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Cantigas De Santa María - Xogo Da Pelota
A ''cantiga'' (''cantica'', ''cantar'') is a medieval monophonic song, characteristic of the Galician-Portuguese lyric. Over 400 extant ''cantigas'' come from the ''Cantigas de Santa Maria'', narrative songs about miracles or hymns in praise of the Holy Virgin. There are near 1700 secular ''cantigas'' but music has only survived for a very few: six cantigas de amigo by Martín Codax and seven ''cantigas de amor'' by Denis of Portugal. Cantiga is also the name of a poetic and musical form of the Renaissance, often associated with the villancico and the canción. See also *Cantigas de Santa Maria *Galician-Portuguese lyric * Martin Codax *Pergaminho Sharrer *Pergaminho Vindel References * Rip Cohen. ''500 Cantigas d’Amigo,'' edição crítica/critical edition. Porto: Campo das Letras, 2003. * Giulia Lanciani and Giuseppe Tavani (edd.). ''Dicionário da Literatura Medieval Galega e Portuguesa''. Lisbon: Caminho, 1993. * Manuel Pedro Ferreira. ''O Som de Martin Codax. Sobre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Music
Medieval music encompasses the sacred music, sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the Dates of classical music eras, first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into #Early medieval music (500–1000), Early (500–1000), #High medieval music (1000–1300), High (1000–1300), and #Late medieval music (1300–1400), Late (1300–1400) medieval music. Medieval music includes liturgical music used for the church, other sacred music, and secular music, secular or non-religious music. Much medieval music is purely vocal music, such as Gregorian chant. Other music used only instruments or both voices and instruments (typically with the instruments accompanime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villancico
The ''villancico'' ( Spanish, ) or vilancete ( Portuguese, ) was a common poetic and musical form of the Iberian Peninsula and Latin America popular from the late 15th to 18th centuries. Important composers of villancicos were Juan del Encina, Pedro de Escobar, Francisco Guerrero, Manuel de Zumaya, Juana Inés de la Cruz, Gaspar Fernandes, and Juan Gutiérrez de Padilla.Pope, "Villancico." Derived from medieval dance forms, the 15th century Spanish villancico was a type of popular song sung in the vernacular and frequently associated with rustic themes. The poetic form of the Spanish villancico was that of an estribillo (or refrain) and coplas (stanzas), with or without an introduction. While the exact order and number of repetitions of the estribillo and coplas varied, the most typical form was a loose ABA framework, often in triple meter. The villancico developed as a secular polyphonic genre until religious villancicos gained popularity in the second half of the 16th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Forms
A song is a musical composition performed by the human voice. The voice often carries the melody (a series of distinct and fixed pitches) using patterns of sound and silence. Songs have a structure, such as the common ABA form, and are usually made of sections that are repeated or performed with variation later. A song without instruments is said to be a cappella. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in the classical tradition, it is called an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally by ear are often referred to as folk songs. Songs composed for the mass market, designed to be sung by professional singers who sell their recordings or live shows, are called popular songs. These songs, which have broad appeal, are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pergaminho Vindel
Martin Codax or Codaz, Martín Codax () or Martim Codax was a Galician medieval ''joglar'' (non-noble composer and performer, as opposed to a ''trobador''), possibly from Vigo, Galicia in present-day Spain. He may have been active during the middle of the thirteenth century, judging from scriptological analysis. He is one of only two out of a total of 88 authors of ''cantigas d'amigo'' who used ''only'' the archaic strophic form (a rhymed distich followed by a refrain). He employed an archaic rhyme scheme whereby ''i~o / a~o'' were used in alternating strophes. In addition Martin Codax consistently utilised a strict parallelistic technique known as ''leixa-pren'' (see the example below; the order of the third and fourth strophes is inverted in the Pergaminho Vindel but the correct order appears in the Cancioneiro da Biblioteca Nacional in Portugal, and the Cancioneiro da Vaticana). There is no documentary biographical information concerning the poet, dating the work at pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pergaminho Sharrer
The Pergaminho Sharrer (; ; "Sharrer Parchment") is a mediaeval parchment fragment containing seven songs by King Denis of Portugal, with lyrics in the Galician-Portuguese language and musical notation. The fragment was discovered in 1990 by United States, American scholar Harvey L. Sharrer, of University of California, Santa Barbara. Sharrer was analysing documents in the Torre do Tombo archive in Lisbon, when he found the folio in the bookbinding, binding of a 16th-century book. Before Sharrer's discovery, the only known Galician-Portuguese mediaeval manuscript with love (non-religious) songs and musical notation was the Vindel Parchment, which contains seven songs by troubadour Martim Codax. Several songbooks covering the period exist, but all of them lack musical notation except the ''Cantigas de Santa Maria'', which are religious in tone. The text and musical notation of the Sharrer Parchment are fragmentary, due to damage done to the folio during the centuries; but further ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Codax
Martin Codax or Codaz, Martín Codax () or Martim Codax was a Galician medieval ''joglar'' (non-noble composer and performer, as opposed to a ''trobador''), possibly from Vigo, Galicia in present-day Spain. He may have been active during the middle of the thirteenth century, judging from scriptological analysis. He is one of only two out of a total of 88 authors of ''cantigas d'amigo'' who used ''only'' the archaic strophic form (a rhymed distich followed by a refrain). He employed an archaic rhyme scheme whereby ''i~o / a~o'' were used in alternating strophes. In addition Martin Codax consistently utilised a strict parallelistic technique known as ''leixa-pren'' (see the example below; the order of the third and fourth strophes is inverted in the Pergaminho Vindel but the correct order appears in the Cancioneiro da Biblioteca Nacional in Portugal, and the Cancioneiro da Vaticana). There is no documentary biographical information concerning the poet, dating the work at prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canción
''Canción'' ("song") is a popular genre of Latin American music, particularly in Cuba, where many of the compositions originate.Orovio, Helio 2004. ''Cuban music from A to Z''. p42 Its roots lie in Spanish popular song forms, including tiranas, Polo (flamenco palo), polos and Bolero (Spanish dance), boleros; also in Italian light operetta, French romance (music), romanza, and the slow waltz. Initially, even when written by the creole population of Cuba, who opposed the ruling hierarchy, the music retained its European style of "intricate melodies, and dark, enigmatic and elaborate lyrics". Later, in the latter part of the nineteenth century, the canción came under the influence of the trovador movement. This resulted in the lyrical expression of the feelings and aspirations of the population. The accompaniment of the guitar followed naturally, and the canción gradually fused with other forms of Cuban (and therefore Latin American) music such as the bolero.Leon, Argeliers 1964. ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and surpass the ideas and achievements of classical antiquity. Associated with great social change in most fields and disciplines, including Renaissance art, art, Renaissance architecture, architecture, politics, Renaissance literature, literature, Renaissance exploration, exploration and Science in the Renaissance, science, the Renaissance was first centered in the Republic of Florence, then spread to the Italian Renaissance, rest of Italy and later throughout Europe. The term ''rinascita'' ("rebirth") first appeared in ''Lives of the Artists'' () by Giorgio Vasari, while the corresponding French word was adopted into English as the term for this period during the 1830s. The Renaissance's intellectual basis was founded in its version of Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monophony
In music, monophony is the simplest of texture (music), musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompaniment, accompanying harmony or chord (music), chords. Many folk songs and traditional songs are monophonic. A melody is also considered to be monophonic if a group of singers (e.g., a choir) sings the same melody together at the unison (exactly the same pitch) or with the same melody notes duplicated at the octave (such as when men and women sing together). If an entire melody is played by two or more instruments or sung by a choir with a fixed interval, such as a perfect fifth, it is also said to be monophony (or "monophonic"). The musical texture of a song or musical piece is determined by assessing whether varying components are used, such as an accompaniment part or polyphonic melody lines (two or more independent lines). In the Early Middle Ages, the earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Of Portugal
Denis (, ; 9 October 1261 – 7 January 1325), called the Farmer King (''Rei Lavrador'') and the Poet King (''Rei Poeta''), was King of Portugal from 1279 until his death in 1325. Dinis was the eldest son of Afonso III of Portugal by his second wife, Beatrice of Castile, and grandson of Afonso II of Portugal, Denis succeeded his father in 1279. He was married to Elizabeth of Aragon, who was later canonised as a saint of the Roman Catholic Church. Denis ruled Portugal for over 46 years. He worked to reorganise his country's economy and gave an impetus to Portuguese agriculture. He ordered the planting of a large pine forest (that still exists today) near Leiria to prevent the soil degradation that threatened the region and to serve as a source of raw materials for the construction of the royal ships. He was also known for his poetry, which constitutes an important contribution to the development of Portuguese as a literary language. Reign In 1290, Denis began to pursue the sys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martín Codax
Martin Codax or Codaz, Martín Codax () or Martim Codax was a Galician medieval ''joglar'' (non-noble composer and performer, as opposed to a ''trobador''), possibly from Vigo, Galicia in present-day Spain. He may have been active during the middle of the thirteenth century, judging from scriptological analysis. He is one of only two out of a total of 88 authors of ''cantigas d'amigo'' who used ''only'' the archaic strophic form (a rhymed distich followed by a refrain). He employed an archaic rhyme scheme whereby ''i~o / a~o'' were used in alternating strophes. In addition Martin Codax consistently utilised a strict parallelistic technique known as ''leixa-pren'' (see the example below; the order of the third and fourth strophes is inverted in the Pergaminho Vindel but the correct order appears in the Cancioneiro da Biblioteca Nacional in Portugal, and the Cancioneiro da Vaticana). There is no documentary biographical information concerning the poet, dating the work at prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
