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Berlin Documentary Forum
The Berlin Documentary Forum (BDF) was a biennale held at the Haus der Kulturen der Welt in Berlin. Interdisciplinary in orientation, it engaged with the 'documentary’ across the fields of film, photography, contemporary art, performance, architecture and cultural theory. In its inaugural edition in 2010, the festival featured five days of thematic programming, including exhibitions, screenings, performances, readings and discussions developed and realised by a group of international artists and theoreticians. The festival's second edition in 2012 took a similar approach. A third and last edition took place in spring 2014. In 2016 and 2018, the festival was not able to find both a venue and funding. All three editions of the Berlin Documentary Forum have been conceived by Berlin-based curator Hila Peleg, who has given the festival its theoretically nuanced interpretation, pushing the boundaries of the documentary far beyond its genre definition. She writes, "As the distinctio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BDF2
BDF or Bdf may refer to: * Backward differentiation formula, a numerical method for solving ordinary differential equations * Ballroom Dancers' Federation, a British organization for competitive ballroom dancers * Bates Dance Festival, a yearly dance festival held at Bates College. * ''Banca Dacia Felix'' (Dacia Felix Bank), a defunct Romanian bank * Bedfordshire, a historic county in England, Chapman code * Beiersdorf AG, a multinational corporation based in Hamburg, Germany * Berlin Demography Forum, an annual international conference on demographic issues * Board foot, unit of measure for volume of lumber * Bois-des-Filion, Quebec, a town in Quebec, Canada * ''Bund Deutscher Frauenvereine'' (1894-1933), a defunct German women's organization Technology * Building Distribution Frame, a type of distribution frame in telecommunications * PCI BDF (bus/device/function), a range of configurable addresses in PCI configuration space * Glyph Bitmap Distribution Format, a file format fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Morin
Edgar Morin (; ; born Edgar Nahoum; 8 July 1921) is a French philosopher and sociologist of the theory of information who has been recognized for his work on complexity and "complex thought" ( pensée complexe), and for his scholarly contributions to such diverse fields as media studies, politics, sociology, visual anthropology, ecology, education, and systems biology. As he explains: He holds two bachelors: one in history and geography and one in law. He never did a Ph.D. Though less well known in the anglophone world due to the limited availability of English translations of his over 60 books, Morin is renowned in the French-speaking world, Europe, and Latin America. During his academic career he was primarily associated with the École des hautes études en sciences sociales (EHESS) in Paris. Biography At the beginning of the 20th century, Morin's family migrated from the Ottoman city of Salonica (Thessaloniki) to Marseille and later to Paris, where Edgar was born. He is of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pauline Boudry
Pauline Boudry / Renate Lorenz (born 1972 in Lausanne and 1963 in Berlin) are a Berlin-based artist duo who have worked together since 2006. They produce film installations that revisit recent and past material (a score, a piece of music, a film, a photograph or a performance), with a particular focus on a critical history of the photographic and moving image itself. The duo works with performance to create embodiments which are able to conflate different times and they often create illegitimate collaborations – partly fictitious, partly cross-temporal. Their work ''To Valerie Solanas and Marilyn Monroe, In Recognition of their Desperation'' (2013) is based on the eponymous 1970 score by avant-garde feminist composer Pauline Oliveros, filmed in Funkhaus Nalepastraße, the former GDR Radio studios in Berlin, and featuring performances from the musicians Ray Aggs, Peaches, Catriona Shaw, Verity Susman, Ginger Brooks Takahashi, and William Wheeler. The work had its premiere exhibitio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Thereza Alves
Maria Thereza Alves (born 1961) is a Brazilian-born American and German installation artist, video artist, activist, filmmaker, and writer. She lives in Berlin. Early life and education Maria Thereza Alves was born in São Paulo in 1961. When she was a child, her family moved to New York City to escape the dictatorship in Brazil. She attended Cooper Union, and graduated in architecture (BFA 1985). Career In 1978, Alves presented at the United Nations Human Rights Committee meeting in Geneva on the indigenous population human rights abuses in Brazil. She is a co-founder of the Partido Verde (or Green Party) of São Paulo in 1987. Her long-term art project ''Seeds of Change'' studies colonialism, slavery, migration, and the global commerce. The series was started in 1999 and focuses on displaced plant seeds used to balance shipping vessels during the colonial period. It has been held in port cities such as Marseille, Reposaari, Liverpool, Exeter– Topsham, Dunkirk, Bristol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylvère Lotringer
Sylvère Lotringer (15 October 1938 – 8 November 2021) was a French-born Literary critics, literary critic and cultural theorist. Initially based in New York City, he later lived in Los Angeles and Baja California, Mexico.Hultkrans, Andrew"Bookforum talks with Sylvère Lotringer,"14 September 2015. Retrieved 7 October 2021.Schwarz, Henry and Anne Balsamo. "Under the Sign of Semiotext(e): The Story According to Sylvere Lotringer and Chris Kraus," ''Critique'', Spring 1996, p. 205–21. He is best known for synthesizing Post-structuralism, French theory with American literary, cultural and architectural avant-garde movements as founder of the journal ''Semiotext(e)'' and for his interpretations of theory in a 21st-century context.Darms, Lisa"Semiotext at the Biennial: An Interview with Hedi el Kholti,"''Hyperallergic'', 17 May 2014. Retrieved 7 October 2021.Whitney Museum of American ArtSemiotext(e)2014 Biennial. Retrieved 7 October 2021.''Semiotext(e)''Sylvère Lotringer Retrieve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harun Farocki
Harun Farocki (9 January 1944 – 30 July 2014) was a German filmmaker, author, and lecturer in film. Early life and education Farocki was born as Harun El Usman FaroqhiMargalit Fox (3 August 2014)''New York Times''. in Neutitschein, which is now Nový Jičín in the Czech Republic. His father, Abdul Qudus Faroqui, had immigrated to Germany from India in the 1920s. His German mother had been evacuated from Berlin due to the Allied bombing of Germany. He simplified the spelling of his surname as a young man. After World War II Farocki grew up in India and Indonesia before the family resettled in Hamburg in 1958. Farocki, who was deeply influenced by Bertolt Brecht and Jean-Luc Godard, studied at the German Film and Television Academy Berlin (dffb) from 1966 to 1968. He began making films – from the very beginning, they were non-narrative essays on the politics of imagery – in the mid-1960s. From 1974 to 1984, when its publication ceased, he edited the magazine '' Filmkritik' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Wiseman
Frederick Wiseman (born January 1, 1930) is an American filmmaker, documentarian, and theater director. His work is "devoted primarily to exploring American institutions". He has been called "one of the most important and original filmmakers working today". Life and career Wiseman was born to a Jewish family in Boston, Massachusetts, the son of Gertrude Leah (née Kotzen) and Jacob Leo Wiseman. He earned a Bachelor of Arts from Williams College in 1951, and a Bachelor of Laws from Yale Law School in 1954. He spent 1954 to 1956 serving in the U.S. Army during the Korean War.FREDERICK WISEMAN’S BASIC TRAINING . Retrieved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eyal Sivan
Eyal Sivan ( he, אייל סיון) is an Israeli documentary filmmaker, theoretician and scholar based in Paris, France. Early life Eyal Sivan is a Filmmaker, Writer and theoretician born in 1964 in Haifa, Israel; raised in Jerusalem; and based in Europe since 1985. As a teenager, Sivan abandoned formal education to dedicate himself to his hobbies, which were photography and political activism. Career After working as a professional commercial photographer in Tel Aviv, he left Israel in 1985 and settled in Paris. He now splits his time between Europe and Israel. Known for his controversial films, Sivan has produced and directed more than a dozen political documentaries. ''Common State'' (2012), ''Jaffa'' (2009) and ''Route 181'' (2003) won awards at various festivals. Sivan's films are regularly exhibited in art exhibitions including Documenta, Manifesta and ICP New York. His work touches on such themes as the representation of political crime; the political use of me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walid Sadek
Walid Sadek (born in Beirut, Lebanon, 1966) is a Lebanese artist and writer. He is a professor at the Department of Fine Arts and Art History of the American University of Beirut, and held its chairmanship from 2017 to date. Life and work Walid Sadek uses poetic and metaphoric language to evoke on post war Lebanon. In 1999, he produced ''Bigger than Picasso'' a tiny and unexpected book using word and image to criticize a political situation in the country. Sadek, who has regularly collaborated with Beirut-based artist centre Ashkal Alwan, has participated in numerous exhibitions and events worldwide. In 2010, he presented his first solo exhibition at the Beirut Art Center. He was guest editor of the academic journal ''Third Text'' on issue 117, July 2012, titled "Not, Not Arab". Publications * Fi annani akbar min Picasso (bigger than Picasso), (Beirut, Ayloul Festival, 1999) *Al-Kasal ndolencewith Bilal Khbeiz (Beirut: The 3rd World, 1999) *''The Ruin to Come, Essays from a protr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Russell (filmmaker)
Ben Russell (born 1976) is an American artist and experimental filmmaker. Russell developed his reputation over the numerous shorts he made throughout the 2000s, many as part of his "Trypps" series, and as the curator of the Magic Lantern Cinema in Providence, Rhode Island. In 2009, he made his acclaimed feature debut, '' Let Each One Go Where He May'', shot in Suriname in a series of 13 long takes accomplished with a Steadicam. Both a Guggenheim Fellow and participating artist in documenta 14, Russell's work has been described as drawing on elements of ethnography, psychedelia and Surrealism. Biography Russell attended Brown University from 1994 to 1998, where he received a BA in art and semiotics. It was during his last year at Brown that Russell became interested in filmmaking, and shot his first film on 16mm. Afterwards, Russell traveled to Suriname with the Peace Corps. The experience inspired many of his films, and the country ended up as the setting for his first feature-le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alain Resnais
Alain Resnais (; 3 June 19221 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included ''Night and Fog'' (1956), an influential documentary about the Nazi concentration camps.Ephraim Katz, ''The International Film Encyclopedia''. (London: Macmillan, 1980.) p. 966–967. Resnais began making feature films in the late 1950s and consolidated his early reputation with ''Hiroshima mon amour'' (1959), ''Last Year at Marienbad'' (1961), and '' Muriel'' (1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. These films were contemporary with, and associated with, the French New Wave (''la nouvelle vague''), though Resnais did not regard himself as being fully part of that movement. He had closer links to the "Left Bank" group of authors and filmmakers wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Rancière
Jacques Rancière (; born 10 June 1940) is a French philosopher, Professor of Philosophy at European Graduate School in Saas-Fee and Emeritus Professor of Philosophy at the University of Paris VIII: Vincennes—Saint-Denis. After co-authoring ''Reading Capital'' (1965) with the structuralist Marxist philosopher Louis Althusser and others, and after witnessing the 1968 political uprisings his work turned against Althusserian Marxism, he later came to develop an original body of work focused on aesthetics. Life and work Rancière contributed to the influential volume ''Reading Capital'' before publicly breaking with Althusser over his attitude toward the May 1968 student uprising in Paris; Rancière felt Althusser's theoretical stance did not leave enough room for spontaneous popular uprising.Ben DavisRancière, For Dummies.The Politics of Aesthetics. Book Review. Since then, Rancière has departed from the path set by his teacher and published a series of works probing the con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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