|
Chitarra Italiana
Chitarra Italiana (; 'Italian guitar') is a lute-shaped plucked instrument with four or five single (sometimes double) strings, in a tuning similar to that of the guitar. It was common in Italy during the Renaissance music, Renaissance era. According to Renato Meucci, the designation of 'Italiana' followed the introduction to Italy of the flat-backed development of the instrument – referred to as ''chitarra alla spagnola '' (literally 'Spanish guitar'); to distinguish between the two versions. It is believed to have descended from panduras, the Mediterranean lutes of Antiquity, and to be related to North African Kwitra, quitra (or kwitra). Its bass variety was known as chitarrone. Musicologist Laurence Wright talked about the chitarrone in a letter to the ''Early Music'' journal (October 1976), saying it implied "large guitar", that it had a rounded back and was likely to be taken for a smaller lute, and that it was found from the 13th century to the 18th century, but was much ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Necked Bowl Lutes
Necking can refer to: * Making out, a term for heavy kissing of the neck or petting of that area * Necking (engineering), the process by which a ductile material deforms under tension forming a thin ''neck'' * Necking (electronics), thinning of traces in PCB layouts * Necking, a behavior of giraffes * Necking up or necking down, methods of modifying a firearm cartridge to make a wildcat cartridge or a new production cartridge (e.g. the US .60 caliber T17 round being shortened and necked up to create the 20×102 mm M61 Vulcan The M61 Vulcan is a Hydraulic machinery, hydraulically, electrically, or pneumatics, pneumatically driven, six-Gun barrel, barrel, air-cooled, electrically fired Gatling gun, Gatling-style rotary cannon which fires 20 mm caliber, rounds at an e ... cannon cartridge) See also * Neck (other) * Rubbernecking {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandura
The pandura (, ''pandoura'') or pandore, an ancient Greek string instrument, belonged in the broad class of the lute and guitar instruments. Akkadian Empire, Akkadians played similar instruments from the 3rd millennium BC. Ancient Greece, Ancient Greek artwork depicts such lutes from the 3rd or 4th century BC onward. Ancient Greece The Ancient Greece, ancient Greek ''pandoura'' was a medium or long-necked lute with a small resonating chamber, used by the ancient Greeks. It commonly had three strings: such an instrument was also known as the ''trichordon'' (three-stringed) (τρίχορδον, McKinnon 1984:10). Its descendants still survive as the Kartvelian panduri, the Greek tambouras and bouzouki, the North African Kwitra, kuitra, the Eastern Mediterranean Bağlama, saz and the Balkan tamburica and remained popular also in the near east and eastern Europe, too, usually acquiring a third string in the course of time, since the fourth century BC. Renato Meucci (1996) suggests t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandola
The mandola (US and Canada) or tenor mandola (Ireland and UK) is a fretted, stringed musical instrument. It is to the mandolin what the viola is to the violin: the four double courses of strings tuned in fifths to the same pitches as the viola ( C3-G3-D4-A4), a fifth lower than a mandolin. The mandola, though now rarer, is an ancestor of the mandolin. (The word ''mandolin'' means ''little mandola''.) Overview The name ''mandola'' may originate with the ancient pandura, and is also rendered as mandora, the change perhaps having been due to approximation to the Italian word for "almond". The instrument developed from the lute at an early date, being more compact and cheaper to build, but the sequence of development and nomenclature in different regions is now hard to discover. Historically related instruments include the mandore, mandole, vandola (Joan Carles Amat, 1596), bandola, bandora, bandurina, pandurina and – in 16th-century Germany – the quinterne or chiterna. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chitarrone
The theorbo is a plucked string instrument of the lute family, with an extended neck that houses the second pegbox. Like a lute, a theorbo has a curved-back sound box with a flat top, typically with one or three sound holes decorated with rosettes. As with the lute, the player plucks or strums the strings with the right hand while "fretting" (pressing down) the strings with the left hand. The theorbo is related to the ''liuto attiorbato'', the French ', the archlute, the German baroque lute, and the '' angélique'' (or ''angelica''). A theorbo differs from a regular lute in its re-entrant tuning in which the first two strings are tuned an octave lower. The theorbo was used during the Baroque music era (1600–1750) to play basso continuo accompaniment parts (as part of the basso continuo group, which often included harpsichord, pipe organ and bass instruments), and also as a solo instrument. It has a range similar to that of cello. Origin and development Theorbos were d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kwitra
The kwitra (also '' quwaytara'', ''kouitra'' and ''quitra''; in Arabic: ''الكوترة'' (a-kwitra)) is an Algerian stringed instrument, sometimes referred to as the Algerian lute. The instrument is tied to Andalusian musical traditions of Moorish people who were pushed out of the Iberian peninsula in the 15th century. That tradition has shrunk further; where the kwitra was once seen in Algeria, today it is mainly an Algerian instrument. The literal meaning of kwitra in Algerian Arabic (and possibly in the extinct Andalusian Arabic) is "small guitar". It is a regional instrument in the lute A lute ( or ) is any plucked string instrument with a neck (music), neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lu ... family of instruments, related to Italian chitarra. It has eight strings in four courses. It is tuned G3 G3, E4 E4, A3 A3, D4 D4. The tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandura
The pandura (, ''pandoura'') or pandore, an ancient Greek string instrument, belonged in the broad class of the lute and guitar instruments. Akkadian Empire, Akkadians played similar instruments from the 3rd millennium BC. Ancient Greece, Ancient Greek artwork depicts such lutes from the 3rd or 4th century BC onward. Ancient Greece The Ancient Greece, ancient Greek ''pandoura'' was a medium or long-necked lute with a small resonating chamber, used by the ancient Greeks. It commonly had three strings: such an instrument was also known as the ''trichordon'' (three-stringed) (τρίχορδον, McKinnon 1984:10). Its descendants still survive as the Kartvelian panduri, the Greek tambouras and bouzouki, the North African Kwitra, kuitra, the Eastern Mediterranean Bağlama, saz and the Balkan tamburica and remained popular also in the near east and eastern Europe, too, usually acquiring a third string in the course of time, since the fourth century BC. Renato Meucci (1996) suggests t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ''ars nova'', the music of the Trecento, Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triad (music), triadic harmony and the spread of the ''contenance angloise'' style from the British Isles to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque music, Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410s or '20s–1497) and Josquin des Prez (late 1450s–1521), and culminating during the Counter-Reformat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a stringed musical instrument that is usually fretted (with Fretless guitar, some exceptions) and typically has six or Twelve-string guitar, twelve strings. It is usually held flat against the player's body and played by strumming or Plucked string instrument, plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A guitar pick may also be used to strike the strings. The sound of the guitar is projected either Acoustics, acoustically, by means of a resonant hollow chamber on the guitar, or Amplified music, amplified by an electronic Pickup (music technology), pickup and an guitar amplifier, amplifier. The guitar is classified as a chordophone, meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood, with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck (music), neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" commonly refers to an instrument from the Family (musical instruments), family of History of lute-family instruments, European lutes which were themselves influenced by India, Indian short-necked lutes in Gandhara which became the predecessor of the Islamic music, Islamic, the Sino-Japanese and the Early music, European lute families. The term also refers generally to any necked string instrument having the strings running in a plane parallel to the Sound board (music), sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiorbino
A tiorbino, a small theorbo (''tiorbo'' in Italian), is a rare stringed instrument, a type of long-necked lute resembling a theorbo but significantly smaller and pitched an octave higher. The tiorbino was created in the late 16th century and was played in the 17th century, as in the 1622 composition ''Capricci a due stromenti cioe tiorba e tiorbino e per sonar varie sorti de balli..'' by Bellerofonte Castaldi. The tiorbino was then abandoned, only to return in the late 20th century with the renaissance of interest in early music. The sound of the tiorbino has been described by the lutenist Paul O'Dette as "a cross between a lute, a baroque guitar, and a harp." Although the tiorbino is not large, its sound carries well. It was used as a basso continuo instrument and was "a valuable addition to the tonal landscape available to the continuo player." See also * Torban The torban (, also ''teorban'' or ''Ukrainian theorbo'') is a Ukrainian musical instrument that combines the fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theorbo
The theorbo is a plucked string instrument of the lute family, with an extended neck that houses the second pegbox. Like a lute, a theorbo has a curved-back sound box with a flat top, typically with one or three sound holes decorated with rosettes. As with the lute, the player plucks or strums the strings with the right hand while "fretting" (pressing down) the strings with the left hand. The theorbo is related to the ''liuto attiorbato'', the French ', the archlute, the German baroque lute, and the '' angélique'' (or ''angelica''). A theorbo differs from a regular lute in its re-entrant tuning in which the first two strings are tuned an octave lower. The theorbo was used during the Baroque music era (1600–1750) to play basso continuo accompaniment parts (as part of the basso continuo group, which often included harpsichord, pipe organ and bass instruments), and also as a solo instrument. It has a range similar to that of cello. Origin and development Theorbos were develop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
