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Callirhoé
''Callirhoé'' is an opera by the French composer André Cardinal Destouches. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by Pierre-Charles Roy, is based on a story from ''The Description of Greece'' by Pausanias (see Coresus). The opera was first performed on 27 December 1712, by the Académie royale de musique at the Théâtre du Palais-Royal in Paris. Destouches reworked the score for a revival on 22 October 1743. This version ends abruptly with the death of Corésus. Roles Synopsis Following the revised version of 1743. Act One Princess Callirhoé, heiress to the kingdom of Calydon, laments her fate. Her parents are forcing her to marry a man she loathes, Corésus, the high priest of Bacchus, when she is really in love with Agénor. The wedding ceremony of Corésus and Callirhoé is interrupted when the latter faints at the altar. Act Two Agénor declares his love for Callirhoé but the couple are surprised by the furious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Cardinal Destouches
André Cardinal Destouches (sometimes called des Touches) (baptised 6 April 1672 – 7 February 1749) was a French composer best known for the ''opéra-ballet'' ''Les élémens''. Biography Born in Paris, the son of Étienne Cardinal, a wealthy merchant, André Cardinal was educated by Jesuits. With the Jesuit Father Guy Tachard, he went on a mission to Siam for two years, leaving in January 1687, and spending some time at the Cape of Good Hope, arriving in Siam in September. Coming back to France, in September 1688, he spent several months at the academy in the Manège royal, rue de Tournon. In 1692 he joined the army and participated in the invasion of Namur, discovering his musical talent while not occupied by combat. When his father died in August 1694, André Cardinal added "Destouches" to his name in memory of his father's title, Seigneur des Touches et de Guilleville. He quit the army in 1696 to pursue his musical aspirations. Destouches' opera ''Issé'' was perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Concert Spirituel
Le Concert Spirituel is a French ensemble specialising in works of baroque music, played on period instruments. Founded by Hervé Niquet in 1987, it is named after the 18th-century concert series Concert Spirituel. The group performs internationally, playing mostly rarely performed sacred music and operas, and making recordings. Its focus is on French music played at the court of Versailles. History The ensemble is named after Concert Spirituel, the first private concert society in France, founded in the 18th century and dissolved during the French Revolution. The ensemble was founded by Hervé Niquet in 1987, designed to revive the great works of the French repertoire played at the court of Versailles. Le Concert Spirituel collaborates closely with the Centre de musique baroque de Versailles, with a focus on French composers such as Marc-Antoine Charpentier, Jean-Baptiste Lully, André Campra and Joseph Bodin de Boismortier. Le Concert Spirituel often plays sacred music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel-Vincent Thévenard
Gabriel-Vincent Thévenard (10 August 1669 – 24 August 1741) was a French operatic baritone (''basse taille''). Thévenard was born at Orléans or possibly Paris. Arriving in Paris in 1690, he studied under the composer André Cardinal Destouches and went on to become a member of the Académie Royale de Musique. He was notable for playing tragic roles that made use of his skill at declamatory recitatives. He appeared in over 80 tragédie en musique, tragédies en musique and opéra ballet, opéras ballet before finally retiring in 1729. He died in Paris. Roles created *Apollon/Vertumne/l'Automne in Pascal Colasse et Louis Lully's ''Ballet des Saisons'' (Paris, 1695) *Jupiter/Hylas in André Cardinal Destouches, Destouches's ''Issé (opera), Issé'' (Fontainebleau, 1697) *Silvandre/Zuliman in André Campra's L'Europe galante (Paris, 1697) *The title role in Destouches's ''Amadis de Grèce'' (Paris, 1699) *Argapise in Destouches's ''Marthesie, première reine des Amazones'' (P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
''Tragédie en musique'' (, musical tragedy), also known as ''tragédie lyrique'' (, lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Early works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cécile Chaminade
Cécile Louise Stéphanie Chaminade (8 August 1857 – 13 April 1944) was a French composer and pianist. In 1913, she was awarded the Légion d'Honneur, a first for a female composer. Ambroise Thomas said, "This is not a woman who composes, but a composer who is a woman." Biography Born in Batignolles (a village then outside Paris), Chaminade was raised in a musical family. She received her first piano lessons from her mother. Around age 10, Chaminade was assessed by Félix Le Couppey of the Conservatoire de Paris, who recommended that she study music at the Conservatoire. Her father forbade it because he believed it was improper for a girl of Chaminade's class. Her father did, however, allow Chaminade to study privately with teachers from the Conservatoire: piano with Le Couppey, violin with Martin Pierre Marsick, and music composition with Marie Gabriel Augustin Savard and Benjamin Godard. Chaminade experimented in composition as a young child, composing pieces for her cats ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
