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Cinematograph
Cinematograph or kinematograph is an early term for several types of motion picture film mechanisms. The name was used for movie cameras as well as film projectors, or for complete systems that also provided means to print films (such as the Cinématographe Lumière). History A device by this name was invented and patented as the "Cinématographe Léon Bouly" by French inventor Léon Bouly on February 12, 1892. Bouly coined the term "cinematograph," from the Greek for "writing in movement."Abel, Richard. Encyclopedia of Early Cinema. 1st ed. London: Routledge, 2004. Due to a lack of money, Bouly could not develop his ideas properly and maintain his patent fees, so the Lumière brothers were free to adopt the name. In 1895, they applied it to a device that was mostly their own invention. The Lumière brothers made their first film, '' Workers Leaving the Lumière Factory'' (''Sortie de l'usine Lumière de Lyon''), that same year. The first commercial, public screening of ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of Film, motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens (optics), lens to focus reflected light from objects into a real image that is transferred to some image sensor or film, light-sensitive material inside a movie camera. These Exposure (photography), exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an Charge-coupled device, electrical charge for each pixel in the image, which is Video processing, electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically "Photographic developer, developed" into a Positive (photography), visibl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electrotachyscope
The Elektrischen Schnellseher (literally "Electrical Quick-Viewer") or Electrotachyscope was an early motion picture system developed by chronophotographer Ottomar Anschütz between 1886 and 1894. He made at least seven different versions of the machine, including a projector, a peep-box viewer and several versions with illuminated glass photographs on a rotating wheel viewed on a 12.5 cm wide milk-glass screen by up to seven people at the same time. History Before working on chronophotography and motion pictures, Anschütz had already received much acclaim for his instantaneous pictures of flying storks in 1884. In 1885, Anschütz made his first chronophotographs of horses, sponsored by the Prussian minister of Culture. Initially, he used 12 cameras, later on 24. The quality of his pictures was generally regarded to be much higher than that of pioneer Eadweard Muybridge's chronophotographic series. He continued with studies of horses in motion at the Königlichen Militä ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion-picture
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Film Formats
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format. To be included in this list, the formats must all have been used in the field or for test shooting, and they must all use photochemical images that are formed or projected on a film base, a transparent substrate which supports the photosensitive emulsion. As well, the formats must have been used to make more than just a few test frames. The camera must be fast enough (in frames per second) to create an illusion of motion consistent with the persistence of vision phenomenon. The format must be significantly unique from other listed formats in regard to its image capture or image projection. The format characteristics should be clearly definable in several listed parameters (e. g., film gauge, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinetoscope
The Kinetoscope is an early motion picture exhibition device, designed for films to be viewed by one person at a time through a peephole viewer window. The Kinetoscope was not a movie projector, but it introduced the basic approach that would become the standard for all cinematic projection before the advent of video: it created the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter. First described in conceptual terms by U.S. inventor Thomas Edison in 1888, it was largely developed by his employee William Kennedy Laurie Dickson between 1889 and 1892. Dickson and his team at the Edison lab in New Jersey also devised the Kinetograph, an innovative motion picture camera with rapid intermittent, or stop-and-go, film movement, to photograph movies for in-house experiments and, eventually, commercial Kinetoscope presentations. A Kinetoscope prototype was first semipublicly demonstrated to members o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste And Louis Lumière
The Lumière brothers (, ; ), Auguste Lumière, Auguste Marie Louis Nicolas Lumière (19 October 1862 – 10 April 1954) and Louis Lumière, Louis Jean Lumière (5 October 1864 – 6 June 1948), were French manufacturers of photography equipment, best known for their cinematograph, ''Cinématographe'' motion picture system and the short films they produced between 1895 and 1905, which places them among the earliest filmmakers. Their screening of a single film on 22 March 1895 for around 200 members of the "Society for the Development of the National Industry" in Paris was probably the first presentation of Movie projector, projected film. Their first commercial public screening on 28 December 1895 for around 40 paying visitors and invited relations has traditionally been regarded as the birth of cinema. Either the techniques or the business models of earlier filmmakers proved to be less viable than the breakthrough presentations of the Lumières. History The Lumière brothers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinetograph
The Kinetoscope is an early motion picture exhibition device, designed for films to be viewed by one person at a time through a peephole viewer window. The Kinetoscope was not a movie projector, but it introduced the basic approach that would become the standard for all cinematic projection before the advent of video: it created the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter. First described in conceptual terms by U.S. inventor Thomas Edison in 1888, it was largely developed by his employee William Kennedy Laurie Dickson between 1889 and 1892. Dickson and his team at the Edison lab in New Jersey also devised the Kinetograph, an innovative motion picture camera with rapid intermittent, or stop-and-go, film movement, to photograph movies for in-house experiments and, eventually, commercial Kinetoscope presentations. A Kinetoscope prototype was first semipublicly demonstrated to members of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movie Camera
A movie camera (also known as a film camera and cine-camera) is a type of photographic camera that rapidly takes a sequence of photographs, either on an image sensor or onto film stock, in order to produce a moving image to project onto a movie screen. In contrast to the still camera, which captures a single image at a time, by way of an intermittent mechanism, the movie camera takes a series of images; each image is a ''frame'' of film. The strips of frames are projected through a movie projector at a specific frame rate (number of frames per second) to show a moving picture. When projected at a given frame rate, the persistence of vision allows the eyes and brain of the viewer to merge the separate frames into a continuous moving picture. History An interesting forerunner to the movie camera was the machine invented by Francis Ronalds at the Kew Observatory in 1845. A photosensitive surface was drawn slowly past the aperture diaphragm of the camera by a clockwork mechanism to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léon Bouly
Léon Guillaume Bouly (; 1872–1932) was a French inventor who created the word cinematograph. Cinematograph After devising chronophotography devices, Bouly applied a patent on a reversible device of photography and optics for the analysis and synthesis of motions, calling it the ''Cynématographe Léon Bouly'' on February 12, 1892. On December 27, 1893, he shortened the name of his device to ''cinématographe''. This device is able to both shoot and project film. It uses a sensitive film without perforations and all principles required by cinematography are available: most notably, the film's jerky movement through the camera's gate is synchronized with the shutter. Two of these devices are conserved in the French Conservatoire National des Arts et Métiers. In 1894, Bouly could not pay the fees for his patents and the name "cinématographe" became available again. He sold his rights to the device and its name to the Lumière Brothers Lumière is French for 'light'. Lumiere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movie Projector
A movie projector is an opto- mechanical device for displaying motion picture film by projecting it onto a screen. Most of the optical and mechanical elements, except for the illumination and sound devices, are present in movie cameras. Modern movie projectors are specially built video projectors. (see also digital cinema) Many projectors are specific to a particular film gauge and not all movie projectors are film projectors since the use of film is required. Predecessors The main precursor to the movie projector was the magic lantern. In its most common setup it had a concave mirror behind a light source to help direct as much light as possible through a painted glass picture slide and a lens, out of the lantern onto a screen. Simple mechanics to have the painted images moving were probably implemented since Christiaan Huygens introduced the apparatus around 1659. Initially candles and oil lamps were used, but other light sources, such as the argand lamp and limelig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bioscop
The Bioscop is a movie projector developed in 1895 by German inventors and filmmakers Max Skladanowsky and his brother Emil Skladanowsky (1866–1945). History The Bioscop used two loops of 54-mm films without a side perforation. This caused poor control of the film-transport through the projector and might have contributed to the more successful development of the cinematograph by the French brothers Lumiere. The first public performance of the movie scenes using the Bioscop was organized in the restaurant Feldschlößchen in Berlin-Pankow, Berliner Straße 27. Three of the scenes became iconic for early cinematography: '' Boxing Kangaroo'', ''The Wrestler'' and '' The Serpentine Dancer''. They were all shot earlier in the garden of the same restaurant. The ballroom of the Felschlößchen restaurant was later converted into the first permanent cinema in Germany and served the audience under the name Tivoli until it was closed in 1994 and demolished to make space for a disco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
