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CREDO Detector 2018-10-17 06
In Christian liturgy, the credo (; Latin for "I believe") is the portion of the Mass where a creed is recited or sung. The Nicene-Constantinopolitan Creed or the Apostles' Creed are the primary creeds used for this purpose. History After the formulation of the Nicene Creed, its initial liturgical use was in baptism, which explains why the text uses the singular "I ..." instead of "we ...". The text was gradually incorporated into the liturgies, first in the east and in Spain, and gradually into the north, from the sixth to the ninth centuries. In 1014 it was accepted by the Church of Rome as a legitimate part of the Mass. It is recited in the Western Mass directly after the homily on all Sundays and solemnities; in modern celebrations of the Tridentine Mass as an extraordinary form of the Roman Rite, the Credo is recited on all Sundays, feasts of the I class, II class feasts of the Lord and of the Blessed Virgin, on the days within the octaves of Christmas, Easter, and Pentecos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gloria In Excelsis Deo
"" (Latin for "Glory to God in the highest") is a Christianity, Christian Hymn#Christian hymnody, hymn known also as the Greater Doxology (as distinguished from the "Minor Doxology" or Gloria Patri) and the Angelic Hymn/Hymn of the Angels. The name is often abbreviated to Gloria in Excelsis or simply Gloria. The hymn begins with the words that the angels sang when announcing the birth of Christ to shepherds in : Douay-Rheims Bible, Douay-Rheims (in Latin). Other verses were added very early, forming a doxology. An article by David Flusser links the text of the verse in Luke with ancient Jewish liturgy. History is an example of the ''psalmi idiotici'' ("private psalms", i.e., compositions by individuals in imitation of the biblical Psalter) that were popular in the 2nd and 3rd centuries. Other surviving examples of this lyric poetry are the Te Deum and the Phos Hilaron. In the 4th century it became part of morning prayers, and is still recited in the Byzantine Rite Matins, Or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ( homophony). Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is oppose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic Formula
Melody type or type-melody is a set of melodic formulas, figures, and patterns. Term and typical meanings "Melody type" is a fundamental notion for understanding a nature of Western and non-Western musical modes, according to Harold Powers' seminal article "Mode" in the first edition of the ''New Grove Dictionary of Music and Musicians'' . Melody types are used in the composition of an enormous variety of music, especially non-Western and early Western music. Such music is generally composed by a process of centonization, either freely (i.e. improvised) or in a fixed pattern. "Melody type" as used by the ethnomusicologist Mark is defined as a "group of melodies that are related, in that they all contain similar modal procedures and characteristic rhythmic and melodic contours or patterns". Most cultures which compose music in this way organize the patterns into distinct melody types. These are often compared to modern Western scales, but they in fact represent much more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melisma
Melisma (, , ; from , plural: ''melismata''), informally known as a vocal run and sometimes interchanged with the term roulade, is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. History General The term ''melisma'' may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Melisma is prevalent in many forms of Gregorian chant (see e.g. Jubilus) as well as late-medieval sacred polyphony, notably in works by Guillaume de Machaut, John Dunstaple, and many early Tudor composers represented in the Eton, Caius, and Lambeth choirbooks. Today, melisma is commonly used in Middle Eastern, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa Solemnis (Beethoven)
The Missa solemnis in D major, Op. 123, is a Solemn Mass composed by Ludwig van Beethoven from 1819 to 1823. It was first performed on 7 April 1824 in Saint Petersburg, Russia, under the auspices of Beethoven's patron Prince Nikolai Golitsyn; an incomplete performance was given in Vienna on 7 May 1824, when the Kyrie, Credo, and Agnus Dei were conducted by the composer. It is generally considered one of the composer's supreme achievements and, along with Bach's Mass in B minor, one of the most significant Mass settings of the common practice period. Written around the same time as his Ninth Symphony, it is Beethoven's second setting of the Mass, after his Mass in C major, Op. 86. The work was dedicated to Archduke Rudolf of Austria, archbishop of Olomouc, Beethoven's foremost patron as well as pupil and friend. The copy presented to Rudolf was inscribed "Von Herzen—Möge es wieder—Zu Herzen gehn!" ("From the heart – may it return to the heart!") History Comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haydn
Franz Joseph Haydn ( ; ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet". Haydn arose from humble origins, the child of working people in a rural village. He established his career first by serving as a chorister at St. Stephen's Cathedral, Vienna, then through an arduous period as a freelance musician. Eventually he found career success, spending much of his working life as Kapellmeister, music director for the wealthy Esterházy family at their palace of Eszterháza in rural Hungary. Though he had his own orchestra there, it isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". During this period his music circulated widely in publication, eventuall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a musical composition, composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or Motif (music), motif, a subject is usually a complete phrase (music), phrase or period (music), period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as "[a]ny element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often musical form, structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative music, generative theory's scope of analysis. In different types of mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass In B Minor Structure
The Mass in B minor is Johann Sebastian Bach's only setting of the complete Latin text of the . Towards the end of his life, mainly in 1748 and 1749, he finished composing new sections and compiling it into a complex, unified structure. Bach structured the work in four parts: # # # # The four sections of the manuscript are numbered, and Bach's usual closing formula (S.D.G = ) is found at the end of the "". Some parts of the mass were used in Latin even in Lutheranism, Lutheran Leipzig, and Bach had composed them: five settings of the Missa (Bach), Missa, containing the and the , and several additional individual settings of the and the . To achieve the , a setting of the complete text of the mass, he combined his most elaborate Missa, the Bach's Missa of 1733, Missa in B minor, written in 1733 for the court in Dresden, and a written for Christmas of 1724. He added a few new compositions, but mostly derived movements from List of Bach cantatas, cantata movements, in a techni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (Stravinsky)
Igor Stravinsky composed his Mass between 1944 and 1948. This 19-minute setting of the Roman Catholic Mass (music), Mass exhibits the austere, Neoclassicism (music), Neoclassic, anti-Romantic (music), Romantic aesthetic that characterizes his work from about 1923 to 1951. The Mass also represents one of only a handful of extant pieces by Stravinsky that was not commissioned. Part of the motivation behind its composition has been cited by Robert Craft and others as the product of a spiritual necessity, as Stravinsky intended the work to be used functionally. History Stravinsky completed the Gloria on December 20, 1944 and finished the Kyrie at about the same time. His work on the Mass was then interrupted for several years in which his wrote his Symphony in Three Movements, ''Ebony Concerto (Stravinsky), Ebony Concerto'', Concerto in D (Stravinsky), Concerto in D, and the ballet ''Orpheus (ballet), Orpheus''. He resumed work on it in the fall of 1947 and completed it March 15, 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
