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Comparison Of MIDI Standards
This table provides summary of comparison of various MIDI Musical Instrument Digital Interface (; MIDI) is an American-Japanese technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, ... enhancement standards by various parameters. Notes References * * * , an extensive guide to various models and their capabilities GM modules for the masses a comparison article {{PC sound standards * MIDI standards ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
Musical Instrument Digital Interface (; MIDI) is an American-Japanese technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and velocity. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which the audience hears produced by a keyboard amplifier. MIDI data can be transferred via MIDI or USB cable, or recorded to a sequencer or digital audio workstation to be edited or played back. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MPU-401
The MPU-401, where ''MPU'' stands for MIDI Processing Unit, is an important but now obsolete interface for connecting MIDI-equipped electronic music hardware to personal computers. It was designed by Roland Corporation, which also co-authored the MIDI standard. Design Released around 1984, the original MPU-401 was an external breakout box providing MIDI IN/MIDI OUT/MIDI THRU/TAPE IN/TAPE OUT/MIDI SYNC connectors, for use with a separately-sold interface card/cartridge ("MPU-401 interface kit") inserted into a computer system. For this setup, the following "interface kits" were made: * MIF-APL: For the Apple II * MIF-C64: For the Commodore 64 * MIF-FM7: For the Fujitsu FM-7 * MIF-IPC: For the IBM Personal Computer, IBM PC/IBM Personal Computer XT, IBM XT. It turned out not to work reliably with 286 and faster processors. Early versions of the actual PCB had IF-MIDI/IBM as a silk screen. * MIF-IPC-A: For the IBM Personal Computer AT, IBM AT, works with PC and XT as well. * Xanadu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland MT-32
The Roland MT-32 Multi-Timbre Sound Module is a MIDI synthesizer module first released in 1987 by Roland Corporation. It was originally marketed to amateur musicians as a budget external synthesizer with an original list price of $695. However, it became more famous along with its compatible modules as an early ''de facto'' standard in computer music. Since it was made prior to the release of the General MIDI standard, it uses its own proprietary format for MIDI file playback. Within Roland's family of linear arithmetic (LA) synthesizers, the multitimbral MT-32 series constitutes the budget prosumer line for computer music at home, the multitimbral D-5, D-10, D-20 and D-110 models constitute the professional line for general studio use, and the high-end bitimbral D-50 and D-550 models are for sophisticated multi-track studio work. It was the first product in Roland's line of Desktop Music System (DTM) packages in Japan. Features Like the Roland D-50 Linear Synthesi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
General MIDI
General MIDI (also known as GM or GM 1) is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The official specification is available in English from the MMA, bound together with the MIDI 1.0 specification, and in Japanese from the Association of Musical Electronic Industry (AMEI). GM imposes several requirements beyond the more abstract MIDI 1.0 specification. While MIDI 1.0 by itself provides a communication protocol which ensures that different instruments can interoperate at a fundamental level – for example, that pressing keys on a MIDI keyboard will cause an attached MIDI sound module to play musical notes – GM goes further in two ways. First, GM requires that all compliant MIDI instruments meet a certain minimal set of features, such as being able to play at least 24 notes simult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland GS
Roland GS, or just GS, sometimes expanded as General Standard or General Sound, is a MIDI specification. It requires that all GS-compatible equipment must meet a certain set of features and it documents interpretations of some MIDI commands and bytes sequences, thus defining instrument tones, controllers for sound effects, etc. In addition to the simpler General MIDI standard, GS defines 98 additional tone instruments, 15 more percussion instruments, 8 more drum kits, 3 effects (reverb/chorus/variation) and some other features. The Roland SC-55 was the first synthesizer to support the GS standard. History The GS extensions were first introduced and implemented on Roland Sound Canvas series modules, starting with the Roland SC-55 in 1991. The first model supported 317 instruments, 16 simultaneous melodic voices, 8 percussion voices and a compatibility mode for Roland MT-32 (although it only emulated it and lacked programmability of original MT-32) and gained explosive popularity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha XG
Yamaha XG (Extended General MIDI) is an extension to the General MIDI standard, created by Yamaha Corporation, Yamaha. It is similar in purpose to the Roland GS standard. Features Relative to General MIDI, XG gained popularity by increasing the number of available instruments from 128 to 480 with an additional 11 drum kits and introduced a large set of standard controllers and parameters that composers could employ to achieve greater subtlety and realism in their compositions. The XG also has a synthesizer that provides a 32/64 note polyphonic feature which is shared through the supported 16 MIDI channels. XG has a wide range of sounds to form such complex chords and produces a wide variety of lower synthesizer sounds to choose from. A subset known as "XGlite" is featured in most of Yamaha's lower-end electronic keyboard products such as the List of Yamaha products, PSR/PortaTone line. It features a reduced set of 361 instruments (381 in some models) and greatly simplified ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
General MIDI Level 2
General MIDI Level 2 or GM2 is a specification for synthesizers which defines several requirements beyond the more abstract MIDI standard and is based on General MIDI, GS extensions, and XG extensions. It was adopted in 1999 by the MIDI Manufacturers Association (MMA). General requirements * Number of Notes: 32 simultaneous notes * MIDI Channels: 16 * Simultaneous Melodic Instruments – up to 16 (all Channels) * Simultaneous Percussion Kits – up to 2 (Channel 10/11) Parameters Program and bank change events General MIDI 2 compatible synthesizers access all of the 256 instruments by setting cc#0 (Bank Select MSB) to 121 and using cc#32 (Bank Select LSB) to select the variation bank before a Program Change. Variation bank 0 contains the full GM — that is, General MIDI 1 — sound set. Variations using other bank numbers are new to General MIDI 2, and correspond to variation sounds introduced in Roland GS and Yamaha XG. Melodic sounds = Piano = = Chromatic Percussion = = ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha XGlite
Yamaha may refer to: People * Torakusu Yamaha, a Japanese businessman and founder of the Yamaha Corporation Companies * Yamaha Corporation, a Japanese musical instrument and audio equipment manufacturer ** Yamaha Music Foundation, an organization established by Yamaha Corporation ** Yamaha Pro Audio, a Yamaha division specializing in products for the professional audio market * Yamaha Motor Company, a Japanese mobility manufacturer, spun off from Yamaha Corporation ** Yamaha Motor Racing, the MotoGP factory team of Yamaha Motor Company Other uses * Shizuoka Blue Revs Shizuoka Blue Revs (formerly the Yamaha Júbilo) are a rugby union team based in Iwata, Shizuoka, Japan. The team came second behind Toshiba Brave Lupus in the second season of Japanese rugby's Top League (2004–05). They were coached by form ..., formerly Yamaha Júbilo, a Japanese rugby team * Yamaha Stadium, a football stadium located in Iwata, Shizuoka Prefecture {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Musician
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depend entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer: no acoustic waves need to be previously generated by mechanical means and then converted into electrical signals. On the other hand, electromechanical instruments have mechanical parts such as strings or hammers that generate the sound waves, together with electric elements including magnetic pickups, power amplifiers and loudspeakers that convert the acoustic waves into electrical signals, process them and convert them back into sound waves. Such electromechanical devices include the telharmonium, Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Corporation
is a Japanese multinational manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of December 2022, it employed 2,783 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History Background Roland founder Ikutaro Kakehashi had founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japan MIDI Standards Committee
The Japan MIDI Standards Committee (JMSC) is the body that ratifies and proposes MIDI standards within the Japanese manufacturing and developer community. It now operates within the Association of Musical Electronics Industry (AMEI). The JMSC ratifies MIDI as Japanese Industrial Standards through the Japanese Industrial Standards Committee. See also * MIDI Manufacturers Association The MIDI Manufacturers Association (MMA) is a non-profit trade organization where companies work together to create MIDI standards comparison, MIDI standards that assure compatibility among MIDI products. The MMA is a U.S. organization established ... References External links Association of Musical Electronics Industry (AMEI) MIDI {{business-org-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Association Of Musical Electronics Industry
The Association of Musical Electronics Industry (AMEI) is an organization where companies work together to create the standards that assure compatibility among electronic musical instruments, particularly MIDI products. The AMEI is a Japanese organization established in 1996. See also * MIDI Manufacturers Association The MIDI Manufacturers Association (MMA) is a non-profit trade organization where companies work together to create MIDI standards comparison, MIDI standards that assure compatibility among MIDI products. The MMA is a U.S. organization established ... * Japan MIDI Standards Committee References External links Association of Musical Electronics Industry (AMEI) MIDI Organizations established in 1996 1996 establishments in Japan Kanda, Tokyo Music Awards Japan winners {{business-org-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
