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Can't Get Enough Of You Baby
"Can't Get Enough of You Baby" is a song written by Denny Randell and Sandy Linzer and first recorded by the Four Seasons in 1965 for their album ''Working My Way Back to You and More Great New Hits''. The protopunk band ? and the Mysterians recorded it in 1967 for their second album '' Action''. Their version reached No. 56 on the ''Billboard'' Hot 100 when it was released as a single.Question Mark & the Mysterians, "Can't Get Enough of You Baby" US chart position
Retrieved July 1, 2015


Smash Mouth version

The song was covered by American rock band for the soun ...
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The Four Seasons (band)
The Four Seasons is an American band formed in 1960 in Newark, New Jersey. Since 1970, they have also been known at times as Frankie Valli and the Four Seasons. They are one of the List of best-selling music artists, best-selling musical groups of all time, having sold an estimated 100 million records worldwide. The band evolved out of a previous band called The Four Lovers, with Frankie Valli on lead and falsetto vocals, Bob Gaudio on keyboards and tenor vocals, Tommy DeVito (musician), Tommy DeVito on lead guitar and baritone vocals, and Nick Massi on bass guitar and bass vocals. The Four Seasons had two distinct eras of widespread success: the 1960s, during which Massi departed in 1965, and was replaced initially by Charles Calello and more permanently by Joe Long, and the mid- to late 1970s, with the lineup consisting of Valli, Don Ciccone (bass guitar and baritone/soft falsetto vocals), John Paiva (lead guitar and harmony vocals), Gerry Polci (drums and tenor vocals), and ...
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Spin (magazine)
''Spin'' (stylized in all caps as ''SPIN'') is an American music magazine founded in 1985 by publisher Bob Guccione Jr. Now owned by Next Management Partners, the magazine is an online publication since it stopped issuing a print edition in 2012. It returned as a quarterly publication in September 2024. History Early history ''Spin'' was established in 1985 by Bob Guccione, Jr. In August 1987, the publisher announced it would stop publishing ''Spin'', but Guccione Jr. retained control of the magazine and partnered with former MTV president David H. Horowitz to quickly revive the magazine. During this time, it was published by Camouflage Publishing with Guccione Jr. serving as president and chief executive and Horowitz as investor and chairman. In its early years, ''Spin'' was known for its narrow music coverage, with an emphasis on college rock, grunge, indie rock, and the ongoing emergence of hip-hop, while virtually ignoring other genres, such as country and metal. ...
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Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to ''Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood On ...
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Contemporary Hit Radio
Contemporary hit radio (CHR, also known as contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 Record chart, music charts. There are several subcategories, dominantly focusing on rock music, rock, pop music, pop, or Urban contemporary, urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary music, adult contemporary, Urban contemporary music, urban contemporary, Contemporary Christian music, contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modifie ...
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Gavin Report
The ''Gavin Report'' was a San Francisco-based radio industry trade publication. The publication was founded by radio performer Bill Gavin in 1958. Its Top 40 listings were used for many years by programmers to decide content of programs. The publication was also responsible for running the Gavin Seminar, a convention for radio industry members. In February 2002, United Business Media UBM plc was a British business-to-business (B2B) events organiser headquartered in London, England, before its acquisition by Informa in 2018. It had a long history as a Multinational corporation, multinational media company. Its main focus was ..., who had owned the ''Gavin Report'' since 1992, decided to close the publication. Gavin executives cited a lack of cooperation on the part of media conglomerates (specifically naming Clear Channel Communications and Infinity Broadcasting), as well as poor convention attendance as reasons for the closure. References Defunct professional and t ...
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Alternative Radio
Modern rock is an umbrella term used to describe rock music that is found on college and commercial rock radio stations. Some radio stations use this term to distinguish themselves from classic rock, which is based in 1960s–1980s rock music. Radio format Modern rock (also known as alternative radio) is a rock format commonly found on commercial radio; the format consists primarily of the alternative rock genre. Generally beginning with hardcore punk but referring especially to alternative rock music since the 1980s, the phrase "modern rock" is used in the US to differentiate the music from classic rock, which focuses on music recorded in the 1960s through to the early 1990s. A few modern rock radio stations existed during the 1980s, such as KROQ-FM in Los Angeles, XETRA-FM in San Diego, WHTG-FM (now WKMK) on the Jersey Shore, WLIR on Long Island, WFNX in Boston, and KQAK The Quake in San Francisco. Modern rock was solidified as a radio format in 1988 with ''Billboard ...
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Airplay Monitor
''Billboard Radio Monitor'' was a weekly music trade publication that followed the radio industry and tracked the monitoring of current songs by format, station and audience cumes. The magazine was a spinoff of ''Billboard'' magazine and was mostly available through subscription to people who worked in the radio industry as well as music chart enthusiasts. It was developed in Columbia, Maryland, initially by Alan Smith and Jonas Cash, principals of the music company called AIR. AIR created music listening competitions for radio programmers in five different musical genres and were looking for a "qualifier" for the contests. The contests involved testing new songs' potential by having radio programmers listen to and respond to each song's hit potential using a national chart as the qualifier. After using Radio and Records chart for the first 10 years of the competition, AIR developed the BAM, and went into partnership with ''Billboard Magazine'' to produce and market the magazine. ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Background In 1964, Harriett Wasser came on board as the magazine's New York correspondent. She was no stranger to the music industry and she had been associated with many prominent figures in the industry that included Bobby Darin and Bob Crewe. The address at the time for correspondence was Harriet Wasser, 161 West 54th Street, Suite 1202, New York, N.Y. 10019. An example of her work can be seen in page 5 of the October 9, 1964 edition of ''R. P. M.'', in DATELINE NEW YORK by Harriet Wasser. Discontination In the fall of 2000, faced with changing advertisin ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival Records (Australia), Festival, Sony Music, CBS, Bertelsmann Music Group, RCA, Warner Music Group, WEA and PolyGram, Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licences and royalties. The association has more than 190 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a board of directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian ...
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Jennifer Love Hewitt
Jennifer Love Hewitt (born February 21, 1979) is an American actress, producer and singer. Hewitt began her career as a child actress and singer, appearing in national television commercials before joining the cast of the Disney Channel series ''Kids Incorporated'' (1989–1991). She had her breakthrough as Sarah Reeves Merrin on the Fox Broadcasting Company, Fox teen drama ''Party of Five'' (1995–1999) and rose to fame as a teen star for her role as Julie James (I Know What You Did Last Summer), Julie James in the horror films ''I Know What You Did Last Summer'' (1997) and its sequel ''I Still Know What You Did Last Summer'', as well as her role as Amanda Beckett in the teen comedy film ''Can't Hardly Wait'' (both 1998). Hewitt's other notable films include ''Heartbreakers (2001 film), Heartbreakers'' (2001), ''The Tuxedo'' (2002) and the two Garfield: The Movie, ''Garfield'' live-action films (2004–2006). She has starred as Melinda Gordon on the CBS supernatural drama '' ...
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Can't Hardly Wait
''Can't Hardly Wait'' is a 1998 American teen romantic comedy film written and directed by Deborah Kaplan and Harry Elfont. It stars an ensemble cast including Ethan Embry, Charlie Korsmo, Lauren Ambrose, Peter Facinelli, Seth Green, and Jennifer Love Hewitt, and contains a number of "before-they-were-famous" appearances by teen stars. The story takes place at a high school graduation party. The film received mixed reviews from critics. It grossed a total of $25 million at the North American domestic box office, against a production budget of $10 million. The soundtrack peaked at number 25 on the ''Billboard'' 200 chart. Concept The story takes place at a high school graduation party in the late 1990s and in a style much like that of the high school movies of the 1980s. The idea of setting most of the movie at a party was based primarily on concerns to keep production costs low and was also inspired by the movies of John Hughes and the party scene in '' Say Anything. ...
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All Star (song)
"All Star" is a song by the American rock band Smash Mouth from their second studio album, '' Astro Lounge'' (1999). Written by Greg Camp and produced by Eric Valentine, the song was released on May 4, 1999, as the first single from ''Astro Lounge''. The song was one of the last tracks to be written for ''Astro Lounge'', after the band's record label Interscope requested more songs that could be released as singles. In writing it, Camp drew musical influence from contemporary music by artists like Sugar Ray and Third Eye Blind, and sought to create an "anthem" for outcasts. In contrast to the more ska punk style of Smash Mouth's debut album '' Fush Yu Mang'' (1997), the song features a more radio-friendly style. The song received generally positive reviews from music critics, who praised its musical progression from ''Fush Yu Mang'' as well as its catchy tone. It was nominated for the Best Pop Performance by a Duo or Group with Vocals at the 42nd Annual Grammy Awards. S ...
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