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Château De Lignières (Cher)
The Château de Lignières is a French château, located in the municipality of Lignières (Cher), Lignières, in the ''département'' of Cher (department), Cher. It was built in 1654–1660 for the financier Jérôme de Nouveau to the designs of the French architect François Le Vau.Hautecoeur 1948, pp. 115–117. It was designated a ''monument historique'' on 27 June 1935.Notice no. PA00096826 Base Mérimée. Design and construction The feudal castle (''château féodal'') on the site was razed in 1653, and the property sold by Brichanteau to Jérome de Nouveau, Surintendant Général des Postes, who brought in the architect François Le Vau to design the new château.Hautecoeur 1948, p. 116. The c ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Architecture
Classical architecture typically refers to architecture consciously derived from the principles of Ancient Greek architecture, Greek and Ancient Roman architecture, Roman architecture of classical antiquity, or more specifically, from ''De architectura'' (c. 10 AD) by the Roman architect Vitruvius. Variations of classical architecture have arguably existed since the Carolingian Renaissance, and became especially prominent during the Italian Renaissance and the later period known as neoclassical architecture or Classical revival. While classical styles of architecture can vary, they generally share a common "vocabulary" of decorative and structural elements. Across much of the Western world, classical architectural styles have dominated the history of architecture from the Renaissance until World War II. Classical architecture continues to influence contemporary architects. The term ''classical architecture'' can also refer to any architectural tradition that has evolved to a highl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavilions
In architecture, ''pavilion'' has several meanings; * It may be a subsidiary building that is either positioned separately or as an attachment to a main building. Often it is associated with pleasure. In palaces and traditional mansions of Asia, there may be pavilions that are either freestanding or connected by covered walkways, as in the Forbidden City ( Chinese pavilions), Topkapi Palace in Istanbul, and in Mughal buildings like the Red Fort. * As part of a large palace, pavilions may be symmetrically placed building ''blocks'' that flank (appear to join) a main building block or the outer ends of wings extending from both sides of a central building block, the '' corps de logis''. Such configurations provide an emphatic visual termination to the composition of a large building, akin to bookends. The word is from French (Old French ) and it meant a small palace, from Latin">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laprade, Albert
Albert Laprade (29 November 1883 – 9 May 1978) was a French architect, perhaps best known for the Palais de la Porte Dorée. During a long career he undertook many urban renewal projects as well as major industrial and commercial works. A skilled artist, he published a series of sketch books of architecture in France and other Mediterranean countries. Biography Birth and education Albert Laprade was born in Buzançais, Indre on 29 November 1883. He was the only son of a wholesale grocer and a seamstress from Châteauroux. He attended the Lycée Jean-Giraudoux in Châteauroux, graduating in 1900. He then moved to Paris where his maternal uncle Ernest Cléret, an architect and professor at the Gobelins Manufactory, encouraged him to study for admission to the École nationale supérieure des Beaux-Arts. In 1905 he was admitted to the studio of Gaston Redon, and then studied under Albert Tournaire. He was a brilliant pupil and won many prizes. He obtained his diploma as an arc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dictionary Of Art
''Grove Art Online'' is the online edition of ''The Dictionary of Art'', often referred to as the ''Grove Dictionary of Art'', and part of Oxford Art Online, an internet gateway to online art reference publications of Oxford University Press, which also includes the online version of the ''Benezit Dictionary of Artists''. It is a large encyclopedia of art, previously a 34-volume printed encyclopedia first published by Grove in 1996 in art, 1996 and reprinted with minor corrections in 1998. A new edition was published in 2003 by Oxford University Press. Scope Written by 6,700 experts from around the world, its 32,600 pages cover over 45,000 topics about art, artists, art critics, art collectors, or anything else connected to the world of art. According to ''The New York Times Book Review'' it is the "most ambitious art-publishing venture of the late 20th century". Almost half the content covers non-Western subjects, and contributors hail from 120 countries. Topics range from Jul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Château De Vaux-le-Vicomte
The Château de Vaux-le-Vicomte () or simply Vaux-le-Vicomte is a Baroque French château located in Maincy, near Melun, southeast of Paris in the Seine-et-Marne department of Île-de-France. Built between 1658 and 1661 for Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the Superintendent of Finances of Louis XIV, the château was an influential work of architecture in mid-17th-century Europe. At Vaux-le-Vicomte, the architect Louis Le Vau, the landscape architect André Le Nôtre and the painter-decorator Charles Le Brun worked together on a large-scale project for the first time. Their collaboration marked the beginning of the Louis XIV style combining architecture, interior design and landscape design. The garden's pronounced visual axis is an example of this style. History Once a small château between the royal residences of Vincennes and Fontainebleau, the estate of Vaux-le-Vicomte was purchased in 1641 by Nicolas Fouquet, an ambitious 26-year-old ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Le Vau
Louis Le Vau (; c. 1612 – 11 October 1670) was a French Baroque architect, who worked for Louis XIV of France. He was an architect that helped develop the French Classical style in the 17th century.''Encyclopedia of World Biography''"Louis Le Vau", vol. 9, pp. 360-361 Early life and career Born Louis Le Veau, he was the son of Louis Le Veau (died February 1661), a stonemason, who was active in Paris.Feldmann 1996, p. 262. His younger brother François Le Vau (born in 1624) also became an architect. The father and his two sons worked together in the 1630s and 1640s. The two brothers later changed the spelling of their surname from "Le Veau" to "Le Vau" to avoid its association with the French word ''veau'' (calf). Le Vau started his career by designing the Hotel de Bautru in 1634. By 1639, he was developing town houses ('' hôtels particuliers'') for rich citizens such as Sainctot, Hesselin, Gillier, Gruyn des Bordes, and Jean Baptiste Lambert in the île Saint-Louis, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Château De Blois
A château (, ; plural: châteaux) is a manor house, or palace, or residence of the lord of the manor, or a fine country house of nobility or gentry, with or without fortifications, originally, and still most frequently, in French-speaking regions. Nowadays, a ''château'' may be any stately residence built in a French style; the term is additionally often used for a winegrower's estate, especially in the Bordeaux region of France. Definition The word château is a French word that has entered the English language, where its meaning is more specific than it is in French. The French word ''château'' denotes buildings as diverse as a medieval fortress, a Renaissance palace and a fine 19th-century country house. Care should therefore be taken when translating the French word ''château'' into English, noting the nature of the building in question. Most French châteaux are "palaces" or fine " country houses" rather than "castles", and for these, the word "château" is appropr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Mansart
François Mansart (; 23 January 1598 – 23 September 1666) was a French architect credited with introducing classicism into the Baroque architecture of France. The ''Encyclopædia Britannica'' identifies him as the most accomplished of 17th-century French architects whose works "are renowned for their high degree of refinement, subtlety, and elegance". Mansart, as he is generally known, popularized the mansard roof, a four-sided, double slope gambrel roof punctuated with windows on the steeper lower slope, which created additional habitable space in the garrets. Career François Mansart was born on 23 January 1598 to a master carpenter in Paris. He was not trained as an architect; his relatives helped train him as a stonemason and a sculptor. He is thought to have learned the skills of an architect in the studio of Salomon de Brosse, the most popular architect in France during the reign of Henry IV. Mansart was recognized from the 1620s onward for his style and skill as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
