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Conté Quality Marking Bands
Conté (; ), also called the Conté stick or Conté crayon, is a drawing medium composed of compressed powdered graphite or charcoal mixed with a clay base, square in cross-section. It was invented in 1795 by Nicolas-Jacques Conté, who created the combination of clay and graphite in response to the shortage of graphite caused by the Napoleonic Wars (when the British naval blockade of France prevented import). Conté crayons had the advantage of being cost-effective to produce, and easy to manufacture in controlled grades of hardness. They are now manufactured using natural pigments (iron oxides, carbon black, titanium dioxide), clay (kaolin), and a binder (cellulose ether). Conté crayons are most commonly found in black, white, and sanguine tones, as well as bistre, shades of grey, and other colors. Colors sets are especially useful for field studies and color studies. Some artists create entire paintings with them, using them more like pastels than like a drawing medium. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Binder (material)
A binder or binding agent is any material or substance that holds or draws other materials together to form a cohesive whole mechanically, chemically, by adhesion or cohesion. More narrowly, binders are liquid or dough-like substances that harden by a chemical or physical process and bind fibres, filler powder and other particles added into it. Examples include glue, adhesive and thickening. Examples of mechanical binders are bond stones in masonry and tie beams in timber framing. Classification Binders are loosely classified as organic ( bitums, animal and plant glues, polymers) and inorganic ( lime, cement, gypsum, liquid glass, etc.). These can be either metallic or ceramic as well as polymeric depending on the nature of the main material. For example, in the compound WC-Co (Tungsten Carbide used in cutting tools) Co constitutes the binding agent for the WC particles. Based on their chemical resistance, binders are classified by the field of use: non-hydrau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tortillon
A tortillon (; also blending stump) is a cylindrical drawing tool, tapered at the end and usually made of rolled paper. It is used by artists to smudge or blend marks made with charcoal, Conté crayon, pencil or other drawing media. A blending stump is similar to a tortillon but is longer, more tightly wrapped, and pointed at both ends. Tortillons produce slightly different textures than stumps when blending, and they are hollow, whereas stumps are solid. Cleaning of tortillons and stumps usually involves removing the used outer layer of paper by scraping or rubbing it on an abrasive surface, such as sandpaper, carpet, rubber erasers, or an emery board A nail file is a tool that can be used to gently grind down and shape the edges of nails. They are often used in manicures and pedicures after the nail has been trimmed using appropriate nail clippers. Nail files may either be emery boards, ce .... Some people also whittle off the tip if it becomes dull, or mashed in. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Art Media
Media, or mediums, are the core types of material (or related other tools) used by an artist, composer, designer, etc. to create a work of art. For example, a visual artist may broadly use the media of painting or sculpting, which themselves have more specific media within them, such as watercolor paints or marble. The following is a list of artistic categories and the media used within each category: Architecture *Cement, concrete, mortar * Cob *Glass *Metal *Stone, brick *Wood Carpentry *Adhesives *Wood (timber) Ceramics *Bone china *Clay * Glaze *Porcelain *Pottery *Terracotta *Tile Drawing Common drawing materials *Acrylic paint *Chalk *Charcoal *Colored pencil *Conté *Crayon * Encaustic *Fresco *Glitter * Gouache *Graphite * Ink * Intaglio *Oil paint * Glass paint *Pastel *Pixel *Printmaking * Sketch *Tempera *Watercolor Common supports (surfaces) for drawing *Canvas *Card stock *Concrete *Fabric *Glass *Human body *Metal *Paper *Papyrus *Parchment *Plast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Signac
Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, with Georges Seurat, helped develop the artistic technique Pointillism. Biography Paul-Victor-Jules Signac was born in Paris on 11 November 1863. His parents wanted him to study architecture but, as he said, his preference was to draw the Seine. He was particularly affected by an 1880 exhibition of Claude Monet's work. Signac began boating. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colors and he became Seurat's faithful supporter, friend, and heir with his description of Neo-Impressionism and Divisionism method. Under Seurat's influence he abandoned the short brushstrokes of Impressionism to experiment with scientifically-juxtaposed small dots of pure color, intended to combine and blend not on the canvas, but in the viewer's eye, the defining feature of Pointillism. The Medit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bathers At Asnières
''Bathers at Asnières'' () is an 1884 oil on canvas painting by French artist Georges Pierre Seurat, the first of his two masterpieces on the monumental scale. The canvas is of a suburban, placid Parisian riverside scene. Isolated figures, with their clothes piled sculpturally on the riverbank, together with trees, austere boundary walls and buildings, and the River Seine are presented in a formal layout. A combination of complex brushstroke techniques and a meticulous application of contemporary color theory bring to the composition a sense of gentle vibrancy and timelessness. Seurat completed the painting of ''Bathers at Asnières'' in 1884, at 24 years old. He applied to the jury of the Salon of the same year to have the work exhibited there, only to be rejected. The ''Bathers'' continued to puzzle many of Seurat’s contemporaries, and the picture would only be widely acclaimed many years after the artist's death (age 31). An appreciation of the piece's merits grew during th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Seurat
Georges Pierre Seurat ( , ; ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work '' A Sunday Afternoon on the Island of La Grande Jatte'' (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting. Biography Family and education Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863. Seurat: p. 16 His father, Antoine Chrysost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastel
A pastel () is an art medium that consists of powdered pigment and a binder (material), binder. It can exist in a variety of forms, including a stick, a square, a pebble, and a pan of color, among other forms. The pigments used in pastels are similar to those used to produce some other colored visual arts media, such as oil paints; the binder is of a neutral hue and low colorfulness, saturation. The color effect of pastels is closer to the natural dry pigments than that of any other process. Pastels have been used by artists since the Renaissance, and gained considerable popularity in the 18th century, when a number of notable artists made pastel their primary medium. An artwork made using pastels is called a pastel (or a pastel drawing or pastel painting). ''Pastel'' used as a verb means to produce an artwork with pastels; as an adjective it means pale in color. Pastel media Pastel sticks or crayons consist of powdered pigment combined with a binder. The exact composition a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painterly
Painterliness is a concept based on ' ('painterly'), a word popularized by Swiss art historian Heinrich Wölfflin (1864–1945) to help focus, enrich and standardize the terms being used by art historians of his time to characterize Work of art, works of art. A painting is said to be ''painterly'' when there are visible Brush#Paintbrushes, brushstrokes in the final work – the result of applying paint in a manner that is not entirely controlled, generally without closely following carefully drawn lines. Any painting media – oils, acrylics, watercolors, gouache, etc. – can produce either linear or painterly work. Some artists whose work could be characterized as painterly are Pierre Bonnard, Francis Bacon (artist), Francis Bacon, Vincent van Gogh, Rembrandt Harmenszoon van Rijn, Rembrandt, Pierre-Auguste Renoir, Renoir, John Singer Sargent, and Andrew Wyeth (his early watercolors). The Impressionism, Impressionists, Fauvism, Fauvists and the Abstract Expressionism, Abstr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underdrawing
Underdrawing is a preparatory drawing done on a painting ground before paint is applied, for example, an imprimatura or an underpainting. Underdrawing was used extensively by 15th century painters like Jan van Eyck and Rogier van der Weyden. These artists "underdrew" with a brush, using hatching strokes for shading, using water-based black paint, before underpainting and overpainting with oils. Cennino D'Andrea Cennini (14th century most likely) describes a different type of underdrawing, made with graded tones rather than hatching, for egg tempera. In some cases, underdrawing can be clearly visualized using infrared reflectography because carbon black pigments absorb infrared light, whereas opaque pigments such as lead white are transparent with infrared light. Underdrawing in many works, for example, the ''Annunciation'' (van Eyck, Washington) or the '' Arnolfini Portrait'', reveals that artists made alterations, sometimes radical ones, to their compositions. The underdr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
