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Brokeback Mountain (opera)
''Brokeback Mountain'' is an opera by American composer Charles Wuorinen, with a libretto in English by Annie Proulx, based on her 1997 short story "Brokeback Mountain (short story), Brokeback Mountain". They began work on it in 2008 under a commission by Gerard Mortier of the New York City Opera. He took the project with him to the Teatro Real of Madrid, where the opera was premiered on January 28, 2014. Composition history In 2007, Wuorinen, a Pulitzer Prize-winning American composer, saw the 2005 film directed by Ang Lee and "was inspired by its operatic possibilities." He approached Proulx with the idea of turning her short story into an opera and "to ask for her blessing to adapt the story for opera. Proulx went one step further, offering to write the libretto".Ashifa Kassam (20 January 2014), ''The Guardian''. As recounted by Ashifa Kassam: After reading Proulx' tale of doomed lovers, composer Charles Wuorinen knew he had the makings of a tragic opera. "In older operas ther ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Wuorinen
Charles Peter Wuorinen (; June 9, 1938 – March 11, 2020) was an American composer of contemporary classical music based in New York City. He performed his works and other 20th-century music as pianist and conductor. He composed more than 270 works, including orchestral music, chamber music, solo instrumental and vocal works, and operas such as ''Brokeback Mountain''. Salman Rushdie and Annie Proulx have collaborated with him. Wuorinen's work has been called serialist, but he came to disparage that term as meaningless. His ''Time's Encomium'', his only purely electronic piece, received the Pulitzer Prize for Music. Wuorinen also taught at several institutions, including Columbia University and Manhattan School of Music. Life and career Background Wuorinen was born on the Upper West Side of Manhattan in New York City. His father, John H. Wuorinen, the chair of the history department at Columbia University, was a noted scholar of Scandinavian affairs, who also worke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salzburger Landestheater
The Salzburg State Theatre (''Salzburger Landestheater'') is a theatre situated in Salzburg, Austria, a venue for opera, theatre, and dance, contemporary and older works, with resident companies of actors, singers and dancers. The theatre presents approximately 400 performances each season, from September to June. The main theatre building is located next to the Mirabell Gardens and seats an audience of 707. The staff consists of 340 people originating from 35 different countries. The theatre is a listed building and part of the '' Altstadt'', a UNESCO World Heritage Site. History In 1775, Prince Archbishop Colloredo built the 'Prince Archbishop Court Theatre' on the site of the former ballroom of 1625. The official opening of the building was celebrated with Christian Heinrich Schmid’s ''Die Gunst des Fürsten'' which, beholden to enlightenment, was soon followed by Schiller’s dramas. Emmanuel Schikaneder was engaged as director of the Court Theatre for several years. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelléas Et Mélisande (opera)
''Pelléas et Mélisande'' (''Pelléas and Mélisande'') is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's symbolist play of the same name. It premiered at the Salle Favart in Paris by the Opéra-Comique on 30 April 1902; Jean Périer was Pelléas and Mary Garden was Mélisande, conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music. The plot concerns a love triangle. Prince Golaud finds Mélisande, a mysterious young woman, lost in a forest. He marries her and brings her back to the castle of his grandfather, King Arkel of Allemonde. Here Mélisande becomes increasingly attached to Golaud's younger half-brother Pelléas, arousing Golaud's jealousy. Golaud goes to excessive lengths to find out the truth about Pelléas and Mélisande's relationship, even forcing his own child, Yniold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moses Und Aron
''Moses und Aron'' (English: ''Moses and Aaron'') is a three-act opera by Arnold Schoenberg with the third act unfinished. The German libretto is by the composer after the Book of Exodus. Hungarian composer Zoltán Kocsis completed the last act with Schoenberg's heirs' permission in 2010, but ''Moses und Aron'' was almost always performed as Schoenberg left it in 1932, with only two of the planned three acts completed. Compositional history ''Moses und Aron'' has its roots in Schoenberg's earlier agitprop play, '' Der biblische Weg'' (''The Biblical Way'', 1926–27), a response in dramatic form to the growing anti-Jewish movements in the German-speaking world after 1848 and a deeply personal expression of his own "Jewish identity" crisis. The latter began with a face-to-face encounter with anti-Semitic agitation at Mattsee, near Salzburg, during the summer of 1921, when he was forced to leave the resort because he was a Jew, although he had converted to Protestantism in 1898. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hilary Summers
Hilary Summers is a Welsh lyric contralto. She was trained at Reading University, the Royal Academy of Music, and the National Opera Studio in London. She has performed on soundtracks such as '' The Lord of the Rings: The Two Towers'', '' The Libertine'', and ''The Hitchhiker's Guide to the Galaxy''. She has created roles for composers Péter Eötvös and Elliott Carter, and is known to have a close working relationship with Michael Nyman. She created the leading role of the Art Banker in Nyman's opera ''Facing Goya''. In 2000 she performed the role of Mars in the first modern revival of Giovanni Legrenzi's ''La divisione del mondo'' at the Schwetzingen Festival. Her discography includes, for Chandos, Handel's ''Partenope'' and ''Semele''. She sang the Sorceress in ''Dido and Aeneas'' at the Opéra-Comique The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Henschel
Jane Henschel (born 2 March 1952) is an American operatic mezzo soprano. Henschel, who was born in Wisconsin, studied at the University of Southern California, and then pursued further studies in Germany, where she has made her home. Her numerous opera appearances include Baba the Turk in Igor Stravinsky's ''The Rake’s Progress'' with Glyndebourne Festival Opera, the Saito Kinen Festival Matsumoto, and the Salzburg festival; Brangäne in Richard Wagner’s '' Tristan und Isolde '' with Paris Opéra and the Los Angeles Opera; the Principessa in Giacomo Puccini’s ''Suor Angelica'' with conductor Riccardo Chailly and the Royal Concertgebouw Orchestra; Blanche de la Force in Francis Poulenc’s ''Dialogues des Carmélites'' in Amsterdam; Kostelnicka Buryjovka in Leoš Janáček’s ''Jenůfa'' under Seiji Ozawa in Japan; and the Kabanicka in Janáček’s ''Katya Kabanova'' at the Salzburg Festival among others. She is perhaps best known for her portrayal of The Nurse in Richard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Such confusion of "high" and "low" persists in instrumental terminology. Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef. Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4. Etymo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Okulitch
Daniel Okulitch (born January 30, 1976) is a Canadian bass-baritone. He first came to attention on Broadway as Schaunard in Baz Luhrmann's production of ''La bohème'' in 2002/03 – a role he repeated when the production traveled to Los Angeles the following year, for which he received the Ovation Award for Best Ensemble Performance from the Los Angeles Stage Alliance. He has since begun an international career with opera companies and orchestras throughout Europe and North America, and is admired for both his singing and powerful stage presence. He is sought after for many contemporary operas and world premieres, as well as the roles of Mozart, including Figaro and Don Giovanni. Education and early career Okulitch was born in Ottawa, Ontario, and was raised in Calgary, Alberta, where he had his operatic debut at the age of 12 while still a boy soprano in the role of Amahl in ''Amahl and the Night Visitors'' with Calgary Opera, followed by one of the 3 spirits in ''The Magic F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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