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Chinsō
Chinsō ( ; alternatively pronounced ''Chinzō'' ) are commemorative portraits of Zen master, Zen masters, a traditional form of East Asian art, specifically Zen art. They can be painted or sculpted and usually present a Zen master ceremonially dressed and seated upright in chair.Baroni, Helen Josephine. The Illustrated Encyclopedia of Zen Buddhism. The Rosen Publishing, Group Inc, 2002 Chinsō include realistic portraits of prominent Zen monks, possibly commissioned by them and painted while they were alive or shortly after they died, as well as depictions of famous Zen patriarchs from the past commissioned by his disciples. Chinsō were believed to have been passed down by Zen masters to their disciples as a symbol of dharma transmission, and known to have been meant for use in rituals, especially to represent the deceased during memorial services, and as an icon for their followers. Before monks would die, they would sometimes write a simple poem in the upper part of their port ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ikkyū
was an eccentric, iconoclastic Japanese Zen Buddhist monk and poet. He had a great impact on the infusion of Japanese art and literature with Zen attitudes and ideals.Kodansha Encyclopedia of Japan, entry "Ikkyū" by James H. Sanford He is perhaps best known for his radical approach to Zen, which included breaking Buddhist monastic precepts and his stance against celibacy. Biography Childhood Ikkyū was born in 1394 in a small suburb of Kyoto. It is generally held that he was the son of Emperor Go-Komatsu and a low-ranking court noblewoman. His mother was forced to flee to Saga, where Ikkyū was raised by servants. At the age of five, Ikkyū was separated from his mother and placed in a Rinzai Zen temple in Kyoto called Ankoku-ji, as an acolyte. The temple masters taught Chinese culture and language as part of the curriculum, a method termed . He was given the name Shuken, and learned about Chinese poetry, art and literature. Training and enlightenment When Ikkyū turned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhism In The Muromachi Period
Buddhism, also known as Buddhadharma and Dharmavinaya, is an Indian religion and List of philosophies, philosophical tradition based on Pre-sectarian Buddhism, teachings attributed to the Buddha, a wandering teacher who lived in the 6th or 5th century Before the Common Era, BCE. It is the Major religious groups, world's fourth-largest religion, with about 500 million followers, known as Buddhists, who comprise four percent of the global population. It arose in the eastern Gangetic plain as a movement in the 5th century BCE, and gradually spread throughout much of Asia. Buddhism has subsequently played a major role in Asian culture and spirituality, eventually spreading to Western world, the West in the 20th century. According to tradition, the Buddha instructed his followers in a path of bhavana, development which leads to Enlightenment in Buddhism, awakening and moksha, full liberation from ''Duḥkha, dukkha'' (). He regarded this path as a Middle Way between extremes su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhism In The Kamakura Period
Buddhism, also known as Buddhadharma and Dharmavinaya, is an Indian religion and philosophical tradition based on teachings attributed to the Buddha, a wandering teacher who lived in the 6th or 5th century BCE. It is the world's fourth-largest religion, with about 500 million followers, known as Buddhists, who comprise four percent of the global population. It arose in the eastern Gangetic plain as a movement in the 5th century BCE, and gradually spread throughout much of Asia. Buddhism has subsequently played a major role in Asian culture and spirituality, eventually spreading to the West in the 20th century. According to tradition, the Buddha instructed his followers in a path of development which leads to awakening and full liberation from '' dukkha'' (). He regarded this path as a Middle Way between extremes such as asceticism or sensual indulgence. Teaching that ''dukkha'' arises alongside attachment or clinging, the Buddha advised meditation practices and eth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Painting
is one of the oldest and most highly refined of the Japanese visual arts, encompassing a wide variety of genres and styles. As with the history of Japanese arts in general, the long history of Japanese painting exhibits synthesis and competition between native Japanese aesthetics and the adaptation of imported ideas, mainly from Chinese painting, which was especially influential at a number of points; significant Western influence only comes from the 19th century onwards, beginning at the same time as Japanese art was influencing that of the West. Areas of subject matter where Chinese influence has been repeatedly significant include Buddhist religious painting, ink-wash painting of landscapes in the Chinese literati painting tradition, calligraphy of sinograms, and the painting of animals and plants, especially birds and flowers. However, distinctively Japanese traditions have developed in all these fields. The subject matter that is widely regarded as most characterist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wuzhun Shifan
Wuzhun Shifan ( zh, c=無準師範; Wade-Giles: Wu Chun Shih Fan; 1178–1249) was a Chinese calligrapher, and Chan (Zen) Buddhist monk who lived during the late Song Dynasty (960–1279). Life Wuzhun Shifan was born in Zitong, Sichuan province, China. He eventually became a Buddhist abbot at the Temple of Mount Jingshan. He was once summoned by Emperor Lizong of Song (理宗; r. 1224–1264) in 1233 in order to share with him the doctrine of Chán (Zen) Buddhism, discussing Dharma with the emperor.Faure, 43. For this Wuzhun was given the title ''Fojian Yuanzhao Chanshi'' (Mirror of the Buddha, Zen Teacher) as well as a gold-embroidered kaśaya that he wears in his portrait painting of 1238. Wuzhun had many disciples who studied under him. This included Enni Ben'en (圓爾辯圓 ; 1201–1280; Shoichi Kokushi), who studied under Wuzhun in China from 1235 to 1241 and later brought Wuzhun's teachings to Japan. Afterwards, Enni helped cement greater acceptance for Zen teac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statue Of The Monk Chikotsu Dai'e
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size. A sculpture that represents persons or animals in full figure, but that is small enough to lift and carry is a ''statuette'' or figurine, whilst those that are more than twice life-size are regarded as ''colossal statues''. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Colors Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Usnisa
The ushnisha (, Pali: ''uṇhīsa'') is a protuberance on top of the head of a Buddha. In Buddhist literature, it is sometimes said to represent the "crown" of a Buddha, a symbol of Enlightenment and status the King of the Dharma. Description 250px, Head of the Buddha, crowned by the ushnisha, 3rd century, Hadda, Afghanistan The Ushnisha is the thirty-second of the 32 major marks of the Buddha, wherein the Buddha is said to have a fleshy or cranial protuberance at the top of his head. It is sometimes elaborated that it is covered with hair that curls to the right. In art of Southeast Asia, a flame is sometimes added that ascends from the middle of this protuberance. Representation 250px, Flame Ushnisha, 14–15 century, Sukhothai, Thailand Buddhist art from Gandhara in the 1st century CE often represent the Buddha with a topknot, rather than just a cranial knob. It is thought that the interpretation of the ushnisha as a supernatural cranial protuberance happen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Ikkyū Sōjun
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face is always predominant. In arts, a portrait may be represented as half body and even full body. If the subject in full body better represents personality and mood, this type of presentation may be chosen. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, to most successfully engage the subject with the viewer, but portrait may be represented as a profile (from aside) and 3/4. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharma Transmission
In Chan and Zen Buddhism, dharma transmission is a custom in which a person is established as a "successor in an unbroken lineage of teachers and disciples, a spiritual 'bloodline' ('' kechimyaku'') theoretically traced back to the Buddha himself." The dharma lineage reflects the importance of family-structures in ancient China, and forms a symbolic and ritual recreation of this system for the monastical "family". In Rinzai-Zen, ''inka shōmei'' (印可証明) is ideally "the formal recognition of Zen's deepest realisation", but practically it is being used for the transmission of the "true lineage" of the masters (''shike'') of the training halls. There are only about fifty to eighty of such ''inka shōmei''-bearers in Japan. In Sōtō-Zen, dharma transmission is referred to as ''shiho'', and further training is required to become an oshō. History The notion and practice of Dharma Transmission developed early in the history of Chan, as a means to gain credibility and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Zen Monk Ikkyū Sōjun (1394-1481)
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face is always predominant. In arts, a portrait may be represented as half body and even full body. If the subject in full body better represents personality and mood, this type of presentation may be chosen. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, to most successfully engage the subject with the viewer, but portrait may be represented as a profile (from aside) and 3/4. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
