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Balthasar Permoser
Balthasar Permoser (13 August 1651 – 18 February 1732) was among the leading sculptors of his generation, whose evolving working styles spanned the late Baroque and early Rococo. Permoser was born in Kammer bei Waging, Salzburg, today a part of the Bavarian town of Traunstein. He was trained first in Salzburg, in the workshop of Wolf Weißenkirchner, Wolf Weißenkirchner the Younger and in Vienna, where he learned the art of ivory carving, before he left in 1675 on a trip to Florence to work for Giovanni Battista Foggini, in whose studio he remained fourteen years, maturing his style. Called to Dresden in 1689 by John George III, Elector of Saxony, Johann Georg III, Elector of Saxony, he executed two monumental garden sculptures of Hercules. In 1697, on the way to Italy once more, he remained almost a year in his old haunts during which he sculpted the Atlas (architecture), atlantes for the west doorway of the Hofstallung in Salzburg. In the years 1704–1710 he worked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marsyas
In Greek mythology, the satyr Marsyas (; grc-gre, Μαρσύας) is a central figure in two stories involving music: in one, he picked up the double oboe (''aulos'') that had been abandoned by Athena and played it; in the other, he challenged Apollo to a contest of music and lost his hide and life. In antiquity, literary sources often emphasize the ''hubris'' of Marsyas and the justice of his punishment. In one strand of modern comparative mythography, the domination of Marsyas by Apollo is regarded as an example of myth that recapitulates a supposed supplanting by the Olympian pantheon of an earlier "Pelasgian" religion of chthonic heroic ancestors and nature spirits. Marsyas was a devoté of the ancient Mother Goddess Rhea/Cybele, and his episodes are situated by the mythographers in Celaenae (or Kelainai), in Phrygia, at the main source of the Meander (the river Menderes in Turkey). Family When a genealogy was applied to him, Marsyas was the son of the "divine" Hyag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meissen Porcelain
Meissen porcelain or Meissen china was the first European hard-paste porcelain. Early experiments were done in 1708 by Ehrenfried Walther von Tschirnhaus. After his death that October, Johann Friedrich Böttger continued von Tschirnhaus's work and brought this type of porcelain to the market, financed by King Augustus II of Poland, Augustus the Strong, King of Poland and Elector of Saxony. The production of porcelain in the royal factory at Meissen, near Dresden, started in 1710 and attracted artists and artisans to establish, arguably, the most famous porcelain manufacturer known throughout the world. Its signature logo, the crossed swords, was introduced in 1720 to protect its production; the mark of the swords is reportedly one of the oldest trademarks in existence. ''Dresden porcelain'' (or "china") was once the usual term for these wares, until in 1975 the (Higher Munich State Court) decided in favour of the Saxon Porcelain Manufactory Dresden, which alone was then allowed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grünes Gewölbe
The Green Vault (german: Grünes Gewölbe) is a museum located in Dresden, Germany, which contains the largest treasure collection in Europe. The museum was founded in 1723 by Augustus the Strong of Poland and Saxony, and it features a variety of exhibits in styles from Baroque to Classicism. The Green Vault is named after the formerly malachite green painted column bases and capitals of the initial rooms. It has some claim to be the oldest museum in the world; it is older than the British Museum, opened in 1759, but the Vatican Museums date their foundation to the public display of the newly excavated ''Laocoön group'' in 1506. After the bombing of Dresden during World War II, the Green Vault was completely restored. Today, its treasures are shown in two exhibitions: The Historic Green Vault (''Historisches Grünes Gewölbe'') is famous for its splendors of the historic treasure chamber as it existed in 1733, while the New Green Vault (''Neues Grünes Gewölbe'') focuses the at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moors
The term Moor, derived from the ancient Mauri, is an exonym first used by Christian Europeans to designate the Muslim inhabitants of the Maghreb, the Iberian Peninsula, Sicily and Malta during the Middle Ages. Moors are not a distinct or self-defined people. The 1911 ''Encyclopædia Britannica'' observed that the term had "no real ethnological value." Europeans of the Middle Ages and the early modern period variously applied the name to Arabs and North African Berbers, as well as Muslim Europeans. The term has also been used in Europe in a broader, somewhat derogatory sense to refer to Muslims in general,Menocal, María Rosa (2002). ''Ornament of the World: How Muslims, Jews and Christians Created a Culture of Tolerance in Medieval Spain''. Little, Brown, & Co. , p. 241 especially those of Arab or Berber descent, whether living in Spain or North Africa. During the colonial era, the Portuguese introduced the names " Ceylon Moors" and "Indian Moors" in South Asia and Sri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Melchior Dinglinger
Johann Melchior Dinglinger (26 December 1664 –6 March 1731) was one of Europe's greatest goldsmiths, whose major works for the elector of Saxony, Augustus the Strong, survived in the Grünes Gewölbe (the "Green Vaults"), Dresden. Dinglinger was the last goldsmith to work on the grand scale of Benvenuto Cellini and Wenzel Jamnitzer, fewer of whose large-scale works in precious materials have survived, however. His work carries on in a Mannerist tradition into the " Age of Rococo". Biography Dinglinger was born in Biberach an der Riß (today in Baden-Württemberg). He served his apprenticeship in Ulm, after which he refined his techniques working as a journeyman in Augsburg, Nuremberg and Vienna, three traditional centers of luxury arts. He went to Dresden in 1692, where he spent the rest of his career in the service of Augustus, by whom he was appointed court jeweller in 1698. In the workshop he established, he was assisted by his younger brothers, the enameller Georg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freiberg Cathedral
The Freiberg Cathedral or Cathedral of St Mary (german: Dom St. Marien) is a church of the Evangelical-Lutheran Church of Saxony in Freiberg in Saxony. The term Dom, a German synecdoche used for collegiate churches and cathedrals alike, is often uniformly translated as cathedral into English, even though this church here was a collegiate church, not a cathedral (seat of a bishop). History Around 1180, the basilica "of Our Lady" was built in Freiberg, which was developing rapidly due to the silver that had recently been found in the Ore Mountains. Two significant works of art that are still conserved were added very early: the ''Triumphkreuzgruppe'' crucifixion group (around 1225) and the ''Goldene Pforte'' (Golden Gate). In 1480, the church was turned into a Collegiate church, which earned the church the naming Dom, in German used for collegiate churches and cathedrals alike. However, the college was dissolved after only 57 years due to the reformation in the Electorate of Saxon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belvedere (palace)
The Belvedere is a historic building complex in Vienna, Austria, consisting of two Baroque palaces (the Upper and Lower Belvedere), the Orangery, and the Palace Stables. The buildings are set in a Baroque park landscape in the third district of the city, on the south-eastern edge of its centre. It houses the Belvedere museum. The grounds are set on a gentle gradient and include decorative tiered fountains and cascades, Baroque sculptures, and majestic wrought iron gates. The Baroque palace complex was built as a summer residence for Prince Eugene of Savoy. The Belvedere was built during a period of extensive construction in Vienna, which at the time was both the imperial capital and home to the ruling Habsburg dynasty. This period of prosperity followed on from the commander-in-chief Prince Eugene of Savoy's successful conclusion of a series of wars against the Ottoman Empire. Lower Belvedere On 30 November 1697, one year after commencing with the construction of the Stadtp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince Eugene Of Savoy
Prince Eugene Francis of Savoy–Carignano, (18 October 1663 – 21 April 1736) better known as Prince Eugene, was a Generalfeldmarschall, field marshal in the army of the Holy Roman Empire and of the Austrian Habsburg dynasty during the 17th and 18th centuries. He was one of the most successful military commanders of his time, and rose to the highest offices of state at the Imperial court in Vienna. Born in Paris, Eugene was brought up in the court of King Louis XIV of France. Based on the custom that the youngest sons of noble families were destined for the priesthood, the Prince was initially prepared for a clergy, clerical career, but by the age of 19, he had determined on a military career. Based on his poor physique and bearing, and maybe due to a Affair of the Poisons, scandal involving his mother Olympe, he was rejected by Louis XIV for service in the French army. Eugene moved to Austria and transferred his loyalty to the Holy Roman Empire. In a career spanning six deca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Österreichische Galerie Belvedere
The Österreichische Galerie Belvedere is a museum housed in the Belvedere palace, in Vienna, Austria. The Belvedere palaces were the summer residence of Prince Eugene of Savoy (1663–1736). The ensemble was built in the early eighteenth century by the famous Baroque architect, Johann Lucas von Hildebrandt, and comprises the Upper and Lower Belvedere, with the Orangery and Palace Stables, as well as extensive gardens. Today, the Belvedere houses the greatest collection of Austrian art dating from the Middle Ages to the present day, complemented by the works of international artists. At the Upper Belvedere, visitors not only encounter artworks drawn from over five hundred years of art history but can also experience the magnificent staterooms. In addition to the Lower and Upper Belvedere, the museum has further sites at Prince Eugene's town palace and the 21er Haus as well as the Gustinus Ambrosi Museum. The Belvedere's art collection presents an almost complete overview of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
