Béatrice Uria-Monzon
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Béatrice Uria-Monzon
Béatrice Uria Monzon (born 28 December 1963 in Agen (Lot-et-Garonne)) is a French mezzo-soprano. Biography Daughter of the Spanish painter Antonio Uria-Monzon, Béatrice Uria Monzon studied at the secondary school Joseph Chaumié, at the Bernard Palissy d'Agen High School and at the Catholic High School St Jean de Lectoure (Gers) where she was introduced to singing in the choir of the high school led by Roland Fornerod. She then went to the University of Bordeaux. She entered the Conservatoire de Bordeaux, then joined the of Marseille, and the École d'art lyrique of the Paris Opera. She began her career as a lyric singer in 1987, as a mezzo-soprano. In 1989, she was Chérubin in Mozart's ''The Marriage of Figaro'' at the Opéra national de Lorraine. She is known for her numerous performances of the title role of Bizet's ''Carmen''
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Agen
Agen (, , ) is the prefecture of the Lot-et-Garonne department in Nouvelle-Aquitaine, Southwestern France. It lies on the river Garonne, southeast of Bordeaux. In 2021, the commune had a population of 32,485. Geography The city of Agen lies in the southwestern department of Lot-et-Garonne in the Nouvelle-Aquitaine region. The city centre lies on the east bank of the river Garonne, the Canal de Garonne flows through the city, approximately halfway between Bordeaux and Toulouse . Climate Agen features an oceanic climate (''Cfb'') in the Köppen climate classification and according to the latest temperature numbers borders a humid subtropical climate (''Cfa''). According to the Trewartha climate classification the climate is now humid subtropical (''Cf''). Winters are mild and feature cool to cold temperatures while summers are mild and warm. Rainfall is spread equally throughout the year; however, most sunshine hours are from March–September. Toponymy From Occitan ...
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Teatro Massimo
The Teatro Massimo Vittorio Emanuele is an opera house and opera company located on the Piazza Verdi in Palermo, Sicily. It was dedicated to King Victor Emanuel II. It is the biggest in Italy, and one of the largest of Europe (at the time of its inauguration, it was - with its area of - the third largest opera house in Europe after the Palais Garnier in Paris, and the Vienna State Opera, K. K. Hof-Opernhaus in Vienna), renowned for its perfect acoustics. Construction and opening An international competition for the creation of the opera house was announced by the Palermo Council in 1864 at the instigation of the mayor, Antonio Starrabba di Rudinì. For many years there had been talk of building a large new theatre in Palermo, worthy of the second biggest city in southern Italy (after Naples) and designed to promote the image of the city following the unification of Italy in 1861. The opera house was designed, and overseen by the Italian architect Giovan Battista Filippo Basile ...
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Les Troyens
''Les Troyens'' (; in English: ''The Trojans'') is a French grand opera in five acts, running for about five hours, by Hector Berlioz. The libretto was written by Berlioz himself from Virgil's epic poem the ''Aeneid''; the score was composed between 1856 and 1858. ''Les Troyens'' is Berlioz's most ambitious work, the summation of his entire artistic career, but he did not live to see it performed in its entirety. Under the title ''Les Troyens à Carthage'', the last three acts were premièred with many cuts by Léon Carvalho's company, the Théâtre Lyrique, at their theatre (now the Théâtre de la Ville) on the Place du Châtelet in Paris on 4 November 1863, with 21 repeat performances. The reduced versions run for about three hours. After decades of neglect, today the opera is considered by some music critics as one of the finest ever written. Composition history Berlioz began the libretto on 5 May 1856 and completed it toward the end of June 1856. He finished the full score ...
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La Navarraise
''La Navarraise'' (, "The Woman of Navarre") is an opera in two acts by Jules Massenet to a French libretto by Jules Claretie and Henri Cain, based on Claretie's short story ''La cigarette'' (1890). It was first performed at Royal Opera House, Covent Garden in London on 20 June 1894, with Emma Calvé in the title role.Milnes 1992. The first performance was attended by the Edward VII, Prince of Wales and a command performance was then given at Windsor Castle. Flon conducted the Brussels premiere on 26 November 1894 with Georgette Leblanc in the title role, while Calvé returned for the Paris premiere by the Opéra-Comique at their temporary quarters on the Place du Châtelet (the present Théâtre de la Ville) on 3 October 1895, which led to more than 180 performances of the work by the company over the next 60 years. ''La Navarraise'' is widely agreed to be Massenet's answer to Italian ''verismo'' and was very popular in its day, often being performed on a double bill with Pietro ...
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Roberto Alagna
Roberto Alagna (; born 7 June 1963) is a French operatic tenor. He obtained French citizenship in 1981, while also retaining his previous Italian citizenship. Early years Alagna was born in Clichy-sous-Bois, outside the city of Paris, in 1963 to a family of Sicilian immigrants. As a teenager, the young Alagna began busking and singing pop in Parisian cabarets, mostly for tips. Influenced primarily by the films of Mario Lanza and learning from recordings of many historic tenors, he then switched to opera, but remained largely self-taught. He was discovered by Gabriel Dussurget, the co-founder of the Aix-en-Provence Festival. He had performed frequently with Romanian soprano Angela Gheorghiu, whom he first met in 1992 and married in 1996, in concerts and opera productions until their eventual divorce in 2013. Career After winning the Luciano Pavarotti International Voice Competition, an initiative backed by the Italian Ministry of Cultural Heritage and Activities, that started ...
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Le Cid (opera)
''Le Cid'' is an opera in four acts and ten tableaux by Jules Massenet to a France, French libretto by Adolphe d'Ennery, Louis Gallet and Édouard Blau. It is based on Le Cid, the play of the same name by Pierre Corneille. It was first performed by a star-studded cast at the Paris Opéra on 30 November 1885 in the presence of Jules Grévy, President Grévy, with Jean de Reszke as Rodrigue. The staging was directed by Pedro Gailhard, with costumes designed by Comte Lepic, and sets by Eugène Carpezat (act 1), Enrico Robecchi and his student Amable (act 2), Auguste Alfred Rubé, Philippe Chaperon and their students Marcel Jambon (act 3), and Jean-Baptiste Lavastre (act 4). The opera had been seen 150 times by 1919 but faded from the repertory and was not performed again in Paris until the 2015 revival at the Palais Garnier. While ''Le Cid'' is not in the standard operatic repertory, the ballet suite is a popular concert and recording piece which includes dances from different regions ...
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Don Quichotte
''Don Quichotte'' (''Don Quixote'') is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn. It was first performed on 19 February 1910 at the Opéra de Monte-Carlo. Massenet's ''comédie héroïque'', like many dramatized versions of the story of Don Quixote, relates only indirectly to the novel ''Don Quixote'' by Miguel de Cervantes. The immediate inspiration was ''Le chevalier de la longue figure'', a play by the poet first performed in Paris in 1904. In this version of the story, the simple farm girl Aldonza (Dulcinea) of the original novel becomes the more sophisticated Dulcinée, a flirtatious local beauty inspiring the infatuated old man's exploits. Composition history Conceiving originally ''Don Quichotte'' to be a three-act opera, Massenet started to compose it in 1909 at a time when, suffering from acute rheumatic pains, he spent more of his time in bed than out of it, and composition of ''Don Quichotte'' became, in his words, a sort of "soothi ...
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Title Role
The title character in a narrative work is one who is named or referred to in the title of the work. In a performed work such as a play or film, the performer who plays the title character is said to have the title role of the piëce. The title of the work might consist solely of the title character's name – such as '' Michael Collins'' or ''Othello'' – or be a longer phrase or sentence – such as ''Alice's Adventures in Wonderland'' or ''The Adventures of Tom Sawyer''. The titlë character is commonly – but not necessarily – the protagonist of the story. Narrative works routinely do not have a title character and there is some ambiguity in what qualifies as one. Examples in various media include Figaro in the opera ''The Marriage of Figaro'', Giselle in the ballet of the same name, the Doctor in the TV series ''Doctor Who'', Dr. Gregory House of the TV series ''House'', Mario and Luigi in the video game '' Super Mario Bros.'', Harry Potter in the series of novels and ...
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Hérodiade
''Hérodiade'' is an opera in four acts by Jules Massenet to a French libretto by Paul Milliet and Henri Grémont, based on the novella ''Hérodias'' (1877) by Gustave Flaubert. It was first performed at the Théâtre de la Monnaie in Brussels on 19 December 1881. The libretto is a retelling of the story of John the Baptist, Salome, Herod Antipas and Herodias, but is strikingly less psychological and bloody than Richard Strauss's ''Salome'', which is based on a text by Oscar Wilde. The opera premiered in Brussels because Auguste Vaucorbeil, Manager of the Paris Opera house refused to stage the work; "I do like your music," he had said to Massenet, "but as for the libretto, you badly need an author who knows how to build the skeleton of a play." Massenet also created a ballet suite derived from the opera. Performance history The opera reached Paris at the Théâtre des Nations on 1 February 1884, and the final performance of the run on 13 March featured the three De Reszkes; ...
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Werther
''Werther'' is an opera (''drame lyrique'') in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel ''The Sorrows of Young Werther'', which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802). Milnes R. Werther. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. Performance history Massenet started composing ''Werther'' in 1885, completing it in 1887. He submitted it to Léon Carvalho, the director of the Paris Opéra-Comique, that year, but Carvalho declined to accept it on the grounds that the scenario was too serious. With the disruption of the fire at the Opéra-Comique and Massenet's work on other operatic projects (especially ''Esclarmonde''), it was put to one side, until the Vienna Opera, pleased with the success ...
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Metropolitan Opera
The Metropolitan Opera is an American opera company based in New York City, currently resident at the Metropolitan Opera House (Lincoln Center), Metropolitan Opera House at Lincoln Center, situated on the Upper West Side of Manhattan. Referred to colloquially as the Met, the company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as the general manager. The company's music director has been Yannick Nézet-Séguin since 2018. The Met was founded in 1883 as an alternative to the previously established Academy of Music (New York City), Academy of Music opera house and debuted the same year in a new Metropolitan Opera House (39th Street), building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. The company presents about 18 different operas each year from late September through early June. The operas are presente ...
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Vienna State Opera
The Vienna State Opera (, ) is a historic opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the ca ...
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