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Church Of The Holy Trinity, Athens
The Church of the Holy Trinity ( el, Ναός Αγίας Τριάδος, Naos Agias Triados, russian: Церковь Святой Троицы) is a Byzantine-era church at Filellinon Street that serves the Russian Orthodox community of Athens, Greece. History The church is known by a variety of names: the Russian Church (Ρωσική Εκκλησία), or St. Nikodemos ( el, Άγιος Νικόδημος), a name of modern origin that is a corruption of its original name Soteira Lykodimou (Σωτείρα Λυκοδήμου, "the [Virgin] Saviouress of Lykodemos"), with "Lykodemos" probably the family name of one of its founders. It was originally the ''katholikon'' of a large convent, but the rest of the convent was torn down in 1778 by the Ottoman governor, Hadji Ali Haseki, to construct new Wall of Haseki, city wall. The 19th-century Greek archaeologist K. Pittakes suggested a connection between the name "Lykodemos" and the classical Lyceum (classical), Lyceum of Aristotle. Whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas I Of Russia
, house = Romanov-Holstein-Gottorp , father = Paul I of Russia , mother = Maria Feodorovna (Sophie Dorothea of Württemberg) , birth_date = , birth_place = Gatchina Palace, Gatchina, Russian Empire , death_date = , death_place = Winter Palace, Saint Petersburg, Russian Empire , burial_place = Peter and Paul Cathedral, St. Petersburg, Russian Empire , religion = Russian Orthodox , signature = Signatur Nikolaus I. (Russland).PNG Nicholas I , group=pron ( – ) was Emperor of Russia, King of Congress Poland and Grand Duke of Finland. He was the third son of Paul I and younger brother of his predecessor, Alexander I. Nicholas inherited his brother's throne despite the failed Decembrist revolt against him. He is mainly remembered in history as a reactionary whose controversial reign was marked by geographical expansion, economic growth, and massive industrialisation on the one hand, and centralisation of administrative policie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spyridon Hatzigiannopoulos
Spyridon ( grc, Σπυρίδων; ell, Σπυρίδωνας) is a Greek male given name. It is often shortened to Σπύρος (''Spyros''), often Anglicised as Spyridon, Spyro or Spiro. Individuals bearing this name include: *Saint Spyridon, Orthodox/Catholic saint :*Saint Spyridon Church, Romanian Orthodox church in Iași, Romania :*St Spyridon College, Greek Orthodox school in Sydney *Archbishop Spyridon of Athens, former archbishop of Athens * Spiro Agnew, 39th vice president of the United States from 1969 to 1973, under President Richard Nixon * Spyridon Belokas (1877–unknown), Greek runner *Spyros Christopoulos, Greek footballer *Spyridon Gianniotis, freestyle swimmer *Spyros Gogolos, Greek footballer * Spyros Kokotos, Greek architect *Spyros Kyprianou, 2nd President of the Republic of Cyprus * Spyridon Lambros, Greek history professor and former Prime Minister of Greece *Spiros Livathinos, Greek footballer and football coach * Spyridon Louis, gold medalist of the first m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikiforos Lytras
Nikiforos Lytras ( el, Νικηφόρος Λύτρας; 1832 – 13 June 1904) was a Greek painter. He was born in Tinos and trained in Athens at the School of Arts. In 1860, he won a scholarship to Royal Academy of Fine Arts of Munich. After completing these studies, he became a professor at the School of Arts in 1866, a position he held for the rest of his life. He remained faithful to the precepts and principles of the Munich School, while paying greatest attention both to ethnographic themes and portraiture. His most famous portrait was of the royal couple, Otto and Amalia, and his most well-known landscape a depiction of the region of Lavrio. Biography Nikiforos Lytras was the son of a popular marble sculptor. In 1850, at the age of eighteen years he went to Athens to study in the School of Arts. He studied painting with Ludwig Thiersch and Raffaelo Ceccoli (c.1800-after 1860). After graduating in 1856, he began teaching an elementary course in writing. In 1860 with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Thiersch
Ludwig Thiersch (April 12, 1825 in Munich – May 10, 1909"Thiersch", ''Meyers Konversations-Lexikon'') was a German painter, primarily of mythological and religious subjects and especially of ecclesiastical art, also influential in Greece. Early life Thiersch was born in Munich, the son of classicist and philhellene Friedrich Thiersch, and brother of surgeon Karl Thiersch and theologian H. W. J. Thiersch. He attended the Academy of Fine Arts, Munich to study sculpture, but after a few years turned to painting, in which he became a student of Heinrich Maria von Hess, Julius Schnorr von Carolsfeld, and Karl Schorn. After the Academy, he painted a depiction of Sakuntala (1848) and a scene of Camisards, and then traveled to Rome, where he sketched scenes from daily Italian life and painted ''Hiob unter seinen Freunden''. In Athens, 1852–1855 In 1852, he traveled with his father to Athens, where he replaced Rafaello Ceccoli (fl.1830s-1850s) at the Athens School of Fine Arts an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Champlevé
Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or Casting (metalworking), cast into the surface of a metal object, and filled with vitreous enamel. The piece is then fired until the enamel fuses, and when cooled the surface of the object is polished. The uncarved portions of the original surface remain visible as a frame for the enamel designs; typically they are gilded in medieval work. The name comes from the French for "raised field", "field" meaning background, though the technique in practice lowers the area to be enamelled rather than raising the rest of the surface. The technique has been used since ancient times, though it is no longer among the most commonly used enamelling techniques. Champlevé is suited to the covering of relatively large areas, and to figurative images, although it was first prominently used in Celtic art for geometric designs. In Romanesqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of The Holy Apostles, Athens
The Church of the Holy Apostles, also known as Holy Apostles of Solaki ( el, Άγιοι Απόστολοι Σολάκη), is located in the Ancient Agora of Athens, Greece, next to the Stoa of Attalos, and can be dated to around the late 10th century. History "Solakis" may be the family name of those who sponsored a renovation of the church in the Ottoman Period, or from "Solaki" for the densely populated area around the church in the 19th century. The church is particularly significant as the only monument in the Agora, other than the Temple of Hephaestus, to survive intact since its foundation, and for its architecture: it was the first significant church of the Middle Byzantine period in Athens, and marks the beginning of the so-called "Athenian type", successfully combining the simple four-pier with the cross-in-square forms. The church was built partly over a 2nd-century '' nymphaion'', and was restored to its original form between 1954 and 1957. From evidence of various ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kufic
Kufic script () is a style of Arabic script that gained prominence early on as a preferred script for Quran transcription and architectural decoration, and it has since become a reference and an archetype for a number of other Arabic scripts. It developed from the Arabic alphabet in the city of Kufa, from which its name is derived. Kufic script is characterized by angular, rectilinear letterforms and its horizontal orientation. There are many different versions of Kufic script, such as square Kufic, floriated Kufic, knotted Kufic, and others. History Origin of the Kufic script Calligraphers in the early Islamic period used a variety of methods to transcribe Qur’an manuscripts. Arabic calligraphy became one of the most important branches of Islamic Art. Calligraphers came out with the new style of writing called Kufic. Kufic is the oldest calligraphic form of the various Arabic scripts. The name of the script derives from Kufa, a city in southern Iraq which was considere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross-in-square
A cross-in-square or crossed-dome plan was the dominant architectural form of middle- and late-period Byzantine churches. It featured a square centre with an internal structure shaped like a cross, topped by a dome. The first cross-in-square churches were probably built in the late 8th century, and the form has remained in use throughout the Orthodox world unto the present day. In the West, Donato Bramante's first design (1506) for St. Peter's Basilica was a centrally planned cross-in-square under a dome and four subsidiary domes. In German, such a church is a , or ‘cross-dome church’. In French, it is an , ‘church with an inscribed cross’. Architecture Architectural form A cross-in-square church is centered around a quadratic naos (the ‘square’) which is divided by four columns or piers into nine bays (divisions of space). The inner five divisions form the shape of a quincunx (the ‘cross’). The central bay is usually larger than the other eight, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plan
A plan is typically any diagram or list of steps with details of timing and resources, used to achieve an objective to do something. It is commonly understood as a temporal set of intended actions through which one expects to achieve a goal. For spatial or planar topologic or topographic sets see map. Plans can be formal or informal: * Structured and formal plans, used by multiple people, are more likely to occur in projects, diplomacy, careers, economic development, military campaigns, combat, sports, games, or in the conduct of other business. In most cases, the absence of a well-laid plan can have adverse effects: for example, a non-robust project plan can cost the organization time and money. * Informal or ad hoc plans are created by individuals in all of their pursuits. The most popular ways to describe plans are by their breadth, time frame, and specificity; however, these planning classifications are not independent of one another. For instance, there is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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