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Bérénice (Magnard)
''Bérénice'' is an opera in three acts by the French composer Albéric Magnard to his own libretto after the tragedy of the same name by Racine. It was first performed at the Paris Opéra-Comique on 15 December 1911. The work received only nine performances at the Salle Favart in its first 40 years. Background and history A vocal score was published in 1909 dedicated to Guy Ropartz, and thus the work avoided the fate of Magnard's other operas ''Yolande'' and '' Guercœur'' whose scores were damaged by the fire at his house in the opening days of the First World War. The opera was broadcast on French radio in 1936 and 1961,'Albéric Magnard: Bérénice'. In: Kaminski, Piotr. ''Mille et Un Opéras''. Fayard, 2003, p829. and was revived on stage in Marseille in 2001 conducted by Gaetano Delogu and at the Grand Théâtre de Tours in 2014 for the Magnard centenary, conducted by Jean-Yves Ossonce.Van Moere, Didier. Retour en gloire (review of ''Bérénice''). '' Diapason'', No 624, Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera (British Magazine)
''Opera'' is a monthly Great Britain, British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera. The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes (musicologist), Elizabeth Forbes, and J.B. Steane among many others. Format ''Opera'' is printed in ISO 216, A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 covers pages 1033–1168). All issues since February 1950 are available online to cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Félix Vieuille
Félix Vieuille (15 October 1872, Saujon – 28 February 1953, Saujon) was a French operatic bass who sang for more than four decades with the Opéra-Comique in Paris during the first half of the twentieth century. He created roles in numerous world premieres, most notably portraying Arkel in the original production of Claude Debussy's '' Pelléas et Mélisande'' in 1902 which he went on to sing 208 times at that house. He possessed a rich voice and a solid technique which helped sustain his career for a long time. His voice is preserved on a number of recordings made on the Odeon, Lyrophon, and Beka labels. Biography Vieuille studied at the Conservatoire de Paris with teachers Léon Achard and Alfred Auguste Giraudet. He made his debut as Leporello in Mozart's '' Don Giovanni'' in 1897 at Aix-les-Bains. He joined the Paris Opéra-Comique in 1898 where he initially sang supporting roles until he was made a leading bass in 1902, with his first major role being Arkel in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Charbonnel
Marie Louise Charbonnel (1880–1969) was a French contralto opera singer who made her début at the Lyon Opera in 1901. She was spectacularly successful at her Paris Opera début in 1907 when she played Dalila in Camille Saint-Saëns' ''Samson et Dalila''. Biography Born on 18 December 1880 in Lyon, Marie Louise Charbonnel studied music theory, piano and voice at the Lyon Conservatory. At the Lyon Opera, she performed contralto roles in Gluck's '' Orphée et Euridice'', ''Carmen'', Amneris in ''Aida'', and Azucena in ''Il trovatore''. On 24 February 1906 at the Monte Carlo Opera, she played Vanina at the première of Saint-Saëns' ''L'ancêtre''. She also sang at the Paris Opera, playing the First Norn in the French première of ''Götterdämmerung'' (1908) and Erda in the première of ''Das Rheingold''. From 1910, Charbonnel sang at the Opéra-Comique, first in the title role of ''Carmen''. On 30 November that year, she played the Third Witch in the première of Ernest Bloch's ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
François Ruhlmann
François Ruhlmann (11 January 1868 – 8 June 1948) was a Belgian conductor. Life and career Born in Brussels, Ruhlmann was a pupil of Joseph Dupont in his native city. As a child he sang in the chorus at the Théâtre Royal de la Monnaie, and at 7 played the oboe in the orchestra. Ruhlmann's first conducting engagement was at the Théâtre des Arts in Rouen in 1892. This was followed by further work in Liège and Antwerp, before a return to the Théâtre Royal de la Monnaie in 1898. François Ruhlmann began his career at the Opéra-Comique, Paris on 6 September 1905 (with '' Carmen''), then at the death of Alexandre Luigini became principal conductor in 1906 (retiring from the position in 1914). Although mobilised in 1914, he returned occasionally during the war to conduct. From 1911 he conducted at the theatre of the Casino of Aix-les-Bains. Later he championed works by Dukas, Debussy, Fauré and Ravel at the Concerts Populaires in Brussels. In 1920 Ruhlmann tried to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dreyfus Affair
The Dreyfus affair (french: affaire Dreyfus, ) was a political scandal that divided the French Third Republic from 1894 until its resolution in 1906. "L'Affaire", as it is known in French, has come to symbolise modern injustice in the Francophone world, and it remains one of the most notable examples of a complex miscarriage of justice and antisemitism. The role played by the press and public opinion proved influential in the conflict. The scandal began in December 1894 when Captain Alfred Dreyfus was convicted of treason. Dreyfus was a 35-year-old Alsatian French artillery officer of Jewish descent. He was falsely convicted and sentenced to life imprisonment for communicating French military secrets to the German Embassy in Paris, and was imprisoned on Devil's Island in French Guiana, where he spent nearly five years. In 1896, evidence came to light—primarily through an investigation made by Georges Picquart, head of counter-espionage—which identified the real culprit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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