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Columbina
Columbine (Italian language, Italian: Colombina; French language, French: Colombine; ) is a stock character in the commedia dell'arte. She is Harlequin's mistress, a comic servant playing the tricky slave type, and wife of Pierrot. Rudlin and Crick use the Italian spelling Colombina in ''Commedia dell'Arte: A Handbook for Troupes''. History The role of the female servant was originally that of an entr'acte dancer. Women were not allowed to be part of the story that was being played out on stage, but they were allowed to have a dance in-between the action. Eventually these women became the buxom and gossipy servants of characters that were already allowed on stage, and then, later, the counterparts to the Zanni characters. Columbine was very down to earth and could always see the situation for what it actually was. She was also sometimes portrayed as a prostitute. She was very infrequently without something to say to or about someone. She is dressed in a very short ragged and pa ...
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Columbidae
Columbidae is a bird Family (biology), family consisting of doves and pigeons. It is the only family in the Order (biology), order Columbiformes. These are stout-bodied birds with small heads, relatively short necks and slender bills that in some species feature fleshy ceres. They Herbivore, feed largely on plant matter, feeding on seeds (granivore, granivory), fruit (frugivore, frugivory), and foliage (folivore, folivory). In colloquial English, the smaller species tend to be called "doves", and the larger ones "pigeons", although the distinction is not consistent, and there is no scientific separation between them. Historically, the common names for these birds involve a great deal of variation. The bird most commonly referred to as "pigeon" is the domestic pigeon, descendant of the wild rock dove, which is a common Urban wildlife, inhabitant of cities as the feral pigeon. Columbidae contains 51 genera divided into 353 species. The family occurs worldwide, often in close p ...
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Caterina Biancolelli
Caterina Biancolelli (1665–1716) was an Italian actress in the commedia dell'arte style of theater. She was one of the earliest actresses to play the role of Colombina, and one of the most famous. Biancolelli was the daughter of actors Domenico Biancolelli (1636–1688), famous for playing Harlequin, and Orsola Cortesi (1637–1718), who played an '' innamorata'' named Eularia. Her grandmother was the actress Isabella Franchini Biancolelli, who had also played Colombina. Biancolelli and her family were members of the Comédie-Italienne troupe ''Ancienne Troupe de la Comedia Italienne'', which performed in France. Biancolelli began playing Colombina in her family's troupe in 1683. In that same year, she and the rest of the troupe received positive reviews from Donneau de Visé in the journal ''Mercure galant''. In 1695, she played Arlecchina, a female version of Harlequin, in ''Le Retour de la foire de Bezons'' by Evaristo Gherardi. Along with acting, she was known for her sin ...
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Harlequin
Harlequin (, , ; , ) is the best-known of the comic servant characters (Zanni) from the Italian commedia dell'arte, associated with the city of Bergamo. The role is traditionally believed to have been introduced by the Italian actor-manager Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630. The Harlequin is characterised by his checkered costume. His role is that of a light-hearted, nimble, and Tricky slave, astute servant, often acting to thwart the plans of his master, and pursuing his own love interest, Columbina, Columbine, with wit and resourcefulness, often competing with the sterner and melancholic Pierrot. He later develops into a prototype of the romantic hero. Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischievous "Devil in Christianity#Early Middle Ages, devil" character ...
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Commedia Dell'arte
Commedia dell'arte was an early form of professional theatre, originating from Theatre of Italy, Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by Theatre mask, masked "types", was responsible for the rise of actresses such as Isabella Andreini and Improvisational theatre, improvised performances based on Sketch comedy, sketches or scenarios. A , such as ''The Tooth Puller'', contains both scripted and improvised portions; key plot points and characters' entrances and exits are scripted, but the actors may otherwise be expected to improvise new gags on stage. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is Mime artist, pantomime, which is mostly used by the character Harlequin, Arlecchino, now better known as H ...
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Pierrot
Pierrot ( , ; ), a stock character of pantomime and commedia dell'arte, has his origins in the late 17th-century Italian troupe of players performing in Paris and known as the Comédie-Italienne. The name is a hypocorism, diminutive of ''Pierre'' (Peter), using the suffix ''wikt:-ot#French, -ot'' and derives from the Italian Pedrolino. His character in contemporary popular culture—in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall—is that of the sad clown, often pining for love of Columbina, Columbine (who usually breaks his heart and leaves him for Harlequin). Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim and, more rarely, with a conical shape like a dunce's cap. Pierrot's character developed from that of a buffoon to become an avatar of the dise ...
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Commedia Dell'arte
Commedia dell'arte was an early form of professional theatre, originating from Theatre of Italy, Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by Theatre mask, masked "types", was responsible for the rise of actresses such as Isabella Andreini and Improvisational theatre, improvised performances based on Sketch comedy, sketches or scenarios. A , such as ''The Tooth Puller'', contains both scripted and improvised portions; key plot points and characters' entrances and exits are scripted, but the actors may otherwise be expected to improvise new gags on stage. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is Mime artist, pantomime, which is mostly used by the character Harlequin, Arlecchino, now better known as H ...
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Soubrette
A soubrette is a female minor stock character in opera and theatre, often a pert lady's maid. By extension, the term can refer generally to any saucy or flirtatious young woman. The term arrived in English from Provençal via French, and means "conceited" or "coy". Theatre In theatre, a soubrette is a comedy character who is vain and girlish, mischievous, lighthearted, coquettish and gossipy—often a chambermaid or confidante of the ingénue. She often displays a flirtatious or even sexually aggressive nature. The soubrette appeared in commedia dell'arte scenarios, often in the role of Columbina, where the actress would provide the details of her behaviour and dialogue. From there, she moved to the works of Molière, which were influenced by the Commedia; the role of Dorine in '' Tartuffe'' (1664) fits the description. A famous example, though a hundred years later, is Suzanne in Beaumarchais' '' Le Mariage de Figaro'' (1784). Opera In classical music and opera, the term ''s ...
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SAND Maurice Masques Et Bouffons 03
Sand is a granular material composed of finely divided mineral particles. Sand has various compositions but is usually defined by its grain size. Sand grains are smaller than gravel and coarser than silt. Sand can also refer to a textural class of soil or soil type; i.e., a soil containing more than 85 percent sand-sized particles by mass. The composition of sand varies, depending on the local rock sources and conditions, but the most common constituent of sand in inland continental settings and non-tropical coastal settings is silica (silicon dioxide, or SiO2), usually in the form of quartz. Calcium carbonate is the second most common type of sand. One such example of this is aragonite, which has been created over the past 500million years by various forms of life, such as coral and shellfish. It is the primary form of sand apparent in areas where reefs have dominated the ecosystem for millions of years, as in the Caribbean. Somewhat more rarely, sand may be composed of ca ...
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Commedia Dell'arte Female Characters
Commedia may refer to: * ''Divine Comedy'', a 1321 epic poem by Dante Alighieri, sometimes called the ''Commedia'' * ''Commedia dell'arte'', a professional form of theatre that began in Italy in the mid-16th century * ''La Commedia ''La Commedia'' is an opera in five parts composed by Louis Andriessen. A retelling of Dante's ''Divine Comedy'', the multi-language libretto was constructed by Andriessen using extracts from Dante's poem as well as several other sources includin ...'', an early theatre in Naples * ''Deceit'' (1999 film) (working title ''Commedia''), an Italian mystery * ''Commedia'' (2023 film), an Italian-English romantic drama See also * Comedia (other) {{disambiguation ...
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Fictional Tricksters
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary or in ways that are imaginary. Fictional portrayals are thus inconsistent with fact, history, or plausibility. In a traditional narrow sense, fiction refers to written narratives in prose often specifically novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition and theory Typically, the fictionality of a work is publicly expressed, so the audience expects a work of fiction to deviate to a greater or lesser degree from the real world, rather than presenting for instance only factually accurate portrayals or characters who are actual people. Because fiction is generally understood as not adhering to the real world, the th ...
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Female Stock Characters
An organism's sex is female (symbol: ♀) if it produces the ovum (egg cell), the type of gamete (sex cell) that fuses with the male gamete (sperm cell) during sexual reproduction. A female has larger gametes than a male. Females and males are results of the anisogamous reproduction system, wherein gametes are of different sizes (unlike isogamy where they are the same size). The exact mechanism of female gamete evolution remains unknown. In species that have males and females, sex-determination may be based on either sex chromosomes, or environmental conditions. Most female mammals, including female humans, have two X chromosomes. Characteristics of organisms with a female sex vary between different species, having different female reproductive systems, with some species showing characteristics secondary to the reproductive system, as with mammary glands in mammals. In humans, the word ''female'' can also be used to refer to gender in the social sense of gender role or g ...
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Richard Geiger
Richard Geiger (29 June 1870 – 9 February 1945) was an Austrian painter. Life and work Geiger was born in Vienna, into a Hungarian Jewish family. His parents were Antal Geiger and Jozefin Wahringer. He first attended a drawing school and then studied at the Academy of Fine Arts Vienna, where he studied under Christian Griepenkerl and August Eisenmenger. He studied sculpture with Fritz Klimsch at the Academy of Arts, Berlin, Academy of Arts in Berlin. There he took part in the exhibitions of the Academy with his portrait busts and sculptures. In Paris he studied at the Julian Academy and worked in the studio of François Flameng. While at the Julian Academy, he focused on painting scenes from the life of the clochards. From 1893 Geiger worked as a genre painter in Budapest. He worked for the ''Izidor Kner'' publishing house in Gyomaendrőd, among others. From 1906 Geiger illustrated twenty Hungarian editions of the works of Karl May for the Budapest ''Athenaeum'' publishing hou ...
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