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Choragus
In the theatre of ancient Greece, the ''choregos'' (pl. ''choregoi; , Greek etymology: χορός "chorus" + ἡγεῖσθαι "to lead") was a wealthy Athenian citizen who assumed the public duty, or ''choregiai'', of financing the preparation for the chorus and other aspects of dramatic production that were not paid for by the government of the ''polis'' or city-state.Brockett, p. 17 Modern Anglicized forms of the word include choragus and choregus, with the accepted plurals being the Latin forms ''choregi'' and ''choragi''. In Modern Greek, the word ''χορηγός'' is synonymous with the word "grantor". ''Choregoi'' were appointed by the archon and the tribes of Athenian citizens from among the Athenian citizens of great wealth. Service as a ''choregos'', though an honor, was a duty for wealthy citizens and was part of the liturgical system designed to improve the city-state's economic stability through the use of private wealth to fund public good. Choregoi paid for cost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choregos Actors MAN Napoli Inv9986
In the theatre of ancient Greece, the ''choregos'' (pl. ''choregoi; , Greek etymology: χορός "chorus" + ἡγεῖσθαι "to lead") was a wealthy Classical Athens, Athenian citizen who assumed the public duty, or ''choregiai'', of financing the preparation for the Greek chorus, chorus and other aspects of dramatic production that were not paid for by the government of the ''polis'' or city-state.Brockett, p. 17 Modern Anglicized forms of the word include choragus and choregus, with the accepted plurals being the Latin forms ''choregi'' and ''choragi''. In Modern Greek, the word ''χορηγός'' is synonymous with the word "grantor". ''Choregoi'' were appointed by the archon and the tribes of Athenian citizens from among the Athenian citizens of great wealth. Service as a ''choregos'', though an honor, was a duty for wealthy citizens and was part of the Liturgy (ancient Greece), liturgical system designed to improve the city-state's economic stability through the use of p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phyle
''Phyle'' (, ; pl. ''phylai'', ; derived from Greek , ''phyesthai'' ) is an ancient Greek term for tribe or clan. Members of the same ''phyle'' were known as ''symphyletai'' () meaning 'fellow tribesmen'. During the late 6th century BC, Cleisthenes organized the population of Athens in ten ''phylai'' (tribes), each consisting of three ''trittyes'' ("thirtieths"), with each ''trittys'' comprising a number of demes. Tribes and demes had their own officers and were self-administered. Some ''phylai'' can be classified by their geographic location, such as the Geleontes, the Argadeis, the Hopletes, and the Agikoreis in Ionia, as well as the Hylleans, the Pamphyles, the Dymanes in Doris. Attic tribes First period The best-attested new system was that created by Cleisthenes for Attica in or just after 508 BC. The landscape was regarded as comprising three zones: urban ('' asty''), coastal ('' paralia'') and inland ('' mesogeia''). Each zone was split into ten sections called ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeschylus
Aeschylus (, ; ; /524 – /455 BC) was an ancient Greece, ancient Greek Greek tragedy, tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the Greek chorus, chorus.The remnant of a commemorative inscription, dated to the 3rd century BC, lists four, possibly eight, dramatic poets (probably including Choerilus, Phrynichus, and Pratinas) who had won Dionysia#Known winners of the City Dionysia, tragic victories at the Dionysia before Aeschylus had. Thespis was traditionally regarded the inventor of tragedy. According to another tradition, tragedy was established in Athens in the late 530s BC, but that may simply reflect an absence of records. Major innovations in dramatic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Persians
''The Persians'' (, ''Persai'', Latinised as ''Persae'') is an ancient Greek tragedy written during the Classical period of Ancient Greece by the Greek tragedian Aeschylus. It is the second and only surviving part of a now otherwise lost trilogy that won the first prize at the dramatic competitions in Athens' City Dionysia festival in 472 BC, with Pericles serving as '' choregos''. Place in Aeschylus' work The first play in the trilogy, called ''Phineus'', presumably dealt with Jason and the Argonauts' rescue of King Phineus from the torture that the monstrous harpies inflicted at the behest of Zeus. The subject of the third play, ''Glaucus'', was either a mythical Corinthian king who was devoured by his horses because he angered the goddess Aphrodite (see Glaucus (son of Sisyphus)) or else a Boeotian farmer who ate a magical herb that transformed him into a sea deity with the gift of prophecy (see Glaucus). In ''The Persians'', Xerxes invites the gods' enmity for his hu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrynichus (tragic Poet)
Phrynichus (; ), son of Polyphradmon and pupil of Thespis, was one of the earliest of the Greek tragedians. Some ancients regarded him as the real founder of tragedy. Phrynichus is said to have died in Sicily. His son Polyphrasmon was also a playwright. Phrynichus wrote two out of the three known Greek tragedies that dealt with contemporary history from episodes from the Persian Wars (no longer extant). Works He gained his first victory in a drama contest in 511 BC. His famous play, the ''Capture of Miletus'' or the ''Sack of Miletus'', was probably composed shortly after the conquest of that city by the Persians during the Ionian Revolt. Miletus was a colony of Athens and therefore traditionally held especially dear to the mother city. The audience was moved to tears by Phrynichus' tragedy, with the poet being fined "", "for reminding familiar misfortunes". As a result, the play was banned from being performed again. (Herodotus 6.21.10) In 476 BC, Phrynichus was succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kudos
Kudos may refer to: * ''Kudos'' (computer game), a life simulation game produced by Positech Games * Kudos (production company), a UK-based film and television production company * Kudos, a fictional currency used by the Dwellers in '' The Algebraist'' * Kudos, the points system used in '' Metropolis Street Racer'' and the '' Project Gotham Racing'' video games *''Kudos'', a 2018 sequel to ''Outline'' (novel) by Rachel Cusk * Kudos, a feature of Archive of Our Own that allows readers to leave a story a "like" * Kudos (granola bar), a brand of chocolate-covered cereal bar See also * Kudoš, one of many rivers of Serbia * Cudos (other) * Kudus (other) * * {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choragic Monument Of Lysicrates
The Choragic Monument of Lysicrates near the Acropolis of Athens was erected by the ''Choregos (ancient Greece), choregos'' Lysicrates, a wealthy patron of musical performances in the Theater of Dionysus, to commemorate the prize in the dithyramb contest of the City Dionysia in 335/334 BCE, of which performance he was Liturgy (ancient Greece), liturgist. The monument is known as the first use of the Corinthian order on the exterior of a building. It has been reproduced widely in modern monuments and building elements. History The circular structure, raised on a high squared podium, is the first Greek monument built in the Corinthian order on its exterior. It was originally crowned with an elaborate floral support for the bronze tripod, the prize awarded to Lysicrates' chorus. The sculpture on the frieze is thought to depict the mythology, myth of Dionysus and the Tyrrhenian pirates from the Homeric Hymn to Dionysus. Immediately below the architrave and between the column capital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auxesia (Greek Mythology)
Auxesia () was in Greek mythology the goddess who grants growth and prosperity to the fields, sometimes distinct and sometimes an epithet of the goddess Persephone. Her name is the Greek word for "increase". She is often associated with the similar goddess , as the pair together -- similar to the pair of Demeter and Persephone -- were worshipped in several communities across the Saronic Gulf, though in some communities they may have been worshipped more as heroes than genuinely divine goddesses. Auxesia was possibly simply a variant name of Azesia. Their cults and rituals involved choruses of women exchanging verbal abuse or speaking indecently to one another, similar to various Demeter cults. In some places these choruses were secret and no men were permitted, while in others they were public, and trained by men, as at Aegina, where each chorus was trained and overseen by a group of ten male '' choregoi''. Modern scholars generally take this to indicate that the cult had magical f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekkyklema
An ''ekkyklêma'' or ''eccyclema'' (; ; "roll-out machine") was a wheeled platform rolled out through a '' skênê'' in ancient Greek theatre. It was used to bring interior scenes out into the sight of the audience. Some ancient sources suggest that it may have been revolved or turned. It is primarily used in tragedies for revealing dead bodies, such as Hippolytus' dying body in the final scene of Euripides' play of the same name, or the corpse of Eurydice draped over the household altar in Sophocles' '' Antigone''. Other uses include the revelation in Sophocles' '' Ajax'' of Ajax surrounded by the sheep he killed whilst under the delusion that they were Greeks.Rehm (1992, 69). The ''ekkyklêma'' is also used in comedy to parody the tragic effect. An example of this is in Aristophanes Aristophanes (; ; ) was an Ancient Greece, Ancient Greek Ancient Greek comedy, comic playwright from Classical Athens, Athens. He wrote in total forty plays, of which eleven survive virtually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mechane
A mechane (; , ''mēkhanḗ'') or machine was a crane used in Greek theatre, especially in the 5th and 4th centuries BC. Made of wooden beams and pulley systems, the device was used to lift an actor into the air, usually representing flight. This stage machine was particularly used to bring gods onto the stage from above,Plato, '' Crat.'' 425d; '' Clit''. 407a hence the Latin term '' deus ex machina'' ("god from the machine"). Euripides' use of the mechane in ''Medea'' (431 BC) is a notable use of the machine for a non-divine character. It was also often used by Aeschylus. Use in ancient Rome Stage machines were also used in ancient Rome, e.g. during the sometimes highly dramatic performances at funerals. For Julius Caesar's funeral service, Appian reports a mechane that was used to present a blood-stained wax effigy of the deceased dictator to the funeral crowd. The mechane was used to turn the body in all directions.App. ''B.C.'' 2.147. ''τὸ μὲν γὰρ σῶμα, ὡ� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sparta
Sparta was a prominent city-state in Laconia in ancient Greece. In antiquity, the city-state was known as Lacedaemon (), while the name Sparta referred to its main settlement in the Evrotas Valley, valley of Evrotas (river), Evrotas river in Laconia, in southeastern Peloponnese. Around 650 BC, it rose to become the dominant military land-power in ancient Greece. Sparta was recognized as the leading force of the unified Greek military during the Greco-Persian Wars, in rivalry with the rising naval power of Classical Athens, Athens. Sparta was the principal enemy of History of Athens, Athens during the Peloponnesian War (431–404 BC), from which it emerged victorious after the Battle of Aegospotami. The decisive Battle of Leuctra against Thebes, Greece, Thebes in 371 BC ended the Spartan hegemony, although the city-state maintained its Independence, political independence until its forced integration into the Achaean League in 192 BC. The city nevertheless recovered m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
