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Burrell Collection
The Burrell Collection is a museum in Glasgow, Scotland, managed by Glasgow Museums. It houses the art collection of Sir William Burrell and Constance, Lady Burrell. The museum reopened on 29 March 2022 with free entry, having been closed for refurbishment since 23 October 2016. History The eclectic collection was acquired over many years by Sir William Burrell, a wealthy Glasgow shipping magnate and art collector, and his wife Constance, Lady Burrell, who then gave it to the city of Glasgow Corporation in 1944. Throughout his collecting career, Burrell lent many of the works in his collection to special exhibitions and for display in museums. Sometime around 1930, he decided that he was going to donate his entire collection to the public. Burrell then began the process of finding a home for the remaining 6,000 items. He initially wanted it to go to London, which he saw as the centre of the art world. He approached the Westminster government with the idea that he would leav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glasgow, Scotland
Glasgow ( ; sco, Glesca or ; gd, Glaschu ) is the most populous city in Scotland and the fourth-most populous city in the United Kingdom, as well as being the 27th largest city by population in Europe. In 2020, it had an estimated population of 635,640. Straddling the border between historic Lanarkshire and Renfrewshire, the city now forms the Glasgow City Council area, one of the 32 council areas of Scotland, and is governed by Glasgow City Council. It is situated on the River Clyde in the country's West Central Lowlands. Glasgow has the largest economy in Scotland and the third-highest GDP per capita of any city in the UK. Glasgow's major cultural institutions – the Burrell Collection, Kelvingrove Art Gallery and Museum, the Royal Conservatoire of Scotland, the Royal Scottish National Orchestra, Scottish Ballet and Scottish Opera – enjoy international reputations. The city was the European Capital of Culture in 1990 and is notable for its architectu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hutton Castle
Hutton Castle is located in the Scottish Borders, overlooking the Whiteadder Water. It stands southeast of Chirnside and west of Berwick-on-Tweed. It has also been known as Hatton Hall and Hutton Hall. History Originally a property of the Homes of Wedderburn, Hutton was probably built in the 16th century, but may include much older fabric. It was the seat of the Johnstons of Hilton from c.1620 until the early 19th century. From 1876 the castle was owned by Dudley Marjoribanks, 1st Baron Tweedmouth. It was partially ruinous in the late 19th century. Hutton Hall was attacked during the war of the Rough Wooing by Harry Eure, son of Lord Eure in September 1544.Joseph Bain, ''Hamilton Papers'', vol. 2 (Edinburgh, 1892), p. 465. Sir William Burrell Hutton was purchased in 1916 by Sir William Burrell, wealthy Glaswegian shipping merchant and art collector. Burrell commissioned Robert Lorimer to prepare designs for the restoration and expansion of the building, but the two men fai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Art
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians since the late 19th century. Public Islamic art is traditionally non- representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery. The early developments of Isla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armour
Armour (British English) or armor (American English; see spelling differences) is a covering used to protect an object, individual, or vehicle from physical injury or damage, especially direct contact weapons or projectiles during combat, or from a potentially dangerous environment or activity (e.g. cycling, construction sites, etc.). Personal armour is used to protect soldiers and war animals. Vehicle armour is used on warships, armoured fighting vehicles, and some mostly ground attack combat aircraft. A second use of the term ''armour'' describes armoured forces, armoured weapons, and their role in combat. After the development of armoured warfare, tanks and mechanised infantry and their combat formations came to be referred to collectively as "armour". Etymology The word "armour" began to appear in the Middle Ages as a derivative of Old French. It is dated from 1297 as a "mail, defensive covering worn in combat". The word originates from the Old French , itself d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Weapons
The following is a list of Wikipedia articles of the types of weapons that were in use during the post-classical historical period (roughly between the mid 1st to mid 2nd millennia AD). Offensive weapons Melee weapons Trauma and cleaving weapons * Battle axe * Bec de corbin * Bludgeon * Club * Flail * Flanged mace * Horseman's pick * Mace * Morning star * Quarterstaff * Shestopyor, Pernach * War hammer Swords and hilt weapons Swords can have single or double bladed edges or even edgeless. The blade can be curved or straight. * Arming sword * Dagger * Estoc * Falchion * Katana * Knife * Longsword * Rapier * Sabre or Saber (Most sabers belong to the renaissance period, but some sabers can be found in the late medieval period) * Shortsword * Ulfberht (Frankish) Spears and polearms * Ahlspiess * Bardiche * Bec de Corbin * Bill * Glaive * Goedendag * Guisarme * Halberd * Lance * Lochaber axe * Lucerne hammer * Man catcher * Military fork * Partisan * Pike ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tapestries
Tapestry is a form of textile art, traditionally woven by hand on a loom. Tapestry is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads may be visible. In tapestry weaving, weft yarns are typically discontinuous; the artisan interlaces each coloured weft back and forth in its own small pattern area. It is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. European tapestries are normally made to be seen only from one side, and often have a plain lining added on the back. However, other traditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stained Glass
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and '' objets d'art'' created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. The coloured glass is crafted into ''stained glass windows'' in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Art
The medieval art of the Western world covers a vast scope of time and place, over 1000 years of art in Europe, and at certain periods in Western Asia and Northern Africa. It includes major art movements and periods, national and regional art, genres, revivals, the artists' crafts, and the artists themselves. Art historians attempt to classify medieval art into major periods and styles, often with some difficulty. A generally accepted scheme includes the later phases of Early Christian art, Migration Period art, Byzantine art, Insular art, Pre-Romanesque, Romanesque art, and Gothic art, as well as many other periods within these central styles. In addition, each region, mostly during the period in the process of becoming nations or cultures, had its own distinct artistic style, such as Anglo-Saxon art or Viking art. Medieval art was produced in many media, and works survive in large numbers in sculpture, illuminated manuscripts, stained glass, metalwork and mosaics, all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prospect (architecture Magazine)
''Urban Realm'' is a planning magazine published in Scotland, with a focus on Scottish issues. The magazine was established as ''Prospect'' in 1922 by the Royal Incorporation of Architects in Scotland, and is the oldest architectural magazine in Scotland. It was rebranded as ''Urban Realm'' to reflect the wider environment in which architecture operates, covering policy, planning, engineering, and strategic issues, as well as new buildings. It is currently published by Urban Realm Ltd. Carbuncle Awards Since 2000, the magazine has promoted the Carbuncle Awards, aimed at highlighting poor design and planning in Scotland. The awards comprise the "Plook on the Plinth" award for "most dismal town", the "Pock Mark" award for the worst planning decision, and the "Zit Building" award for Scotland's most disappointing new building. In 2005, the magazine published a list of the 100 best modern Scottish buildings. Coatbridge Coatbridge ( sco, Cotbrig or Coatbrig, gd, Drochaid a' Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Peter's Seminary, Cardross
St. Peter's Seminary is a former Roman Catholic seminary near Cardross, Argyll and Bute, Scotland. Designed by the firm of Gillespie, Kidd & Coia, it has been described by the international architecture conservation organisation DOCOMOMO as a modern "building of world significance". It is one of only 42 post-war buildings in Scotland to be listed at Category A, the highest level of protection for a building of "special architectural or historic interest". It has been abandoned since 1987, and is currently in a ruinous state. In July 2020, the site was gifted to the Kilmahew Education Trust Ltd who plan to reinstate the educational elements of the Seminary Complex after a process of conservation and restoration. The wider Kilmahew Estate is to be brought back to its former glory with new landscaping and features but is currently closed to the public due to safety concerns. History Origin Following a fire in 1946 at St. Peter's Seminary in the Glasgow suburb of Bearsden, a new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gillespie, Kidd & Coia
Gillespie, Kidd & Coia was a Scottish architectural firm famous for their application of modernism in churches and universities, as well as at St Peter's Seminary in Cardross. Though founded in 1927, they are best known for their work in the post-war period. The firm was wound up in 1987. In 2007, the firm was the subject of a major retrospective exhibition at The Lighthouse, Glasgow. History of the practice Origins The Scottish architect James Salmon (1805–1888) established a practice in Glasgow in 1830. John Gaff Gillespie (1870–1926) was hired in 1891, when the practice was known as James Salmon & Son, and was run by the son, William Forrest Salmon. The practice name was changed in 1903 to Salmon & Son & Gillespie, with James Salmon (1873–1924), grandson of the founder, and John Gaff Gillespie as partners. William Alexander Kidd (1879–1928) joined the firm in 1898, becoming a partner, with Gillespie, in 1918 (James Salmon had left the firm in 1913). Kidd becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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