modern classical music, and to the major composers of microtonal music, especially using the quarter-tone scale, though he used others such as sixth-tones (e.g., in the 5th, 10th and 11th String Quartets), fifth-tones (Sixteenth String Quartet), and twelfth-tones. From the other microtonal conceptions, he discussed a "three-quarter tone" system (see three-quarter tone flat and the neutral second) in his theoretical works but he used scales in this tuning in sections of some of his compositions. In his prolific career, Hába composed three operas, an enormous collection of chamber music including 16 string quartets, piano, organ and choral pieces, some orchestral works and songs. He also had special keyboard and woodwind instruments constructed that were capable of playing quarter-tone scales. Life Alois Hába was born in the smal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alban Berg
Alban Maria Johannes Berg ( ; ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively small ''oeuvre'', he is remembered as one of the most important composers of the 20th century for his expressive style encompassing "entire worlds of emotion and structure". Berg was born and lived in Vienna. He began to compose at the age of fifteen. He studied counterpoint, music theory and harmony with Arnold Schoenberg between 1904 and 1911, and adopted his principles of ''developing variation'' and the twelve-tone technique. Berg's major works include the operas '' Wozzeck'' (1924) and ''Lulu'' (1935, finished posthumously), the chamber pieces '' Lyric Suite'' and Chamber Concerto, as well as a Violin Concerto. He also composed a number of songs ('' lieder''). He is said to have brought more "human values" to the twelve-tone system; hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Webern
Anton Webern (; 3 December 1883 – 15 September 1945) was an Austrian composer, conductor, and musicologist. His music was among the most radical of its milieu in its lyric poetry, lyrical, poetic concision and use of then novel atonality, atonal and twelve-tone technique, twelve-tone techniques. His approach was typically rigorous, inspired by his studies of the Franco-Flemish School under Guido Adler and by Arnold Schoenberg's emphasis on structure in teaching composition from the music of Johann Sebastian Bach, the First Viennese School, and Johannes Brahms. Webern, Schoenberg, and their colleague Alban Berg were at the core of what became known as the Second Viennese School. Webern was arguably the first and certainly the last of the three to write music in an Aphorism, aphoristic and Expressionist music, expressionist style, reflecting his instincts and the idiosyncrasy of his compositional process. He treated themes of love, loss, nature, and spirituality, working from his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schoenberg
Arnold Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian and American composer, music theorist, teacher and writer. He was among the first Modernism (music), modernists who transformed the practice of harmony in 20th-century classical music, and a central element of his music was its use of motive (music), motives as a means of coherence. He propounded concepts like developing variation, the emancipation of the dissonance, and the "unified field, unity of musical space". Schoenberg's early works, like ''Verklärte Nacht'' (1899), represented a Brahmsian–Wagnerian synthesis on which he built. Mentoring Anton Webern and Alban Berg, he became the central figure of the Second Viennese School. They consorted with visual artists, published in ''Der Blaue Reiter'', and wrote atonal, expressionist music, attracting fame and stirring debate. In his String Quartets (Schoenberg)#String Quartet No. 2, Op. 10, String Quartet No. 2 (1907–1908), ''Erwartung'' (1909), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
