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China Art Museum, Shanghai
China Art Museum, Shanghai (Shanghai Art Museum) is a municipal art museum of Shanghai City. It is a public welfare institution funded by the Shanghai City Culture and Tourism Bureau. The museum is housed in the China Pavilion building, formerly of the Expo 2010 Shanghai China. History The Shanghai Art Museum was established in 1956 in a former restaurant on West Nanjing Road and was completely rebuilt in 1986. On 18 March 2000, the museum relocated to the former Shanghai Race Club building on People's Square, which had housed the Shanghai Library until 1997. With the move, its exhibition space increased from 2,200 to 5,800 square meters. Shanghai hosted Expo 2010 from 1 May to 31 October 2010. The China Pavilion received close to 17 million visitors. Owing to its popularity, the China Pavilion was reopened for six extra months after the end of the Shanghai Expo. In November 2011, the Shanghai Municipal People's Government announced that the China Pavilion building from E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pudong
Pudong is a district of Shanghai located east of the Huangpu, the river which flows through central Shanghai. The name ''Pudong'' was originally applied to the Huangpu's east bank, directly across from the west bank or Puxi, the historic city center. It now refers to the broader Pudong New Area, a state-level new area which extends all the way to the East China Sea. The traditional area of Pudong is now home to the Lujiazui Finance and Trade Zone and the Shanghai Stock Exchange and many of Shanghai's best-known buildings, such as the Oriental Pearl Tower, the Jin Mao Tower, the Shanghai World Financial Center, and the Shanghai Tower. These modern skyscrapers directly face Puxi's historic Bund, a remnant of former foreign concessions in China. The rest of the new area includes the Port of Shanghai, the Shanghai Expo and Century Park, Zhangjiang Hi-Tech Park, Shanghai Pudong International Airport, the Jiuduansha Wetland Nature Reserve, Nanhui New City, and the Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Day Of The People's Republic Of China
National Day ( zh, s=国庆节, t=, p=guóqìng jié, l=national celebration day, links=yes), officially the National Day of the People's Republic of China (), is a public holiday in China celebrated annually on 1 October as the national day of the People's Republic of China, commemorating the formal proclamation of the establishment of the People's Republic of China on 1 October 1949. The Chinese Communist Party victory in the Chinese Civil War resulted in the Kuomintang "retreat" to Taiwan and the Chinese Communist Revolution whereby the People's Republic of China "replaced" the Republic of China. Although it is observed on 1 October, another six days are added to the official holiday, normally in lieu of the two weekend breaks around 1 October, making it a de facto public holiday comprising seven consecutive days also known as Golden Week ( zh, c=黄金周, p=huángjīn zhōu, labels=no) with specifics regulated by the State Council. Festivities and concerts are usua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xie Zhiliu
Xie Zhiliu (; 1910–1997) was a leading traditional painter, calligrapher, and art connoisseur of modern China. He was a noted member of the Shanghai School of art. Xie and his wife Chen Peiqiu are one of the most famous couples in Chinese art. The government of Shanghai has opened a museum in Nanhui New City dedicated to them. Biography Born Xie Zhi (谢稚) in Wujin (now part of Changzhou), Jiangsu province in 1910, Xie went by his courtesy name Zhiliu. He also used the art name Zhuangmusheng (壮暮生) in his later life. Xie began learning to paint at the age of nine, and received an education according to the Chinese artistic tradition, which is a combination of drawing directly from life and copying the paintings of old masters. At the age of 19 he began to emulate the style of Ming dynasty master Chen Hongshou. In the 1930s Xie Zhiliu befriended the famous painter Zhang Daqian. In 1942 Xie went to Dunhuang with Zhang to study the art of the Mogao Caves. After returning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
He Tianjian
He Tianjian (; 1891 – 2 April 1977), formerly romanized as Ho T'ien-chien, was a Chinese '' guohua'' painter and a leading member of the Shanghai School of art. Biography He Tianjian was born He Jun (贺骏) in Wuxi, Jiangsu province in 1891. He was also known by the name He Bingnan (贺炳南). He began to paint at the age of eight. In 1911 he briefly studied at the Guomin University (国民大学) in Nanjing, but dropped out the same year and joined the Zhonghua Book Company in Shanghai as an editor for paintings. In the 1920s he taught landscape painting in Wuxi, Nanjing, and Shanghai. He became extremely influential in the 1930s and 1940s. After the founding of the People's Republic of China in 1949, he became a staff painter at the Shanghai Institute of Chinese Painting. He Tianjian is one of the seven artists featured in the Exhibition for Noted Painters at the China Art Museum in Shanghai. His works are also in the collection of the Metropolitan Museum of Art The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qing Dynasty
The Qing dynasty ( ), officially the Great Qing,, was a Manchu-led imperial dynasty of China and the last orthodox dynasty in Chinese history. It emerged from the Later Jin dynasty founded by the Jianzhou Jurchens, a Tungusic-speaking ethnic group who unified other Jurchen tribes to form a new "Manchu" ethnic identity. The dynasty was officially proclaimed in 1636 in Manchuria (modern-day Northeast China and Outer Manchuria). It seized control of Beijing in 1644, then later expanded its rule over the whole of China proper and Taiwan, and finally expanded into Inner Asia. The dynasty lasted until 1912 when it was overthrown in the Xinhai Revolution. In orthodox Chinese historiography, the Qing dynasty was preceded by the Ming dynasty and succeeded by the Republic of China. The multiethnic Qing dynasty lasted for almost three centuries and assembled the territorial base for modern China. It was the largest imperial dynasty in the history of China and in 1790 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shanghai School
''Haipai'' (, Shanghainese: ''hepha'', ; literally " hangai style") refers to the avant-garde but unique "East Meets West" culture from Shanghai in the 20th and 21st centuries. It is a part of the culture of Shanghai. Etymology The term was coined by a group of Beijing writers in 1920 to criticize some Shanghai scholars and the styles of embracing or admiring western capitalism and western culture. The name ''Haipai'' originally came from painting and drama. According to ''History of Chinese Painting'', which was published in 1937, "During Emperor Tongzhi's and Guangxu's reign in the Qing Dynasty, most Chinese painters lived in Shanghai and made a living by selling paintings. In order to make profits, painters catered to vulgar public taste. Their paintings gradually demonstrated ''Haipai'' style." In addition, performers of Peking opera regarded Beijing as the authority of China and they referred to cities outside Beijing as ''Haipai''. At that time ''Haipai'' was used by schol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art. Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the Proto-Cubism, pre-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
China Art Museum, Shanghai Interior
China, officially the People's Republic of China (PRC), is a country in East Asia. It is the world's most populous country, with a population exceeding 1.4 billion, slightly ahead of India. China spans the equivalent of five time zones and borders fourteen countries by land, the most of any country in the world, tied with Russia. Covering an area of approximately , it is the world's third largest country by total land area. The country consists of 22 provinces, five autonomous regions, four municipalities, and two Special Administrative Regions (Hong Kong and Macau). The national capital is Beijing, and the most populous city and financial center is Shanghai. Modern Chinese trace their origins to a cradle of civilization in the fertile basin of the Yellow River in the North China Plain. The semi-legendary Xia dynasty in the 21st century BCE and the well-attested Shang and Zhou dynasties developed a bureaucratic political system to serve hereditary monarchies, or dynastie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ding (vessel)
''Ding'' () are prehistoric and ancient Chinese cauldrons, standing upon legs with a lid and two facing handles. They are one of the most important shapes used in Chinese ritual bronzes. They were made in two shapes: round vessels with three legs and rectangular ones with four, the latter often called ''fangding''. They were used for cooking, storage, and ritual offerings to the gods or to ancestors. The earliest recovered examples are pre-Shang ceramic ding at the Erlitou site but they are better known from the Bronze Age, particularly after the Zhou deemphasized the ritual use of wine practiced by the Shang kings. Under the Zhou, the ding and the privilege to perform the associated rituals became symbols of authority. The number of permitted ding varied according to one's rank in the Chinese nobility: the Nine Ding of the Zhou kings were a symbol of their rule over all China but were lost by the first emperor, Shi Huangdi in the late 3rd century BCE. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dougong
''Dougong'' () is a structural element of interlocking wooden brackets, one of the most important in traditional Chinese architecture. The use of dougong first appeared in buildings of the late centuries BC and evolved into a structural network that joined pillars and columns to the frame of the roof. ''Dougong'' was widely used by the ancient Chinese during the Spring and Autumn period (770–476 BC) and developed into a complex set of interlocking parts by its peak in the Tang and Song periods. The pieces are fitted together by joinery alone without glue or fasteners, requiring precise carpentry. After the Song Dynasty, brackets and bracket sets used in palatial structures and important religious buildings became more ornamental than structural, no longer fitting the description of traditional ''dougong''. Function Dougong is part of the network of wooden supports essential to the timber frame structure of traditional Chinese building. Because the walls in these s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corbel
In architecture, a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, a type of bracket. A corbel is a solid piece of material in the wall, whereas a console is a piece applied to the structure. A piece of timber projecting in the same way was called a "tassel" or a "bragger" in England. The technique of corbelling, where rows of corbels deeply keyed inside a wall support a projecting wall or parapet, has been used since Neolithic (New Stone Age) times. It is common in medieval architecture and in the Scottish baronial style as well as in the vocabulary of classical architecture, such as the modillions of a Corinthian cornice. The corbel arch and corbel vault use the technique systematically to make openings in walls and to form ceilings. These are found in the early architecture of most cultures, from Eurasia to Pre-Columbian architecture. A console is more specifically an "S"-shaped scroll bracket in the classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
He Jingtang
He Jingtang (; born 1938 Dongguan) is a Chinese architect and the head of the architecture program at the South China University of Technology's school of architecture whose works include the wrestling and badminton venues built for the 2008 Beijing Olympics and the Chinese Pavilion sometimes referred to as the "Crown of China" for Expo 2010 which was held in Shanghai and later reopened as the China Art Museum. More recently designed the new campus of the University of Macau which was completed in 2013. In 2016 the Dachang Muslim Cultural Center designed by He opened outside Beijing. It features a colonnade of petal-shaped arches that in turn give birth to an illuminated walkway around the outline of cultural centre He participated in the 2016 Venice Biennale of Architecture Venice Biennale of Architecture (in Italian Mostra di Architettura di Venezia) is an international exhibition of architecture from nations around the world, held in Venice, Italy, every other year. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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