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Catch (music)
In music, a catch is a type of round or canon at the unison. That is, it is a musical composition in which two or more voices (usually at least three) repeatedly sing the same melody, beginning at different times. Generally catches have a secular theme, though many collections included devotional rounds and canons. In early collections the terms "catch" and "round" were interchangeable and, with part-songs and multi-voice canons, were all indexed as "songs". The catch and round differ from the canon in having a cadence on which the song can terminate after a specified number of repeats or when the leader gives a signal. A catch does not necessarily require the lines of lyrics to interact so that a word or phrase is produced from one part in the rests of another. This view became prevalent in the later part of the eighteenth century under the influence of the competitions sponsored by the Noblemen and Gentlemen's Catch Club. Catches were originally written out at length as one con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of elements of music, specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of musical composition, composition, musical improvisation, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glee (music)
A glee is a type of English part song composed during the Late Baroque (music), Late Baroque, Classical period (music), Classical, and early Romantic music, Romantic periods (roughly the Georgian era, taken together). The respectable and artistic character of glees contrasts with the bawdiness of the many Catch (music), catches which continued to be composed and sung well into the early years of the 19th century. The use of the countertenor voice on the upper part(s) in glees composed for men's voices, and on the Alto part(s) in those for mixed voices, is a particular characteristic of the form (the most famous exponent, known for his elegant ornamentation, was William Knyvett (singer), William Knyvett) and serves to distinguish glees from other male voice partsongs, which usually lack countrapuntal writing and have the top part taken by a tenor. This gives them a highest note around a major third below that of men's voice glees. Some care is required in interpreting the intended v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hayes (composer)
William Hayes (1706 – 27 July 1777) was an English composer, organist, singer and conductor. Life Hayes was born in Gloucester. He trained at Gloucester Cathedral where the cathedral account books record his name amongst the choristers from 1717. He spent the early part of his working life as organist of St Mary's, Shrewsbury (1729) and Worcester Cathedral (1731). The majority of his career was spent at the University of Oxford where he was appointed organist of Magdalen College in 1734, and established his credentials with the degrees of B.Mus in 1735 and D.Mus in 1749. (He was painted by John Cornish in his doctoral robes around 1749.) In 1741 he was unanimously elected Heather Professor of Music and organist of the University Church of St Mary the Virgin. He presided over Oxford's concert life for the next 30 years, and was instrumental in the building of the Holywell Music Room in 1748, the oldest purpose-built music room in Europe. He was one of the earliest members ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bononcini
Giovanni Bononcini (or Buononcini) (18 July 1670 – 9 July 1747) (sometimes cited also as Giovanni Battista Bononcini) was an Italian Baroque composer, cellist, singer and teacher, one of a family of string players and composers. He was a rival to George Frederic Handel. Biography Early years Bononcini was born in Modena, the oldest of three sons. His father, Giovanni Maria Bononcini, was a violinist and a composer, and his younger brother, Antonio Maria Bononcini, was also a composer. An orphan from the age of 8, Giovanni Battista studied in the music school of Giovanni Paolo Colonna at San Petronio Basilica in Bologna (perhaps in 1680 or 1681). In 1685, at the age of 15, he published three collections of instrumental works (in two of which he gave his age as 13). On 30 May 1686, he was accepted as a member of the prestigious Accademia Filarmonica di Bologna. His services were already much in demand: he worked at San Petronio as a string player and singer, published fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti. Born in Halle, Germany, Handel spent his early life in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Greene (composer)
Maurice Greene (12 August 1696 – 1 December 1755) was an English composer and organ (music), organist. He was an admirer and friend of George Frideric Handel. Biography and works He was born in London, the son of a cleric, Thomas Green(e) (1648–1720) who was a chaplain of the Chapel Royal, and his wife Mary Shelton (d. 1722). He became a choirboy at St Paul's Cathedral under Jeremiah Clarke and Charles King (composer), Charles King. He studied the organ under Richard Brind, and after Brind died, Greene became organist at St Paul's. With the death of William Croft in 1727, Greene became organist at the Chapel Royal, and in 1730 he became Professor of Music at the University of Cambridge. In 1735 he was appointed Master of the King's Musick. At his death, Greene was working on the compilation ''Cathedral Music'', which his student and successor as Master of the King's Musick, William Boyce (composer), William Boyce, was to complete. Many items from that collection are still u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Eccles (composer)
John Eccles (1668 – 12 January 1735) was an English composer. Born in London, eldest son of professional musician Solomon Eccles and brother of fellow composer Henry Eccles, John Eccles was appointed to the King's Private Music in 1694, and in 1700 became Master of the King's Musick. In the latter year he finished second in a competition to write music for William Congreve's masque '' The Judgement of Paris'' (the winner was John Weldon). Eccles was very active as a composer for the theatre, and from the 1690s wrote a large amount of incidental music including music for Congreve's ''Love for Love'', John Dryden's ''The Spanish Friar'' and William Shakespeare's ''Macbeth''. Jointly with Henry Purcell he wrote incidental music for Thomas d'Urfey's ''Don Quixote''. He became a composer to Drury Lane theatre in 1693 and when some of the actors broke off to form their own company at Lincoln's Inn Fields in 1695, he composed music for them as well including for John Dennis's '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Purcell
Henry Purcell (, rare: ; September 1659 – 21 November 1695) was an English composer of Baroque music, most remembered for his more than 100 songs; a tragic opera, Dido and Aeneas, ''Dido and Aeneas''; and his incidental music to a version of Shakespeare's A Midsummer Night's Dream, ''A Midsummer Night's Dream'' called The Fairy-Queen, ''The Fairy Queen''. Purcell's musical style was uniquely English, although it incorporated Music of Italy#Baroque and Classical, Italian and Music of France#Baroque, French elements. Generally considered among the greatest English opera composers, Purcell has been ranked alongside John Dunstaple and William Byrd in the pantheon of English early music. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster, in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Wise (musician)
Michael Wise (born c.1647 in Salisbury, died there 24 August 1687) was an English organist and composer. He sang as a child in the choir of the Chapel Royal as one of the earliest groups of choristers there after the Restoration of King Charles II. He left as his voice changed in September 1663. From 1665 to 1668, he served as a lay clerk in St George's Chapel, Windsor, and Eton College until he was appointed organist, lay vicar and choirmaster at Salisbury Cathedral on 29 April 1668. During his time there, he claimed the dean and chapter 'wrongly deflected cathedral monies', a claim he could not back up. Wise had been fairly commonly accused of neglecting his duty at Salisbury; a deputy organist and substitute instructor were paid for while Wise retained all of his stipend due to his skill and compositions. In 1683 he was accused of negligence, profanity, drunkenness 'and other excesses in his life and conversation' at the episcopal visitation. In 1676 he became a Gentleman o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Blow
John Blow (baptised 23 February 1649 – 1 October 1708) was an English composer and organist of the Baroque period. Appointed organist of Westminster Abbey in late 1668,John Blow Westminster Abbey. Retrieved 30 December 2019. his pupils included William Croft, and . In 1685 he was named a private musician to James II. His only stage composition, '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Aldrich
Henry Aldrich (15 January 1648 – 14 December 1710) was an English theologian, philosopher, architect, and composer. Life Aldrich was educated at Westminster School under Dr Richard Busby. In 1662, he entered Christ Church, Oxford, and in 1689 was made Dean in succession to the Roman Catholic John Massey, who had fled to the Continent. In 1692, he became Vice-Chancellor of the University of Oxford until 1695. In 1702, he was appointed Rector of Wem in Shropshire, but continued to reside at Oxford, where he died on 14 December 1710. He was buried in Christ Church Cathedral without any memorial, at his own request. However, a medallion portrait memorial was erected to his memory in 1732 in Oxford Cathedral sculpted by Henry Cheere. Works Henry Aldrich was a man of unusually varied gifts. A classical scholar of fair merits, he is best known as the author of a little book on logic (''Artis Logicæ Compendium''). Although not innovative in the field of Logic itself (it cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Restoration (England)
The Stuart Restoration was the reinstatement in May 1660 of the Stuart monarchy in England, Scotland, and Ireland. It replaced the Commonwealth of England, established in January 1649 after the execution of Charles I, with his son Charles II. The Commonwealth of England had been governed by Lord Protector Oliver Cromwell and then his son Richard Cromwell. The term is also used to describe the reign of Charles II (1660–1685), and sometimes that of his younger brother James II (1685–1688). The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and John Lambert then dominated government for a year. On 20 October 1659, George Monck, the governor of Scotland under the Cromwells, marched south with his army from Scotland to oppose Fleetwood and Lambert. Lambert's army began to desert him, and he returned to London almost alone whilst Monck marched to London unopposed. The Pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
