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Chôros No. 12
''Chôros No. 12'' is an orchestral work written between 1925 and 1945 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled ''Chôros'', ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. ''Chôros No. 12'' is one of the longest compositions in the series, a performance lasting about 35 minutes. History According to the score and the official catalog of the Museu Villa-Lobos, ''Chôros No. 12'' was composed in Rio de Janeiro in 1925, and the score is dedicated to . It was premiered at Harvard University by the Boston Symphony Orchestra, conducted by the composer, on 21 October 1945 according to the official catalogue of the composer's works. However, this programme was announced for 23 February of that year, and a broadcast of the work by the BSO with Villa-Lobos conducting was made on Saturday, 24 Febr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros
''Chôros'' is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. Origin and conception The word ''chôro'' (; nowadays spelled simply ''choro'') is Portuguese for "weeping", "cry", and came to be the name used for music played by an ensemble of Brazilian street musicians (called ''chorões'') using both African and European instruments, who improvise in a free and often dissonant kind of counterpoint called ''contracanto''. In this context, the term does not refer to any definite form of composition, but rather includes a variety of Brazilian types. Villa-Lobos described the basic concept of his ''Chôros'' as a "brasilofonia"—an extension of the popular street-musicians' chôro to a pan-Brazilian synthesis of native folklore, both Indian and popular. The tenth work in the series is for mixed choir and large orchestra, and quotes at length from a popular song, originally composed as an instrumental schottische ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1945 Compositions
1945 marked the end of World War II, the fall of Nazi Germany, and the Empire of Japan. It is also the year Nazi concentration camps, concentration camps were liberated and the only year in which atomic weapons Atomic bombings of Hiroshima and Nagasaki, have been used in combat. Events World War II will be abbreviated as “WWII” January * January 1 – WWII: ** Nazi Germany, Germany begins Operation Bodenplatte, an attempt by the ''Luftwaffe'' to cripple Allies of World War II, Allied air forces in the Low Countries. ** Chenogne massacre: German prisoners are allegedly killed by American forces near the village of Chenogne, Belgium. * January 6 – WWII: A German offensive recaptures Esztergom, Kingdom of Hungary (1920–1946), Hungary from the Soviets. * January 9 – WWII: American and Australian troops land at Lingayen Gulf on western coast of the largest Philippine island of Luzon, occupied by Japan since 1942. * January 12 – WWII: The Soviet Union begins the Vis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1929 Compositions
Nineteen or 19 may refer to: * 19 (number) * One of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (1987 film), a 1987 science fiction film * '' 19-Nineteen'', a 2009 South Korean film * '' Diciannove'', a 2024 Italian drama film informally referred to as "Nineteen" in some sources Science * Potassium, an alkali metal * 19 Fortuna, an asteroid Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album '' 63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle * "Stone in Focus", officially "#19", a composition by Aphex Twin * "Nineteen", a song from the 1992 album ''Refugee'' by Bad4Good * "Nineteen", a song from the 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros By Heitor Villa-Lobos
''Chôros'' is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. Origin and conception The word ''chôro'' (; nowadays spelled simply ''choro'') is Portuguese for "weeping", "cry", and came to be the name used for music played by an ensemble of Brazilian street musicians (called ''chorões'') using both African and European instruments, who improvise in a free and often dissonant kind of counterpoint called ''contracanto''. In this context, the term does not refer to any definite form of composition, but rather includes a variety of Brazilian types. Villa-Lobos described the basic concept of his ''Chôros'' as a "brasilofonia"—an extension of the popular street-musicians' chôro to a pan-Brazilian synthesis of native folklore, both Indian and popular. The tenth work in the series is for mixed choir and large orchestra, and quotes at length from a popular song, originally composed as an instrumental schottische, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 189 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Béhague
Gerard Henri Luc Béhague (November 2, 1937 – June 13, 2005) was an eminent Franco-American ethnomusicologist and professor of Latin American music. His specialty was the music of Brazil and the Andean countries and the influence of West Africa on the music of the Caribbean and South America, especially candomblé music. His lifelong work earned him recognition as the leading scholar of Latin American ethnomusicology. Biography Béhague was born in Montpellier, France and raised in Rio de Janeiro, Brazil. There he studied piano, music theory and composition at the National School of Music of the University of Brazil and the Brazilian Conservatory of Music. He earned a diploma from the latter (1959), a master's degree in musicology from the University of Paris (Sorbonne; 1962), and a Ph.D. in musicology from Tulane University (1966), where he studied under the noted music historian Gilbert Chase. In 1962, Béhague married Cecilia Pareja, a daughter of Ecuadorian wri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sala São Paulo
The Júlio Prestes Cultural Center, which is located in the Júlio Prestes Train Station in the old north central section of the city of São Paulo, Brazil, was inaugurated on July 9, 1999. The building has been restored and renovated by the São Paulo State Government, as part of the downtown revitalization in that city. It houses the Sala São Paulo, which has a capacity of 1498 seats and is the home of the São Paulo State Symphonic Orchestra ( OSESP). It is a venue for symphonic and chamber presentations. Renovation began in November 1997, but the first steps were taken in 1995. Governor Mário Covas visualized the Julio Prestes Space as ideal for symphonic presentations and because OSESP did not have a permanent home at that time. History of the building Julio Prestes Station was built between 1926 and 1938 to be the headquarters and departure point of the Sorocabana Railway (EFS) - a company set up by coffee barons to ship the product from the SW of São Paulo State ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Neschling
John Neschling (born May 13 1947, Rio de Janeiro) is a Brazilian orchestral and operatic conductor. He was the musical director and the chief conductor of the Orquestra Sinfônica do Estado de São Paulo (São Paulo State Symphony) from 1997 to 2008. A member of the Brazilian Academy of Music since 2003, he was appointed artistic director of the Municipal Theatre of São Paulo from January 2013 until September 2016, when he was dismissed under accusations of fiscal mismanagement. Early career He studied conducting under Hans Swarowsky and Reinhold Schmid in Vienna and under Leonard Bernstein and Seiji Ozawa in Tanglewood. Later, he won several international conducting competitions. European positions Neschling has been music director of Teatro Nacional de São Carlos in Lisbon, Sankt Gallen Theater in Switzerland, Teatro Massimo in Palermo and the Bordeaux Opera, and assistant conductor at the Vienna Opera. He has also been invited conductor at the London Symphony, Accadem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Bartholomée
Pierre Georges Édouard Bartholomée (Brussels, 5 August 1937) is a Belgian conductor and composer. Career He began his musical studies at the age of six with piano lessons. Later on he graduated from the Royal Conservatory of Brussels, where he received a piano education by André Dumortier and where he won several prizes. His education was completed with a series of Beethoven piano performance classes given by Wilhelm Kempff. Together with Henri Pousseur, he founded the ''Ensemble Musique Nouvelle'' and the ''Centre de Recherches et de Création Musicales de Wallonie''. He has performed internationally as a pianist and a conductor. Honours * 1999 : created Knight Bartholomée, by king Albert II. * 2004 : Member of the Royal Academy of Science, Letters and Fine Arts of Belgium. * 2011 : President of the Royal Academy of Science, Letters and Fine Arts of Belgium. * Officer of the Order of the Crown. * Knight of the Ordre national du Mérite The (; ) is a French order of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has globally become one of the most recognizable South American composers in music history. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his '' Bachianas Brasileiras'' (Brazilian Bach-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
