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Bavarian National Museum
The Bavarian National Museum (german: Bayerisches Nationalmuseum, links=no) in Munich is one of the most important museums of decorative arts in Europe and one of the list of largest art museums in the world , largest art museums in Germany. Since the beginning the collection has been divided into two main groups: the art historical collection and the folklore collection. History and building The museum was founded by King Maximilian II of Bavaria in 1855. It houses a large collection of European artifacts from the late antiquity until the early 20th century with particular strengths in the medieval through early modern periods. The building, erected in the style of historicism by Gabriel von Seidl 1894-1900, is one of the most original and significant museum buildings of its time. It is situated in the Prinzregentenstraße, one of the city's four royal avenues. The house replaced an older building which houses today the Museum Five Continents. Already in 1905/06, the museum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museum
An art museum or art gallery is a building or space for the display of art, usually from the museum's own Collection (artwork), collection. It might be in public or private ownership and may be accessible to all or have restrictions in place. Although primarily concerned with Visual arts, visual art, art museums are often used as a venue for other cultural exchanges and artistic activities, such as lectures, performance arts, music concerts, or poetry readings. Art museums also frequently host themed temporary exhibitions, which often include items on loan from other collections. Terminology An institution dedicated to the display of art can be called an art museum or an art gallery, and the two terms may be used interchangeably. This is reflected in the names of institutions around the world, some of which are called galleries (e.g. the National Gallery and Neue Nationalgalerie), and some of which are called museums (including the Metropolitan Museum of Art, the Museum of Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Art
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic Art, Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architecture, Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and Acanthus (ornament), acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Gerhard
Hubert Gerhards (c. 1540/1550–1620; born 's-Hertogenbosch) was a Dutch sculptor. Like many of his contemporaries, he may have left the Netherlands in order to escape the religious conflicts and iconoclasm of the 1566–1567 era. He trained in Florence in the circle of Giambologna, who heavily influenced his style. Gerhard's dominant subject-matter, characteristic of many Northern Mannerist artists, was the mythological gods of antiquity. Gerhard's early patrons, the Fugger banking family of Augsburg, returned to patronage of the arts around 1580. Their castle at Kirchheim included works by him including a mantelpiece, bronze ornaments for the fountain of Mars and Venus, and a dense bronze on a base bordered by fantastic terms (1590). Gerhard also added bronze sculptures to the Augustus fountain by Adriaen de Vries erected to commemorate the 1600th anniversary of the establishment of Augsburg by Emperor Augustus. The four rivers of the city are represented by the statues of four ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bologna
Giambologna (1529 – 13 August 1608), also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style. Biography Giambologna was born in Douai, Flanders ( then and now in France), in 1529. After youthful studies in Antwerp with the architect-sculptor Jacques du Broeucq, he moved to Italy in 1550 and studied in Rome, making a detailed study of the sculpture of classical antiquity. He was also much influenced by Michelangelo, but developed his own Mannerist style, with perhaps less emphasis on emotion and more emphasis on refined surfaces, cool elegance, and beauty. Pope Pius IV gave Giambologna his first major commission, the colossal bronze Neptune and subsidiary figures for the Fountain of Neptune (the base designed by Tommaso Laureti, 1566) in Bologna. Giambologna spent his m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Krafft
Adam Kraft (or Krafft) (c. 1460?January 1509) was a German stone sculptor and master builder of the late Gothic period, based in Nuremberg and with a documented career there from 1490. It is not known where Kraft was born and raised; his hand has been claimed to be evident as an assistant in works in Ulm Minster (completed 1471) and the pulpit at Strasbourg Cathedral, completed in 1485. Kraft is believed to have married twice, but is not known to have produced any children. All his known works are in stone, but he may also have carved unidentified pieces in wood. His masterpiece is considered to be the tall tabernacle at St. Lorenz, Nuremberg. The tabernacle, that has the shape of a gothic tower reaching into the church's vault, is made up of tracery interspersed with figural scenes from Christ's Passion and was commissioned in 1493 by Hans Imhoff, a patrician from Nuremberg. The contract for the commission was preserved and stipulates details about the execution and finish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Leinberger
Hans Leinberger, sometimes given as Lemberger (c.1475/1480 – after 1531) was a Late Gothic sculptor from Altbayern, who worked in wood, metal and stone. Life and work His exact birthplace is unknown, as is the place and manner of his artistic education. The first documented reference to him involves his residency in Landshut in 1510. The location of his workshop there remains a matter of speculation. After 1516, he did work for Louis X, Duke of Bavaria, who lived there while he was co-regent with his brother William IV. Wage receipts from 1529/30 indicate that he probably held a position similar to an official court artist. None of the works he created in that capacity appear to have survived. He may have been the brother of Georg Lemberger, a painter and woodcut artist who also lived in Landshut, but the relationship is unclear. His fame today rests largely upon the high altar at the Church of Saint Castulus in Moosburg an der Isar. Completed in 1514, it is the largest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Multscher
Hans Multscher (ca. 1400–1467) was a German sculptor and painter. Multscher was born in Reichenhofen (today Leutkirch im Allgäu). He made himself acquainted with new artistic styles from northern France and the Netherlands, and became a free citizen of the city of Ulm in 1427. There, he married Adelheid Kitzin the same year. He ran his own business as a painter and sculptor, together with his brother Heinrich Multscher. Multscher died in Ulm. Works File:Hans Multscher Maria Magdalena Liebieghaus 1039.jpg, ''Holy Mary Magdalen'' by Hans Multscher, Liebieghaus in Frankfurt am Main File:Ulm-Muenster-SchmerzensMann-061104.jpg, ''Man of sorrows'' (Copy), central column of the western portal of the ''Ulm Minster Ulm Minster (german: Ulmer Münster) is a Lutheran church located in Ulm, State of Baden-Württemberg (Germany). It is currently the tallest church in the world. The church is the fifth-tallest structure built before the 20th century, with a ...'' File:Ulm-Ratha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilman Riemenschneider
Tilman Riemenschneider (c. 1460 – 7 July 1531) was a German sculptor and woodcarver active in Würzburg from 1483. He was one of the most prolific and versatile sculptors of the transition period between late Gothic and Renaissance, a master in stone and limewood. Biography Tilman Riemenschneider was born around the year 1460 at Heiligenstadt im Eichsfeld in present-day Thuringia. When Riemenschneider was about five years old, his father was involved in a violent political conflict, the , so the family had to leave Heiligenstadt and all their possessions. They resettled in Osterode, where his father became Master of the Mint (a good position at that time) and where Riemenschneider spent his childhood years. Riemenschneider likely came to Würzburg for the first time at the age of 18 in 1478/79. His uncle served as notary and financial advisor to the bishop there, but he did not stay for long. Around 1473, Riemenschneider learned the trade of sculpting and woodcarving, l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erasmus Grasser
Erasmus Grasser (c. 1450 – c. 1515) was a leading master builder and sculptor in Munich in the early 16th century. Biography He developed in an animated and realistic style, furthering on the works of Nikolaus Gerhaert. Grasser worked mainly in wood, and is best known for the 16 figures of ''Moriskentänzer'' (Moresca dancers, 1480, 10 remaining, the fate of 6 unknown) lining the walls of the great dance and assembly hall of Old Townhall, the oak choir stalls at the Frauenkirche cathedral (1502) and the madonna of the high altar in St Mary (Ramersdorf), all three located in Munich. He also created the high altar at Reichersdorf (1502–1506). Works Grasser is credited with creating the 'Burial of the Virgin' though it may have been a follower of his. This piece depicts Mary, the Mother of God, in a coffin being carried to her final resting place. This story is not mentioned in the Bible. In an apocryphal collection of stories called ''Transitus Mariae'' attributed to Bisho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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