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Cetiya
Cetiya, "reminders" or "memorials" (Sanskrit ''caitya''), are objects and places used by Buddhists to remember Gautama Buddha.Kalingabodhi jātaka, as quoted in John Strong, ''Relics of the Buddha'' (Princeton: Princeton University Press, 2004), 19 According to Damrong Rajanubhab, four kinds are distinguished in the Pāli Canon: "Relic hatu Memorial aribhoga Teaching hamma and votive desaka" Griswold, in contrast, states that three are traditional and the fourth, the Buddha Dhamma, was added later to remind monks that the true memory of Gautama Buddha can be found in his teachings. While these can be broadly called Buddhist symbolism, the emphasis tends to be on a historical connection to the Buddha and not a metaphysical one. In pre-Buddhist India ''caitya'' was a term for a shrine or holy place in the landscape, generally outdoors, inhabited by, or sacred to, a particular deity. In the ''Mahāyāna Mahāparinirvāṇa Sūtra'', near the end of his life the Buddha remarks t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddha Footprint
Buddha's footprints (Sanskrit: )( Tibetan: སངས་རྒྱས་ཀྱི་ཞབས་རྗེས། )are Buddhist icons shaped like an imprint of Gautama Buddha's foot or both feet. There are two forms: natural, as found in stone or rock, and those made artificially. Many of the "natural" ones are acknowledged not to be genuine footprints of the Buddha, but rather replicas or representations of them, which can be considered '' cetiya'' (Buddhist relics) and also an early aniconic and symbolic representation of the Buddha. Symbolism Footprints of the Buddha abound throughout Asia, dating from various periods. Japanese author , who spent years tracking down the footprints in many Asian countries, estimates that he found more than 3,000 such footprints, among them about 300 in Japan and more than 1,000 in Sri Lanka. They often bear distinguishing marks, such as a Dharmachakra at the centre of the sole, or the 32, 108 or 132 auspicious signs of the Buddha, engraved or pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burmese Pagoda
Burmese pagodas are stupas that typically house Buddhist relics, including relics associated with Buddha. Pagodas feature prominently in Myanmar's landscape, earning the country the moniker "land of pagodas." Several cities in the country, including Mandalay and Bagan, are known for their abundance of pagodas. Pagodas are the site of seasonal pagoda festivals. Burmese pagodas are enclosed in a compound known as the ''aran'' (အာရာမ်, from Pali ''ārāma''), with gateways called ''mok'' (မုခ်, from Pali ''mukha'') at the four cardinal directions. The platform surrounding a Burmese pagoda is called a ''yinbyin'' (ရင်ပြင်). According to 2016 statistics compiled by the State Sangha Maha Nayaka Committee, Myanmar is home to 1,479 pagodas exceeding in height, a quarter of which are located in Sagaing Region. Terms In the Burmese language, pagodas are known by a number of various terms. The umbrella term ''phaya'' (, pronounced ), which derive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stupa
In Buddhism, a stupa (, ) is a domed hemispherical structure containing several types of sacred relics, including images, statues, metals, and '' śarīra''—the remains of Buddhist monks or nuns. It is used as a place of pilgrimage and meditation. Walking around a stupa in a clockwise direction, known as '' pradakhshina'', has been an important ritual and devotional practice in Buddhism since the earliest times, and stupas always have a ''pradakhshina'' path around them. The original South Asian form is a large solid dome above a tholobate, or drum, with vertical sides, which usually sits on a square base. There is no access to the inside of the structure. In large stupas, there may be walkways for circumambulation on top of the base as well as on the ground below it. Large stupas have, or had, ''vedikā'' railings outside the path around the base, often highly decorated with sculpture, especially at the torana gateways, of which there are usually four. At the top of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aniconism In Buddhism
__NOTOC__ Since the beginning of the serious study of the history of Buddhist art in the 1890s, the earliest phase, lasting until the 1st century CE, has been described as aniconic; the Buddha was only represented through symbols such as an empty throne, Bodhi tree, a riderless horse with a parasol floating above an empty space (at Sanchi), Buddha's footprints, and the dharma wheel. This aniconism in relation to the image of the Buddha could be in conformity with an ancient Buddhist prohibition against showing the Buddha himself in human form, known from the '' Sarvastivada vinaya'' (rules of the early Buddhist school of the Sarvastivada):"Since it is not permitted to make an image of the Buddha's body, I pray that the Buddha will grant that I can make an image of the attendant Bodhisattva. Is that acceptable?" The Buddha answered: "You may make an image of the Bodhisattava".Although there is still some debate, the first anthropomorphic representations of the Buddha himse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aniconic
Aniconism is the cultural absence of artistic representations (''icons'') of the natural and supernatural worlds, or it is the absence of representations of certain figures in religions. The prohibition of material representations may only extend to a specific supreme deity, or it can encompass an entire pantheon, it can also include depictions of a prophet, saints, or sages, or even depictions of living beings and anything in existence generally. It is generally codified by religious traditions and as such, it becomes a taboo. When it is enforced by the physical destruction of images, aniconism becomes iconoclasm. Aniconism has historical phases in both Buddhism and Christianity, though these movements have been largely rejected as Buddha in art, life of Buddha in art, Buddhas and bodhisattvas in art, God the Father in Western art, Holy Spirit in Christian art, the depiction of Jesus, The Trinity in art, and are common. By contrast Islam has predominantly been aniconist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greco-Buddhism
Greco-Buddhism or Graeco-Buddhism was a cultural syncretism between Hellenistic culture and Buddhism developed between the 4th century BC and the 5th century AD in Gandhara, which was in present-day Pakistan and parts of north-east Afghanistan. While the Greco-Buddhist art shows clear Hellenistic influences, the majority of scholars do not assume a noticeable Greek influence on Gandharan Buddhism beyond the artistic realm. Cultural interactions between ancient Greece and Buddhism date back to Greek forays into the Indian subcontinent from the time of Alexander the Great. A few years after Alexander's death, the Easternmost fringes of the empire of his general Seleucus were lost in a war with the Mauryan Empire, under the reign of Chandragupta Maurya. The Mauryan Emperor Ashoka would convert to Buddhism and spread the religious philosophy throughout his domain, as recorded in the Edicts of Ashoka. This spread to the Greco-Bactrian kingdom, which itself seceded from the Sele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relic Of The Tooth Of The Buddha
The relic of the tooth of Buddha (Pali ''danta dhātuya'') is venerated in Sri Lanka as a sacred cetiya relic of the Buddha and primarily refers to the purported tooth at the Temple of the Tooth, but can also refer to the one believed to be at Somawathiya Chaitya. History According to the Mahāparinibbāna Sutta, after the Buddha's passing and cremation, four teeth are explicitly noted to be in existence. Two of the relics are noted to be in mythological locations ( Trāyastriṃśa and in the realm of the Nagaraja), while the other two are in earthly locations ( Gandhāra and Kaliṅga). Out of these, the Nagaraja and the Kaliṅga tooth are purported to be extant. In April 2025, the Temple of the Tooth in Kandy held a public exposition of a tooth relic that drew approximately 450,000 visitors in a single day. Overcrowding led to 4 deaths and over 300 hospitalizations, mostly from heat-related illnesses. Kaliṅga tooth According to the Mahāvaṃsa and the Dāṭh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodh Gaya
Bodh Gayā is a religious site and place of pilgrimage associated with the Mahabodhi Temple complex, situated in the Gaya district in the Indian States and union territories of India, state of Bihar. It is famous for being the place where Gautama Buddha is said to have attained Enlightenment (Buddhism), enlightenment (Pali: ) under what became known as the Bodhi Tree. Since antiquity, Bodh Gayā has remained the object of Buddhist pilgrimage sites, pilgrimage and veneration for Buddhism, Buddhists. In particular, Archaeology, archaeological finds, including sculptures, show that the site was in use by Buddhists since the Mauryan period. For Buddhists, Bodh Gayā is the most important of the four main pilgrimage sites related to the life of Gautama Buddha, the other three being Kushinagar, Lumbini, and Sarnath. In 2002, Mahabodhi Temple, located in Bodh Gayā, became a UNESCO World Heritage Site. History Bodh Gayā is considered the holiest site in Buddhism. Known as Uruvel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prajñā (Buddhism)
() or () is a Buddhist term often translated as "wisdom", "insight", "intelligence", or "understanding". It is described in Buddhist texts as the understanding of the true nature of phenomena. In the context of Buddhist meditation, it is the ability to understand the three characteristics of all things: ("impermanence"), ("dissatisfaction" or "suffering"), and ("non-self" or "egolessness"). Mahāyāna texts describe it as the understanding of ("emptiness"). It is part of the Threefold Training in Buddhism, and is one of the ten of Theravāda Buddhism and one of the six Mahāyāna . Etymology is often translated as "wisdom", but according to Buddhist bioethics scholar Damien Keown, it is closer in meaning to "insight", "non-discriminating knowledge", or "intuitive apprehension". The component parts of the word are: ; ''Pra'' () : an intensifier which can be translated as "higher", "greater", "supreme" or "premium", or "being born or springing up", referring to a spon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Art
Buddhist art is visual art produced in the context of Buddhism. It includes Buddha in art, depictions of Gautama Buddha and other Buddhas and bodhisattvas in art, Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist architecture, Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Gautama Buddha, Siddhartha Gautama from the 6th to 5th century BCE. As Buddhism spread and evolved in each new host country, Buddhist art followed in its footsteps. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, and to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharmachakra
The dharmachakra (Sanskrit: धर्मचक्र, ) or wheel of dharma is a symbol used in the Dharmic religions. It has a widespread use in Buddhism.John C. Huntington, Dina Bangdel, ''The Circle of Bliss: Buddhist Meditational Art,'' p. 524. In Hinduism, the symbol is particularly used in places that underwent religious transformation. The symbol also finds its usage in modern India. Historically, the dharmachakra was often used as a decoration in East Asian statues and Epigraphy, inscriptions, beginning with the earliest period of Buddhism in Southeast Asia , East Asian culture to the present. It remains a major symbol of the Buddhist religion today. Etymology The Sanskrit noun ''dharma'' () is a derivation from the root ''dhṛ'' 'to hold, maintain, keep',Monier Williams, ''A Sanskrit Dictionary'' (1899): "to hold, bear (also: bring forth), carry, maintain, preserve, keep, possess, have, use, employ, practise, undergo" and means 'what is established or firm'. The word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddharupa
Much Buddhist art uses depictions of the historical Buddha, Gautama Buddha, which are known as () in Sanskrit and Pali. These may be statues or other images such as paintings. The main figure in an image may be someone else who has obtained Buddhahood, or a boddhisattva, especially in the various traditions of Mahayana Buddhism. Other Buddhas and bodhisattvas in art have become increasingly common over the centuries, perhaps now outnumbering images of the historical Buddha. In its first centuries Buddhism was Aniconism in Buddhism, largely or entirely aniconic, not showing the person of Buddha except by symbols and relics. This changed, and figures of the Buddha became very common in the art of Gandhara and Gupta art. As forms of esoteric Buddhism developed, other figures from the expanding array of Buddhist sacred persons became more prominent. In Theravada Buddhism this was much less the case, and figures of the historical Buddha remain the most common main images in templ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
