Cantacuzino Palace (Florești)
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Cantacuzino Palace (Florești)
Cantacuzino Palace is located on Calea Victoriei no. 141, Bucharest, Romania. It was built by architect Ion D. Berindey in the Beaux Arts style, having a few Rococo Revival rooms. Today it houses the George Enescu museum. History The palace was built in 1901–1902 for Gheorghe Grigore Cantacuzino, mayor of Bucharest and former prime-minister, after the plans of Ion D. Berindey, in the French Beaux Arts style. After his death, the building was inherited by his son Mihail G. Cantacuzino, who died prematurely in 1929. Mihail's wife Maria remarried in December 1939 with music composer George Enescu. On 10 August 1913, at the end of the Second Balkan War, the Treaty of Bucharest was signed here. The building – known as Cantacuzino Palace at the time – also hosted the Presidency of the Council of Ministers in the eve of World War II. After the death of George Enescu in 1955, his wife stated in her will that the palace would host a museum dedicated to the artist. In 1956, ...
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Bucharest
Bucharest ( , ; ) is the capital and largest city of Romania. The metropolis stands on the River Dâmbovița (river), Dâmbovița in south-eastern Romania. Its population is officially estimated at 1.76 million residents within a greater Bucharest metropolitan area, metropolitan area of 2.3 million residents, which makes Bucharest the List of cities in the European Union by population within city limits, 8th most-populous city in the European Union. The city area measures and comprises 6 districts (''Sectors of Bucharest, Sectoare''), while the metropolitan area covers . Bucharest is a major cultural, political and economic hub, the country's seat of government, and the capital of the Muntenia region. Bucharest was first mentioned in documents in 1459. The city became the capital in 1862 and is the centre of Romanian media, culture, and art. Its architecture is a mix of historical (mostly History of architecture#Revivalism and Eclecticism, Eclectic, but also Neoclassical arc ...
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Nicolae Vermont
Nicolae Vermont (10 October 1866 – 14 June 1932) was a Romanian realist painter, graphic artist and muralist. He was noted for his wide range of subjects and his interest in social issues, and was an associate of the post-Impressionists Ştefan Luchian and Constantin Artachino, as well as a friend of the controversial art collector and political figure Alexandru Bogdan-Piteşti. Biography Vermont was born Isidor Grünberg to a Jewish family in Bacău. Amelia Pavel"Pictura evreilor din România: interferenţe culturale" in ''Observator Cultural'', Nr. 29, September 2000 His father, Iosif Grünberg, was a professor. Isidor adopted his father's pseudonym "Vermont" (the name being a gallicization of Grünberg — literally, "green mountain") and, upon converting to the Romanian Orthodox Church, took the first name Nicolae. He began his career in 1884, as a contributor to the journal ''Universul'',
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Palaces In Bucharest
A palace is a large residence, often serving as a royal residence or the home for a head of state or another high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palats'', ''palais'', ''palazzo'', ''palacio'', etc.) and many use it to describe a broader range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy. It is also used for some large official buildings that have never had a residential function; for example in French-speaking countries ''Palais de Justice'' is the usual name of important courthouses. Many historic palaces such as parliaments, museums, hotels, or office buildings are now put to other uses. The word is also sometimes used to describe an elaborate building used for public ent ...
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Museums In Bucharest
A museum is an institution dedicated to displaying or preserving culturally or scientifically significant objects. Many museums have exhibitions of these objects on public display, and some have private collections that are used by researchers and specialists. Museums host a much wider range of objects than a library, and they usually focus on a specific theme, such as the arts, science, natural history or local history. Public museums that host exhibitions and interactive demonstrations are often tourist attractions, and many draw large numbers of visitors from outside of their host country, with the most visited museums in the world attracting millions of visitors annually. Since the establishment of the earliest known museum in ancient times, museums have been associated with academia and the preservation of rare items. Museums originated as private collections of interesting items, and not until much later did the emphasis on educating the public take root. Etymology The ...
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Ornament (art)
In architecture and decorative art, ornament is decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale. Architectural ornament can be carved from stone, wood or precious metals, formed with plaster or clay, or painted or impressed onto a surface as applied ornament; in other applied arts the main material of the object, or a different one such as paint or vitreous enamel may be used. A wide variety of decorative styles and Motif (visual arts), motifs have been developed for architecture and the applied arts, including pottery, furniture, metalwork. In textiles, wallpaper and other objects where the decoration may be the main justification for its existence, the terms pattern or design are more likely to be used. The vast range of motifs used in orna ...
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Festoon
A festoon (from French ''feston'', Italian ''festone'', from a Late Latin ''festo'', originally a festal garland, Latin ''festum'', feast) is a wreath or garland hanging from two points, and in architecture typically a carved ornament depicting conventional arrangement of flowers, foliage or fruit bound together and suspended by ribbons. The motif is sometimes known as a swag when depicting fabric or linen.Sturgis, pp. 22-23 In modern English the verb forms, especially "festooned with", are often used very loosely or figuratively to mean having any type of fancy decoration or covering. Origins and design Its origin is probably due to the representation in stone of the garlands of natural flowers, etc., which were hung up over an entrance doorway on fête days, or suspended around an altar. The design was largely employed both by the Ancient Greeks and Romans and formed the principal decoration of altars, friezes and panels. The ends of the ribbons are sometimes formed into ...
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Chimneypiece
The fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a smoke canopy, hood that projected over a fire grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace, and can include elaborate designs extending to the ceiling. ''Mantelpiece'' is now the general term for the jambs, mantel shelf, and external accessories of a fireplace. For many centuries, the ''chimneypiece'' was the most Ornament (architecture), ornamental and most artistic feature of a room, but as fireplaces have become smaller, and modern methods of heating have been introduced, its artistic as well as its practical significance has lessened. Where the fireplace continues up the wall with an elaborate construction, as in historic grand buildings, this is known as an overmantel.''OED'' first citation, 1882. Mirrors and paintings designed to be hung above a mantel shelf may be called "mantel mirror", "mantel painting" and so ...
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Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and " plaster" to a coating for interiors. As described below, however, the materials themselves often have little or no difference. Other European languages, notably Italian, do not have the same distinction: ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is lime, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. ...
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Belle Époque
The Belle Époque () or La Belle Époque () was a period of French and European history that began after the end of the Franco-Prussian War in 1871 and continued until the outbreak of World War I in 1914. Occurring during the era of the French Third Republic, it was a period characterised by optimism, enlightenment, romanticism, regional peace, economic prosperity, conservatism, nationalism, colonial expansion, and technological, scientific and cultural innovations. In this era of France's cultural and artistic climate (particularly in Paris of that time), the arts markedly flourished, and numerous masterpieces of literature, music, theatre and visual art gained extensive recognition. The Belle Époque was so named in retrospect, when it began to be considered a continental European " Golden Age" in contrast to the horrors of the Napoleonic Wars and World War I. The Belle Époque was a period in which, according to historian R. R. Palmer, " European civilisation a ...
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Nicolae Grigorescu
Nicolae Grigorescu (; 15 May 1838 – 21 July 1907) was one of the founders of modern Romanian painting. He is considered by Romanians the greatest Romanian painter, and one of the founders of modern Romanian art. He is most known for paintings depicting rural life. He was one of the most respected and internationally known painters from Romania. There is a metro station named after Grigorescu in Bucharest. It was given his name in 1990, before which it was named after Communist army general Leontin Sălăjan. Romanian currency features Grigorescu on the 10 Lei bank note. Early life He was born in Pitaru, Dâmbovița County, as the sixth of the seven children of Ion Grigorescu (died 1845) and tailor Ruxandra Grigorescu. Wallachia now called Romania. In 1843 his family moved to Bucharest. At a young age, his father, Ion Grigorescu, died when Nicolae was 7. In 1848, he became an apprentice at the workshop of the Romanian painter of Czech origins Anton Chladek and create ...
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Medallion (architecture)
A medallion is a round or oval ornament that frames a sculptural or pictorial decoration in any context, but typically a façade, an interior, a monument, or a piece of furniture or equipment. Ancient Roman round versions are called an , from the or Roman round shield. This was a popular form of decoration in neoclassical architecture. The frame and portrait were carved as one, in marble for interiors, and in stone for exterior walls. It is also the name of a scene that is inset into a larger stained glass window. Ceiling medallions, also called ceiling roses or ceiling ornaments, were often made of cast plaster and were sometimes the site of hanging lamp or chandelier. Gallery The following gallery shows how medallions changed over time, from style to style, and how decorated or simple they were. Sometimes they were one of the key ornaments of a style, like the Louis XVI style of the 18th century and the Beaux Arts architecture of the Belle Époque. They also came in differe ...
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Costin Petrescu (painter)
Costin Petrescu (May 10, 1872 – October 15, 1954) was a Romanian painter. Born in Pitești, he moved to Bucharest in 1892, attending the Fine Arts School for three years. He executed the monumental fresco in the Romanian Athenaeum The Romanian Athenaeum () is a concert hall in the center of Bucharest, Romania, and a landmark of the Romanian capital city. Opened in 1888, the ornate, domed, circular building is the city's most prestigious concert hall and home of the "Geor ... between 1934 and 1939. Virgiliu Z. Teodorescu"În București, pe urmele unui creator de frumos - artistul plastic Costin Petrescu", in ''Revista Muzeelor'', 1/2005, p.89-91; accessed June 16, 2013 Notes 1872 births 1954 deaths People from Pitești 20th-century Romanian painters {{Romania-painter-stub ...
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