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Busking Venues
Street performance or busking is the act of performing in public places for gratuity, gratuities. In many countries, the rewards are generally in the form of money but other gratuities such as food, drink or gifts may be given. Street performance is practiced all over the world and dates back to ancient history, antiquity. People engaging in this practice are called street performers or buskers in the United Kingdom. Outside of New York, ''buskers'' is not a term generally used in American English. Performances are anything that people find entertainment, entertaining, including acrobatics, Animal training, animal tricks, balloon modelling, balloon twisting, caricatures, clowning, comedy, contortions, escapology, dance, singing, Fire performance, fire skills, flea circus, fortune-telling, juggling, magic (illusion), magic, mime artist, mime, living statue, musical performance, one man band, puppeteering, snake charming, storytelling or reciting poetry or prose, street art such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Living Statue
A living statue is a performer who poses as a statue or mannequin, usually with realistic statue-like makeup, Performances are commonly on the street busking but may also be at events where the artist is paid. A living statue attraction, as a performance, is the artist's ability to stand motionless and occasionally come to life to comic or startling effect. History The tableau vivant, or group of living statues, was a regular feature of medieval and Renaissance festivities and pageantry, such as royal entries by rulers into cities. Typically a group enacting a scene would be mounted on an elaborate stand decorated to look like a monument, placed on the route of the procession. A living statue appeared in a scene of the 1945 French masterpiece film ''Les enfants du paradis'' (''Children of Paradise''), and early living statue pioneers include the London-based artists Gilbert and George in the 1960s. In the early years of the 20th century, the German dancer Olga Desmond put on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Washboard (musical Instrument)
The washboard and frottoir (from Cajun French "frotter", to rub) are used as a percussion instrument, employing the ribbed metal surface of the cleaning device as a rhythm instrument. As traditionally used in jazz, zydeco, skiffle, jug band, and old-time music, the washboard remained in its wooden frame and is played primarily by tapping, but also scraping the washboard with thimbles. Often the washboard has additional traps, such as a wood block, a cowbell, and even small cymbals. Conversely, the frottoir (zydeco rubboard) dispenses with the frame and consists simply of the metal ribbing hung around the neck. It is played primarily with spoon handles or bottle openers in a combination of strumming, scratching, tapping and rolling. The frottoir or '' vest frottoir'' is played as a stroked percussion instrument, often in a band with a drummer, while the washboard generally is a replacement for drums. In Zydeco bands, the frottoir is usually played with bottle openers, to make ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ventriloquism
Ventriloquism, or ventriloquy, is a performance act of stagecraft in which a person (a ventriloquist) creates the illusion that their voice is coming from elsewhere, usually a puppeteered prop known as a "dummy". The act of ventriloquism is ventriloquizing, and the ability to do so is commonly called in English the ability to "throw" one's voice. History Origins Originally, ventriloquism was a religious practice. The name comes from the Latin for 'to speak from the stomach: (belly) and (speak). The Greeks called this gastromancy ( grc-gre, εγγαστριμυθία). The noises produced by the stomach were thought to be the voices of the unliving, who took up residence in the stomach of the ventriloquist. The ventriloquist would then interpret the sounds, as they were thought to be able to speak to the dead, as well as foretell the future. One of the earliest recorded group of prophets to use this technique was the Pythia, the priestess at the temple of Apollo in Delphi, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sword Swallowing
Sword swallowing is a skill in which the performer passes a sword through the mouth and down the esophagus to the stomach. This feat is not swallowing in the traditional sense. The natural processes that constitute swallowing do not take place, but are repressed to keep the passage from the mouth to the stomach open for the sword. The practice is dangerous and there is risk of injury or death. History Sword swallowing spread to Greece and Rome in the 1st century AD and to China in the 8th century. In Japan, it became a part of the Japanese acrobatic theatre, Sangaku, which included fire eating, tightrope walking, juggling and early illusion. In Europe, it developed into yet a third distinct type of performance associated with the medieval jongleurs, that of the street performance. Sword swallowing was performed during the Middle Ages as part of street theatre and was popular at festivals and other large gatherings. It began to die out in the mid-19th century and was outlawed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Street Theatre
Street theatre is a form of theatrical performance and presentation in outdoor public spaces without a specific paying audience. These spaces can be anywhere, including shopping centres, car parks, recreational reserves, college or university campus and street corners. They are especially seen in outdoor spaces where there are large numbers of people. The actors who perform street theatre range from buskers to organised theatre companies or groups that want to experiment with performance spaces, or to promote their mainstream work. It was a source of providing information to people when there were no sources of providing information like television, radio etc. Nowadays, street play is used to convey a message to the crowd watching it. Street play is considered to be the rawest form of acting, because one does not have a microphone or loud speakers. Sometimes performers are commissioned, especially for street festivals, children's shows or parades, but more often street th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
