|
Call At Midnight
''Call at Midnight'' () is a 1929 German silent film directed by Mario Bonnard and starring Marcella Albani, Ralph Arthur Roberts, and Curt Bois.Goble p. 341 The film's art direction was by Heinrich Richter Heinrich Richter (1884–1981) was a German painter and art director.Soister p.122 He designed the sets for more than a hundred films during his career. Selected filmography * '' The Confessions of the Green Mask'' (1916) * '' The Sensational Tr .... Cast References Bibliography * External links * 1929 films Films of the Weimar Republic Films directed by Mario Bonnard German silent feature films German black-and-white films Bavaria Film films {{1920s-Germany-silent-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Bonnard
Mario Bonnard (24 December 1889 – 22 March 1965) was an Italian actor and film director. Career Bonnard was born and died in Rome. He began his cinematic career as an actor becoming a popular romantic lead in numerous silent films made before World War I. In 1917, he ventured into film directing for the first time. Before the arrival of sound films he worked for a period in Germany in films directed by Luis Trenker. Back in Italy in 1932, he became a prolific director working with the major stars of the time as: Assia Noris, Elsa Merlini, Amedeo Nazzari, and Luisa Ferida. ''Il feroce Saladino'' (1937) was the most popular of his films of the 1930s. During the war he continued to work. In the post World War II period his films, ranging from comedies to period dramas enjoyed much success. However, today he's no longer well known. One of his last films was ''The Last Days of Pompeii (1959 film), The Last Days of Pompeii'' (1959). An illness made him leave production early, so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Direction
Art director is a title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, live-action and animated film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style(s) to use, and when to use motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the collective imagination while resolving conflicting agendas a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Silent Feature Films
German(s) may refer to: * Germany, the country of the Germans and German things **Germania (Roman era) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizenship in Germany, see also German nationality law **Germanic peoples (Roman era) * German diaspora * German language * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Mario Bonnard
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Of The Weimar Republic
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1929 Films
Nineteen or 19 may refer to: * 19 (number) * One of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (1987 film), a 1987 science fiction film * '' 19-Nineteen'', a 2009 South Korean film * '' Diciannove'', a 2024 Italian drama film informally referred to as "Nineteen" in some sources Science * Potassium, an alkali metal * 19 Fortuna, an asteroid Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album '' 63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle * " Stone in Focus", officially "#19", a composition by Aphex Twin * "Nineteen", a song from the 1992 album '' Refugee'' by Bad4Good * "Nineteen", a song fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Pasquali
Alberto Pasquali (1882–1929) was an Italian Theatre, stage and film actor of the silent era.Paietta p.58 Selected filmography * ''Christus (film), Christus'' (1916) * ''Redemption (1919 film), Redemption'' (1919) * ''Pleasure Train (film), Pleasure Train'' (1924) * ''Latest Night News'' (1924) * ''The Passion of St. Francis'' (1927) * ''Kif Tebbi'' (1928) * ''The Last Tsars'' (1928) * ''Call at Midnight'' (1929) References Bibliography * Ann C. Paietta. ''Saints, Clergy and Other Religious Figures on Film and Television, 1895–2003''. McFarland, 2005. External links * 1882 births 1929 deaths Italian male film actors Italian male stage actors Male actors from Turin {{Italy-film-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Maximilian
Max Maximilian (born Franz Kuhn; 23 September 1885 – 25 June 1930)Landesarchiv Berlin, Sterberegister StA Schöneweide, Nr. 196/1930 was a German singer, actor and director.Waldman p.141 Career Maximilian was born in Cologne and began his career as a singer and stage actor. He made his stage debut on 20 October 1905 at the Stadttheater Passau performing in operettas. In 1906 he moved to the Studienhaus in Coburg, in 1907 to Pirmasens, in 1908 to the Meininger Residenztheater, and in 1909 as an operetta singer at the Bochum City Theater. In 1910 he followed a call to Speyer, and 1911 to Wittenberge, where he was also allowed to stage plays as a director, and in 1912 to Munich, where he stayed until 1914 and also proved himself as a director and actor. In the last few years before the outbreak of World War I, Max Maximilian turned to the new medium of film. There he covered the entire range of supporting roles: he played fathers and subordinate service providers, seamen and miners ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Bradin
Jean Bradin (30 May 1899 – 7 October 1969) was a French actor. Bradin was born in the 5th arrondissement of Paris and died in the 15th arrondissement of Paris. Selected filmography * ''The Island of Despair'' (1926) * ''The Bordellos of Algiers'' (1927) * ''A Modern Dubarry'' (1927) * ''At the Edge of the World (1927 film), At the Edge of the World'' (1927) * ''Champagne (1928 film), Champagne'' (1928) * ''Moulin Rouge (1928 film), Moulin Rouge'' (1928) * ''Theatre (film), Theater'' (1928) * ''Ariadne in Hoppegarten'' (1928) * ''Call at Midnight'' (1929) * ''Miss Europe (1930 film), Miss Europe'' (1930) * ''Le secret du docteur'' (1930) * ''David Golder (film), David Golder'' (1931) * ''The Accomplice (1932 film), The Accomplice'' (1932) * ''Law of the North'' (1939) Bibliography * St. Pierre, Paul Matthew. ''E.A. Dupont and his Contribution to British Film: Varieté, Moulin Rouge, Piccadilly, Atlantic, Two worlds, Cape Forlorn''. Fairleigh Dickinson University Press, 2010 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Richter
Heinrich Richter (1884–1981) was a German painter and art director.Soister p.122 He designed the sets for more than a hundred films during his career. Selected filmography * '' The Confessions of the Green Mask'' (1916) * '' The Sensational Trial'' (1923) * '' Upstairs and Downstairs'' (1925) * '' Semi-Silk'' (1925) * '' Should We Be Silent?'' (1926) * '' A Crazy Night'' (1927) * '' One Plus One Equals Three'' (1927) * ''Children's Souls Accuse You'' (1927) * '' The Trousers'' (1927) * ''The Girl with the Five Zeros'' (1927) * '' When the Guard Marches'' (1928) * ''The Prince of Rogues'' (1928) * '' The House Without Men'' (1928) * '' Master and Mistress'' (1928) * ''Villa Falconieri'' (1928) * '' Sinful and Sweet'' (1929) * '' The Man Without Love '' (1929) * '' The Call of the North'' (1929) * '' Daughter of the Regiment'' (1929) * '' Come Back, All Is Forgiven'' (1929) * '' Mischievous Miss'' (1930) * '' Morals at Midnight'' (1930) * ''The Man Who Murdered'' (1931) * '' The M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter- title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in larger cities, an orchestra—would play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maxim Galitzenstein
Maxim Galitzenstein was an Austrian film producer active in the German film industry during the silent era. Of Jewish background, Galitzenstein was associated with the film pioneer Oskar Messter before the First World War.Prawer p.1-2 Along with Paul Ebner he controlled Maxim-Film which had a contract to supply films for release by UFA during the 1920s. He also produced films for distribution by Bavaria Film. Following the arrival of sound film he left the film business and his later life is unknown. Selected filmography * '' Helmsman Holk'' (1920) * ''Romeo and Juliet in the Snow'' (1920) * ''The Woman in Doctor's Garb'' (1920) * '' A Woman's Revenge'' (1921) * '' The Adventure of Doctor Kircheisen'' (1921) * ''The Brothers Karamazov'' (1921) * '' The Solemn Oath'' (1921) * '' Kean'' (1921) * ''Seafaring Is Necessary'' (1921) * ''The Three Aunts'' (1921) * '' Luise Millerin'' (1922) * '' Navarro the Dancer'' (1922) * '' Shadows of the Past'' (1922) * '' The Island of Tears'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
