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Carlo Carrà
Carlo Carrà (; February 11, 1881 – April 13, 1966) was an Italians, Italian Painting, painter and a leading figure of the Futurism (art), Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art. He taught for many years in the city of Milan. Biography Carrà was born in Quargnento, near Alessandria (Piedmont). At the age of 12 he left home in order to work as a mural decorator. In 1899–1900, Carrà was in Paris decorating pavilions at the Exposition Universelle (1900), Exposition Universelle, where he became acquainted with contemporary French art. He then spent a few months in London in contact with exiled Italian Anarchism, anarchists, and returned to Milan in 1901. In 1906, he enrolled at Brera Academy (''Accademia di Brera'') in the city, and studied under Cesare Tallone. In 1910 he signed, along with Umberto Boccioni, Luigi Russolo and Giacomo Balla the ''Manife ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Figaro
''Le Figaro'' () is a French daily morning newspaper founded in 1826. It is headquartered on Boulevard Haussmann in the 9th arrondissement of Paris. The oldest national newspaper in France, ''Le Figaro'' is one of three French Newspaper of record, newspapers of record, along with ''Le Monde'' and ''Libération''. It was named after Figaro, a character in a play by polymath Pierre Beaumarchais, Beaumarchais (1732–1799); one of his lines became the paper's motto: "''Sans la liberté de blâmer, il n'est point d'éloge flatteur''" ("Without the freedom to criticise, there is no flattering praise"). With a Centre-right politics, centre-right editorial line, it is the largest national newspaper in France, ahead of ''Le Parisien'' and ''Le Monde''. In 2019, the paper had an average circulation of 321,116 copies per issue. The paper is published in Berliner (format), Berliner format. Since 2012 its editor (''directeur de la rédaction'') has been Alexis Brézet. The newspaper has bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umberto Boccioni
Umberto Boccioni (, ; 19 October 1882 – 17 August 1916) was an influential Italian painter and sculptor. He helped shape the revolutionary aesthetic of the Futurism movement as one of its principal figures. Despite his short life, his approach to the dynamism of form and the deconstruction of solid mass guided artists long after his death. His works are held by many public art museums, and in 1988 the Metropolitan Museum of Art in New York City organized a major retrospective of 100 pieces. Biography Umberto Boccioni was born on 19 October 1882 in Reggio Calabria. His father was a minor government employee, originally from the Romagna region in the north, and his job included frequent reassignments throughout Italy. The family soon relocated further north, and Umberto and his older sister Amelia grew up in Forlì (Emilia-Romagna), Genoa and finally Padua. At the age of 15, in 1897, Umberto and his father moved to Catania, Sicily, where he would finish school. Some time after 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reactionary
In political science, a reactionary or a reactionist is a person who holds political views that favor a return to the '' status quo ante'', the previous political state of society, which that person believes possessed positive characteristics absent from contemporary society. As a descriptor term, ''reactionary'' derives from the ideological context of the left–right political spectrum. As an adjective, the word ''reactionary'' describes points of view and policies meant to restore a past ''status quo ante''.''The New Fontana Dictionary of Modern Thought'' Third Edition, (1999) p. 729. In ideology, reactionism is a tradition in right-wing politics; the reactionary stance opposes policies for the social transformation of society, whereas conservatives seek to preserve the socio-economic structure and order that exists in the present. In popular usage, ''reactionary'' refers to a strong traditionalist conservative political perspective of a person opposed to social, political, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Funeral Of The Anarchist Galli
''The Funeral of the Anarchist Galli'' (''Il Funerale dell’anarchico Galli'') is a painting by Italian painter Carlo Carrà. It was finished in 1911, during the artist's futurist phase, and is considered Carrà's most famous piece. The piece depicts the violent funeral of anarchist Angelo Galli, an event Carrà witnessed in his early adulthood. The piece was first displayed in 1912 and has been described as chaotic and violent. Since 1948, it has resided in New York City's Museum of Modern Art. Reception of the piece has praised its use of intense, heavy lines as a means to display movement. The ''Futurist Manifesto'' praised Carrà's adaptation of Pablo Picasso’s Cubist techniques in the piece. Critics have noted compositional similarities between ''The Funeral of the Anarchist Galli'' and Paolo Uccello's work ''The Battle of San Romano.'' History In 1906, anarchist Angelo Galli was killed on the eve of an Italian general strike. The strike had been called after a sectio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giotto
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/ Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metaphysical Painting
Metaphysical painting ( it, pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which cannot be seen". De Chirico, his younger brother Alberto Savinio, and Carrà formally established the school and its principles in 1917. Development Giorgio de Chirico, unlike many artists of his generation, found little to admire in the works of Cézanne and other French modernists, but was inspired by the paintings of the Swiss Symbolism (art), Symbolist Arnold Böcklin and the work of German artists such as Max Klinger. His painting ''The Enigma of an Autumn Afternoon'' (c. 1910) is considered his first Metaphysical work; it was inspired by what de Chirico called a "revelation" that he experienced in Piazza Santa Croce in Florence. In subs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannequin
A mannequin (also called a dummy, lay figure, or dress form) is a doll, often articulated, used by artists, tailors, dressmakers, window dressers and others, especially to display or fit clothing and show off different fabrics and textiles. Previously, the English term referred to human models and muses (a meaning which it still retains in French and other European languages); the meaning as a dummy dating from the start of World War II. Life-sized mannequins with simulated airways are used in the teaching of first aid, CPR, and advanced airway management skills such as tracheal intubation. During the 1950s, mannequins were used in nuclear tests to help show the effects of nuclear weapons on humans. Also referred to as mannequins are the human figures used in computer simulation to model the behavior of the human body. ''Mannequin'' comes from the French word ', which had acquired the meaning "an artist's jointed model", which in turn came from the Flemish word ', me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio De Chirico
Giuseppe Maria Alberto Giorgio de Chirico ( , ; 10 July 1888 – 20 November 1978) was an Italian artist and writer born in Greece. In the years before World War I, he founded the '' scuola metafisica'' art movement, which profoundly influenced the surrealists. His most well-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, and for the mythology of his birthplace. After 1919, he became a critic of modern art, studied traditional painting techniques, and worked in a neoclassical or neo- Baroque style, while frequently revisiting the metaphysical themes of his earlier work. Life and works Giuseppe Maria Alberto Giorgio de Chirico was born in Volos, Greece, as the eldest son of Gemma Cervetto and Evaristo de Chirico. His mother was a baroness of Genoese originsNikolaos Velissiotis"The Origins of Adelaide Mabili and He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Still Life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Rousseau
Henri Julien Félix Rousseau (; 21 May 1844 – 2 September 1910) at the Guggenheim was a French painter in the or manner. He was also known as Le Douanier (the customs officer), a humorous description of his occupation as a [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trecento
The Trecento (, also , ; short for , "1300") refers to the 14th century in Italian cultural history. Period Art Commonly, the Trecento is considered to be the beginning of the Renaissance in art history. Painters of the Trecento included Giotto di Bondone, as well as painters of the Sienese School, which became the most important in Italy during the century, including Duccio di Buoninsegna, Simone Martini, Lippo Memmi, Ambrogio Lorenzetti and his brother Pietro. Important sculptors included two pupils of Giovanni Pisano: Arnolfo di Cambio and Tino di Camaino, and Bonino da Campione. Vernacular writing The Trecento was also famous as a time of heightened literary activity, with writers working in the vernacular instead of Latin. Dante, Petrarch and Boccaccio were the leading writers of the age. Dante produced his famous ''La divina commedia'' (The ''Divine Comedy''), now seen as a summation of the medieval worldview, and Petrarch wrote verse in a lyrical style influenced by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World War I
World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was List of wars and anthropogenic disasters by death toll, one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fighting occurring throughout Europe, the Middle East, Africa, the Pacific Ocean, Pacific, and parts of Asia. An estimated 9 million soldiers were killed in combat, plus another 23 million wounded, while 5 million civilians died as a result of military action, hunger, and disease. Millions more died in Genocides in history (World War I through World War II), genocides within the Ottoman Empire and in the Spanish flu, 1918 influenza pandemic, which was exacerbated by the movement of combatants during the war. Prior to 1914, the European great powers were divided between the Triple Entente (comprising French Third Republic, France, Russia, and British Empire, Britain) and the Triple A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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