Clémentine Margaine
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Clémentine Margaine
Clémentine Margaine (born 1984 in Narbonne), is a French operatic mezzo-soprano who enjoys an international career and has sung roles from baroque opera to Italian and French romantic leading roles. Life and career Margaine's parents were music lovers who got her to learn piano; she also sang solos with the local children's choir. She went on to study law at the university of Montpellier, but was complimented on her voice to an extent that she contacted a singing teacher in Paris who advised her to stop her studies and enter the Paris Conservatoire, where she trained for six years, mainly in the recital repertoire. She won the Special Jury Prize of the Concours International de Chant de Marmande and in 2009 was voted the Révélation Classique in France's annual Victoires de la musique classique awards.Mesmerizing Intensity. Clementine Margaine in Conversation with Roger Pines. ''Opera'', April 2025, vol. 76, no. 4, pp. 486–492. She sang Ascalax in Telemann's '' Die wunderbar ...
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Musique En Fête 2015 - Clémentine Margaine 9
Musique is the French word for music. Musique may also refer to: Music *Musique (disco band), a 1970s studio band produced by Patrick Adams *Musique, a British dance act consisting of Moussa Clarke and Nick Hanson best known for their 2001 song "New Year's Dub", which samples the U2 song "New Year's Day". Albums * ''Musique'' (album), a 2000 album by Theatre of Tragedy *''Musique Vol. 1 1993–2005'', an anthology of Daft Punk tracks *''La Musique'' ( fr), an album by Dominique A, 2009 Songs *"Musique", a 1977 single by France Gall from ''Dancing Disco'', written by Michel Berger *"Musique", a song by Herb Alpert from Just You and Me, 1976 *"Musique", a song by Daft Punk from ''Musique Vol. 1 1993–2005'' * ''La Musique'' (Angelica), a 1967 song of Star Academy France See also *Musique concrète *Musique-Cordiale The Musique Cordiale International Festival & Academy is an annual festival of classical music, song, oratorio and opera, founded in 2005. It usually* takes place ...
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Orfeo Ed Euridice
(; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the '' azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's ''The Magic Flute'', Beethoven's ''Fidelio'', and Wagner's ''Das Rheingold''. Though originally s ...
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Bel Canto
, )—with several similar constructions (, , , pronounced in English as )—is a term with several meanings that relate to Italian singing, and whose definitions have often been misunderstood. ''Bel canto'' was not only seen as a vocal technique, but also as a source of national pride for Italians, specifically in how the musical qualities aligned with their identity. However, this pride was often complicated by political circumstances. The phrase was not associated with a "school" of singing until the middle of the 19th century, when writers in the early 1860s used it nostalgically to describe a manner of singing that had begun to wane around 1830. Nonetheless, "neither musical nor general dictionaries saw fit to attempt definition f ''bel canto''until after 1900". The term remains vague and ambiguous in the 21st century and is often used to evoke a lost singing tradition. History of the term and its various definitions As generally understood today, the term ''bel canto'' ...
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The New York Observer
''The New York Observer'' was a weekly newspaper established in 1987. In 2016, it ceased print publication and became the online-only newspaper ''Observer''. The media site focuses on culture, real estate, media, politics and the entertainment and publishing industries. History The ''Observer'' was first published in New York City on September 22, 1987, as a weekly alternative newspaper by Arthur L. Carter, a former investment banker. The ''New York Observer'' had also been the title of an earlier weekly religious paper founded 164 years before by Sidney E. Morse in 1823. After almost two decades, in July 2006, the paper was purchased by the American real estate figure Jared Kushner, then only 25 years old. The paper began its life as a broadsheet, and was then printed in tabloid format every Wednesday, and currently has an exclusively online format on an internet website. It is headquartered at 1 Whitehall Street in lower Manhattan. Previous prominent writers for the ...
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Metropolitan Opera
The Metropolitan Opera is an American opera company based in New York City, currently resident at the Metropolitan Opera House (Lincoln Center), Metropolitan Opera House at Lincoln Center, situated on the Upper West Side of Manhattan. Referred to colloquially as the Met, the company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as the general manager. The company's music director has been Yannick Nézet-Séguin since 2018. The Met was founded in 1883 as an alternative to the previously established Academy of Music (New York City), Academy of Music opera house and debuted the same year in a new Metropolitan Opera House (39th Street), building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. The company presents about 18 different operas each year from late September through early June. The operas are presente ...
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Opera Australia
Opera Australia is the principal opera company in Australia. Based in Sydney, New South Wales, its performance season at the Sydney Opera House accompanied by the Opera Australia Orchestra runs for approximately eight months of the year, with the remainder of its time spent at the Arts Centre Melbourne, where it is accompanied by Orchestra Victoria. In 2004, the company gave 226 performances in its subscription seasons in Sydney and Melbourne, Victoria (state), Victoria, attended by more than 294,000 people. It is funded by government grants, corporate sponsorship, private philanthropy, and ticket sales. The proportion of its revenue from ticket sales is considerably higher than that of most companies, approximately 75 per cent. The company is perhaps best known internationally for its association with Dame Joan Sutherland, for Baz Luhrmann's production of Giacomo Puccini, Puccini's ''La bohème'' in the early 1990s and more recently, for, apart from performances inside the oper ...
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Paris Opera
The Paris Opera ( ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, wh ...
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La Damnation De Faust
''La Damnation de Faust'' (English: ''The Damnation of Faust''), Op. 24 is a French musical composition for four solo voices, full seven-part chorus, large children's chorus and orchestra by the French composer Hector Berlioz. He called it a ''légende dramatique'' (" dramatic legend"). It was first performed at the Opéra-Comique in Paris on 6 December 1846. Background and composition history Berlioz read Johann Wolfgang von Goethe's '' Faust, Part One'' in 1828, in Gérard de Nerval's translation. he recalled in his ''Memoirs''. : "...this marvellous book fascinated me from the first...I could not put it down. I read it incessantly, at meals, in the theatre, in the street." The work so impressed Berlioz that he composed a suite entitled ''Eight Scenes from Faust'', which became his Opus 1 (1829), though he later recalled all the copies of it he could find. He returned to the material in 1845, to make a larger work, with some additional text by Almire Gandonnière ...
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Samson Et Dalila
''Samson and Delilah'' (), Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. It was first performed in Weimar at the (Grand Ducal) Theater (now the Staatskapelle Weimar) on 2 December 1877 in a German translation. The opera is based on the Bible, Biblical tale of Delilah#Biblical narrative, Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. It is the only opera by Saint-Saëns that is regularly performed. The second act love scene in Delilah's tent is one of the set pieces that define French opera. Two of Delilah's arias are particularly well known: "" ("Spring begins") and "" ("My heart opens itself to your voice", also known as "Softly awakes my heart"), the latter of which is one of the most popular recital pieces in the mezzo-soprano/contralto repertoire. Composition history In the middle of the 19th century, a revival of interest in Choir, choral music swept France, a ...
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Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical canon; the " Habanera" and "Seguidilla" from act 1 and the " Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. Josà ...
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