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Conjunto De Música Calentana
The term ''conjunto'' (, literally 'group', 'ensemble') refers to several types of small musical ensembles present in different Latin American musical traditions, mainly in Mexico and Cuba. While Mexican conjuntos play styles such as '' norteño'' and ''tejano'', Cuban ''conjuntos'' specialize in the ''son'', as well as its derivations such as ''salsa''. Mexican Mexican conjunto music, also known as ''conjunto tejano'', was born in south Texas at the end of the 19th century, after German settlers introduced the button accordion. The ''bajo sexto'' has come to accompany the button accordion and is integral to the ''conjunto'' sound. Many ''conjuntos'' are concentrated in the Southwestern portion of the United States, primarily in Texas and California. In Mexico, the term ''conjunto'' is associated with '' norteño'' and ''tejano'' music. Since ''tejano'' was bred out of ''norteño'' music originally, this association is not entirely false. However, due to various cultural and soc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin American Music
The music of Latin America refers to music originating from Latin America, namely the Spanish language, Spanish and Portuguese language, Portuguese-speaking regions of the Americas south of the United States. Latin American music highly incorporates its Africa, African influences into the music of Latin America, as well as Indigenous peoples of the Americas#Music and art, indigenous music of Latin America. Due to its highly Syncretism, syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, Bachata (music), bachata, bossa nova, Merengue music, merengue, Cuban rumba, rumba, Salsa music, salsa, samba, son (music), son, candombe and Tango music, tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, Latin rock, rock, Latin jazz, jazz, Latin hip hop, hip hop, and reggaeton. Geographically, it usually refers to the Spanish and Portuguese-spe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz
The waltz ( , meaning "to roll or revolve") is a ballroom dance, ballroom and folk dance, in triple (3/4 time, time), performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. History There are many references to a sliding or gliding dance, including ''volte'', that would evolve into the waltz that date from 16th-century Europe, including the representations of the Printmaking, printmaker Sebald Beham, Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Güiro
The güiro () is a percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines (see photo) along the notches to produce a ratchet sound. The güiro is commonly used in Cuban, Puerto Rican, and other forms of Latin American music, and plays a key role in the typical rhythm section of important genres like son, trova and salsa. Playing the güiro usually requires both long and short sounds, made by scraping up and down in long or short strokes. The güiro, like the maracas, is often played by a singer. It is closely related to the Cuban guayo, Dominican güira, and Haitian graj which are made of metal. Other instruments similar to the güiro are the Colombian guacharaca, the Brazilian reco-reco, the Cabo Verdean ferrinho, the quijada (cow jawbone) and the frottoir (French) or fwotwa (French Creole) ( washboard). Etymology In the Arawakan language, a language of the indigenous people of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jawbone (instrument)
The quijada, charrasca, or jawbone (in English) is an idiophone percussion instrument made from the jawbone of a donkey, horse, mule, or cattle, producing a powerful buzzing sound. The jawbone is cleaned of tissue and dried to make the teeth loose and act as a rattle. It is used in music in most of Latin America, including Mexico, Peru, El Salvador, Ecuador, and Cuba. It was also historically used in the early American minstrel show. Technique To play it, a musician holds one end in one hand and strikes the other with either a stick or their hand; this causes the teeth to rattle against the bone creating a loud, untuned sound, specific to this instrument. The stick can also be pulled along the teeth which act as a rasp. These ingredients provide the basis for a wide variety of combinations and rhythms. Historical and cultural content While it is used in most of Latin America, the quijada originated from the Africans that were brought to the Americas during the colonial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandero Octagonal
The pandero is a musical instrument of the membranophone family consisting of a circular frame, often made of wood or plastic, with a single head of skin stretched over it. It is played in folk music of Latin-America, Spain and Portugal Portugal, officially the Portuguese Republic, is a country on the Iberian Peninsula in Southwestern Europe. Featuring Cabo da Roca, the westernmost point in continental Europe, Portugal borders Spain to its north and east, with which it share .... In many of these countries, when the frame has pairs of small metal jingles, it is called ''pandereta''. In some countries, terms pandero and pandereta are interchangeable. It is played by tapping the head with fingers or palm. Gallery File:Pandeireta_Galega.JPG, Pandeireta from Galicia (Spain) File:Pandero_cuequero8.jpg, Player of Chilean pandero cuequero References * The Concise Garland Encyclopedia of World Music, Volume 1. (2008). . Membranophones {{Membranophone-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jarana De Son Jarocho
The jarana jarocha is a guitar-shaped fretted stringed instrument from the southern region of the state of Veracruz, Mexico. Typically strung with 8 strings in 5 courses, usually arranged in two single outer strings with three double-courses in between. The strings are usually nylon, although they were gut in the past. The body is somewhat narrower than a guitar because of its direct lineage from the Spanish baroque guitar of the sixteenth century. Sometimes mistaken for a ukulele, the jarana jarocha comes in at least five sizes, the smallest being the chaquiste, somewhat smaller than a soprano ukulele; then the mosquito, about the size of a soprano ukulele; the 'primera', about the size of a concert ukulele; the 'segunda', in length between a tenor and a baritone ukulele; and the 'tercera', somewhat longer than the baritone ukulele. Some luthiers are building jaranas of a size they label "tercerola" or "jarana cuarta", but there is some discussion as to whether these represent a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arpa Jarocha
The ''arpa jarocha'' is a large wooden harp that is normally played while standing, although early examples from the 16th through the first three or four decades of the 19th centuries were smaller and were played while seated. It has a wooden frame, a resonator, a flat soundboard, 32-36 nylon strings (originally, gut strings), and does not have pedals. This harp is tuned diatonically over five octaves. The top of its soundboard sometimes arches outward due to the tension of the strings. Unlike other Mexican harps, the ''arpa jarocha'' has its sound holes located on the back of the soundboard instead of on the front. Playing technique As previously stated, the ''arpa jarocha'' was once commonly played while seated, similarly to its ancestor the Spanish harp from the 16th century. In modern times, since approximately the 1940s, the ''arpa jarocha'' has been built in a larger scale, following the general pattern of the Western Mexican harps from Jalisco and Michoacán. One of the fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requinto De Son Jarocho
The requinto jarocho or guitarra de son is plucked string instrument, played usually with a special pick. It is a four- or five-stringed instrument that has originated from Veracruz, Mexico. The ''requinto'' is used in conjunto jarocho ensembles. In the absence of the '' arpa'', the requinto typically introduces the melodic theme of the ''son'' and then continues by providing a largely improvised counterpoint to the vocal line. Characteristics The requinto jarocho is shaped like a guitar with a small body. The body, neck and tuning head is made from one piece of wood. It has a shallow body, and a slightly raised fingerboard. It also has 12 frets. The four-stringed requinto jarocho can follow the standard tuning of (ADGc), but is also commonly tuned to GADg and CDGc. The five-stringed requinto, however, adds a string above the standard tuning 5 half-steps below the initial first string, making it EADGc. The requinto jarocho strings are made of nylon; when played it sounds like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mexican People
Mexicans () are the citizens and nationals of the Mexico, United Mexican States. The Mexican people have varied origins with the most spoken language being Spanish language, Spanish, but many also speak languages from 68 different Languages of Mexico, Indigenous linguistic groups and other languages brought to Mexico by expatriates or recent immigration. In 2020, 19.4% of Mexico's population identified as Indigenous peoples of Mexico, Indigenous. There are currently about 12 million Mexican nationals residing outside Mexico, with about 11.7 million living in the United States. The larger Mexican diaspora can also include individuals that trace ancestry to Mexico and self-concept, self-identify as Mexican but are not necessarily Mexican citizenship, Mexican by citizenship. The United States has the largest Mexican population in the world after Mexico at 10,918,205 in 2021. The modern nation of Mexico achieved independence from the Spanish Empire in 1821, after a decade-long war ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guadalupe Cultural Arts Center
The Guadalupe Cultural Arts Center (GCAC) is a nonprofit arts organization located in the West Side of San Antonio. Its focus is multidisciplinary, with performances, exhibitions, and classes pertaining to music, dance, theater, literature, art, and film, with an emphasis on Chicano Chicano (masculine form) or Chicana (feminine form) is an ethnic identity for Mexican Americans that emerged from the Chicano Movement. In the 1960s, ''Chicano'' was widely reclaimed among Hispanics in the building of a movement toward politic ..., Mexican, Latino, and Native American content. Its origins can be traced to 1979, when several groups of Chicanos/as came together to form the Performance Artists Nucleus, Incorporated (PAN). Its first permanent campus consisted of the Teatro Guadalupe, a large theater from 1940 that had been closed in 1970, and the former Progresso Dugstore, at the intersection of Guadalupe and South Bazos Streets. PAN adopted the name Guadalupe Cultural Arts Center be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
