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Chimène (opera)
''Chimène, ou Le Cid'' is a French-language opera by Antonio Sacchini. It takes the form of a '' tragédie (lyrique)'' in three acts, with a libretto by Nicolas-François Guillard. It was first staged at Fontainebleau on 16 November 1783. The subject of the work was inspired by the tragicomedy ''Le Cid'' by Pierre Corneille, and indirectly by the medieval Spanish epic ''Cantar de Mio Cid'' and a play by Guillén de Castro y Bellvís, ''Las Mocedades del Cid. Comedia Comedia primera and segunda'' (also known as ''Las Hazañas del Cid'') (1605–1615). Background Antecedents Sacchini had already dealt with the subject of El Cid twice before. The first occasion was in Rome during the Carnival season of 1769, when, under the title of ''Il Cidde'', he had set a libretto by Gioacchino Pizzi, previously used by Niccolò Piccinni, which retained its popularity for at least another decade. The star of the work was the soprano castrato, , then at the height of his fame. After he moved to L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
''Tragédie en musique'' (, musical tragedy), also known as ''tragédie lyrique'' (, lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Early works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Querelle Des Bouffons
The ("Quarrel of the Comic Actors"), also known as the ("War of the Comic Actors"), was the name given to a battle of musical philosophies that took place in Paris between 1752 and 1754. The controversy concerned the relative merits of French and Italian opera. It was also known as the ("War of the Corners"), with those favoring French opera in the King's corner, and those favoring Italian opera in the Queen's corner. It was sparked by the reaction of literary Paris to a performance of Giovanni Battista Pergolesi's short intermezzo ''La serva padrona'' at the Académie royale de musique in Paris on 1 August 1752. ''La serva padrona'' was performed by an itinerant Italian troupe of comic actors, known as ''buffoni'' (''bouffons'' in French, hence the name of the quarrel). In the controversy that followed, critics such as Jean-Jacques Rousseau and Friedrich Melchior Grimm, along with other writers associated with the ''Encyclopédie'', praised Italian opera buffa. They att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Antoinette
Marie Antoinette (; ; Maria Antonia Josefa Johanna; 2 November 1755 – 16 October 1793) was the last List of French royal consorts, queen of France before the French Revolution and the establishment of the French First Republic. She was the wife of Louis XVI. Born Archduchess Maria Antonia of Austria, she was the penultimate child and youngest daughter of Empress Maria Theresa and Francis I, Holy Roman Emperor, Emperor Francis I. She married Louis Auguste, Dauphin of France, in May 1770 at age 14, becoming the Dauphine of France. On 10 May 1774, her husband ascended the throne as Louis XVI, and she became queen. As queen, Marie Antoinette became increasingly a target of criticism by opponents of the domestic and foreign policies of Louis XVI and those opposed to the monarchy in general. The French accused her of being profligate, promiscuous, having illegitimate children, and harboring sympathies for France's perceived enemies, including her native Habsburg monarchy, Austria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis XVI Of France
Louis XVI (Louis-Auguste; ; 23 August 1754 – 21 January 1793) was the last king of France before the fall of the monarchy during the French Revolution. The son of Louis, Dauphin of France (1729–1765), Louis, Dauphin of France (son and heir-apparent of Louis XV, King Louis XV), and Maria Josepha of Saxony, Dauphine of France, Maria Josepha of Saxony, Louis became the new Dauphin of France, Dauphin when his father died in 1765. In 1770, he married Marie Antoinette. He became King of France and Navarre on his grandfather's death on 10 May 1774, and reigned until the proclamation of the abolition of the monarchy, abolition of the monarchy on 21 September 1792. From 1791 onwards, he used the style of king of the French. The first part of Louis XVI's reign was marked by attempts to reform the French government in accordance with Enlightened absolutism, Enlightenment ideas. These included efforts to increase Edict of Versailles, tolerance toward non-Catholics as well as abolishing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing human voice, voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (''passaggio''), such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal register. A singer's voice type is identified by a process known as voice classification, by which the human voice is evaluated and thereby designated into a particular voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. Several different voice classification systems are available to identify voice types, including the German ''Fach'' system and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julien Chauvin
Julien Chauvin (born 1979) is a French violinist and music director, specialized in the interpretation on period instruments and gut strings, co-founder of the orchestra the (2004-2014), as well as the (2007), and founder of the Concert de la Loge Olympique (2015). Biography Born in Fontainebleau,Article devoted to Julien Chauvin i''La Croix''(20 January 2016). Chauvin studied in the Netherlands at the Royal Conservatory of The Hague with and perfected his skills with , Jaap ter Linden and Anner Bylsma. In 2003, he was laureate of the MAfestival Brugge. He has a career as soloist, guest violinist, chamber musician and musical director. In 2015, he decided to end his collaboration with Jérémie Rhorer to found a new orchestra, the Concert de la Loge Olympique, specialized in the interpretation of baroque, classical and romantic repertoires on ancient instruments. Since 2008, he has also been working at the INSEAD, alongside Professor Ian Woodward, in training seminars f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Porte Saint-Martin
The Théâtre de la Porte Saint-Martin () is a venerable theatre and opera house at 18, Boulevard Saint-Martin in the 10th arrondissement of Paris. History It was first built very rapidly in 1781 under the direction of (1726–1810) to house the Paris Opéra, whose previous home, the second Salle du Palais-Royal, had burned down on 8 June 1781. The new theatre had a capacity of about 2,000 spectators and included a parterre with the lowest-priced tickets sold only to males who stood throughout the performances, an amphitheatre, and four rows of boxes. The Opéra used the theatre from 27 October 1781 until August 1794."Atlantes et cariatides des grands boulevards - Paris.fr" . The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoinette Saint-Huberty
Anne-Antoinette-Cécile Clavel, better known by her stage name Madame Saint-Huberty or Saint-Huberti (15 December 1756 in Strasbourg – 22 July 1812 in Barnes, London), was a celebrated French operatic soprano whose career extended from until 1790. After her retirement from the stage and the publicising of her second marriage, she was also known as the Comtesse d'Antraigues from around 1797. She and her husband were murdered in England. Early life and musical career Antoinette Clavel (later known professionally as Madame Saint-Huberty) was the daughter of Jean-Pierre Clavel, a musician employed as a répétiteur in the private opera troupe of Charles IV Theodore, Elector Palatine. Her mother was Claude-Antoinette Pariset, the daughter of a grocer from Sélestat.Dorlan (1932), p. 25. Her biographers have often disagreed about her place of birth. Renwick, for example, found instances of it being indicated as Toul, Thionville, or Mannheim, and Clayton gives it as Toulouse – p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
