Bugle Rock Garden View, Basavanagudi, Karnataka, India
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Bugle Rock Garden View, Basavanagudi, Karnataka, India
The bugle is a simple signaling brass instrument with a wide conical bore. It normally has no valves or other pitch-altering devices, and is thus limited to its natural harmonic notes, and pitch is controlled entirely by varying the air and embouchure. History :''See also Clarion'' and ''Natural trumpet'' The English word ''bugle'' comes from a combination of words. From French, it reaches back to ''cor buglèr'' and ''bugleret'', indicating a signaling horn made from a small cow's horn. Going back further, it touches on Latin, ''buculus,'' meaning bullock. Old English also influences the modern word with ''bugle'', meaning "wild ox." The name indicates an animal's (cow's) horn, which was the way horns were made in Europe after the fall of the Western Roman Empire. The modern bugle is made from metal tubing, and that technology has roots which date back to the Roman Empire, as well as to the Middle East during the Crusades, where Europeans re-discovered metal-tubed trumpe ...
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C (musical Note)
C or Do is the first note of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63  Hz. The actual frequency has depended on historical pitch standards, and for transposing instruments a distinction is made between written and sounding or concert pitch. It has enharmonic equivalents of B and D. In English the term ''Do'' is used interchangeably with C only in the context of fixed Do solfège; in the movable Do system Do refers to the tonic of the prevailing key. Frequency Historically, concert pitch has varied. For an instrument in equal temperament tuned to the A440 pitch standard widely adopted in 1939, middle C has a frequency around 261.63 Hz (for other notes see piano key frequencies). Scientific pitch was originally proposed in 1713 by French physicist Joseph Sauveur and based on the numerically convenient frequency of 256&nb ...
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Brass Instrument Valve
Brass instrument valves are valves used to change the length of tubing of a brass instrument allowing the player to reach the notes of various harmonic series. Each valve pressed diverts the air stream through additional tubing, individually or in conjunction with other valves. This lengthens the vibrating air column thus lowering the fundamental tone and associated harmonic series produced by the instrument. Valves in brass instruments require regular maintenance and lubrication to ensure fast and reliable movement. Piston valve The first musical instruments with piston valves were developed just after the start of the 19th century. Stölzel valve The first of these types was the Stölzel valve, bearing the name of its inventor Heinrich Stölzel, who first applied these valves to the French horn in 1814. Until that point, there had been no successful valve design, and horn players had to stop off the bell of the instrument, greatly compromising tone quality to achieve a parti ...
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Buisine
The ''buisine'' and the ''añafil'' were variations of a type of straight medieval trumpet usually made of metal, also called a herald's trumpet. While arguably the same instrument, the two names represent two separate traditions, in which a Persian-Arabic-Turkic instrument called the '' Nafir'' entered European culture in different places and times. The term ''buisine'' (Old French; also, ''busine'', ''buysine'', ''buzine'') descends from '' Buccina'', a Roman military horn. The horn was mainly used for military and ceremonial purposes. When Europeans went to the crusades, the instrument was seen as a proper military target (in the same way a flag or pendant was), something to capture and bring home. The term ''añafil'' descends from '' al-Nafir'', the Persian-Arab Islamic trumpet which was used by Moorish armies in Spain, before the Crusades. By the Reconquista (722–1492) when residents of the future Spain retook the Iberian Peninsula, ''añafil'' was part of the nation's l ...
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Crusades
The Crusades were a series of religious wars initiated, supported, and at times directed by the Papacy during the Middle Ages. The most prominent of these were the campaigns to the Holy Land aimed at reclaiming Jerusalem and its surrounding territories from Muslim rule. Beginning with the First Crusade, which culminated in the Siege of Jerusalem (1099), capture of Jerusalem in 1099, these expeditions spanned centuries and became a central aspect of European political, religious, and military history. In 1095, after a Byzantine request for aid,Helen J. Nicholson, ''The Crusades'', (Greenwood Publishing, 2004), 6. Pope Urban II proclaimed the first expedition at the Council of Clermont. He encouraged military support for List of Byzantine emperors, Byzantine emperor Alexios I Komnenos, AlexiosI Komnenos and called for an armed pilgrimage to Jerusalem. Across all social strata in Western Europe, there was an enthusiastic response. Participants came from all over Europe and had a ...
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Reconquista
The ''Reconquista'' (Spanish language, Spanish and Portuguese language, Portuguese for ) or the fall of al-Andalus was a series of military and cultural campaigns that European Christian Reconquista#Northern Christian realms, kingdoms waged against the al-Andalus, Muslim kingdoms following the Muslim conquest of the Iberian Peninsula by the Umayyad Caliphate, culminating in the reign of the Catholic Monarchs of Spain. The beginning of the ''Reconquista'' is traditionally dated to the Battle of Covadonga ( or 722), in which an Kingdom of Asturias, Asturian army achieved the first Christian victory over the forces of the Umayyad Caliphate since the beginning of the military invasion. The ''Reconquista'' ended in 1492 with the Granada War#Last stand at Granada, fall of the Nasrid kingdom of Granada to the Catholic Monarchs of Spain, Catholic Monarchs. In the late 10th century, the Umayyad vizier Almanzor waged a series of military campaigns for 30 years in order to subjugate ...
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Karnay
The karnay or kerana is a metal natural trumpet. The name is first mentioned in the biblical book of Daniel, used in the Middle Ages to the Persian military bands and in the Indian Mughal Empire to the representative orchestra naqqāra-khāna and which is still used by this name in ceremonial music in Central Asia and northern India. Since the middle of the 3rd millennium B.C., trumpets known in both Mesopotamia and Ancient Egypt were used in both regions as signaling instruments in ceremonies, warfare and work assignments. They could only produce one or two notes, but could send messages using patterns of rhythm. ''Karnā'' derives from Aramaic ''qarnāʾ'', Hebrew ''qeren'' and Akkadian ''qarnu''. In addition to the Arabic word ''būq'' for brass instruments in general (horns and trumpets), in medieval Arabic texts '' nafīr'' predominantly referred to a slender, cylindrical, shrill-sounding metal trumpet, ''būq'' a slightly shorter, conical trumpet and ''karnā'' a conical, ...
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Nafir
''Nafir'' (Arabic نَفير, DIN 31635, DMG ''an-nafīr''), also ''nfīr'', plural ''anfār'', Turkish ''nefir'', is a slender shrill-sounding straight natural trumpet with a cylindrical tube and a conical metal bell, producing one or two notes. It was used as a Signal instrument, military signaling instrument and as a ceremonial instrument in countries shaped by Islamic culture in North Africa, the Middle East and South Asia. In Ottoman, Persian and Mugulin miniatures, the ''nafīr'' is depicted in battle scenes. In Christian culture, it displaced or was played alongside of the curved tuba or horn, as seen in artwork of about the 14th century A.D. Similar straight signal trumpets have been known since ancient Egyptian times and among the Assyrians and Etruscans. After the fall of the Roman Empire, the straight-tubed Roman tuba continued to flourish in the Middle East among the Sassanids and their Arabic successors. The Saracens, whose long metal trumpets greatly impressed the ...
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King Tut's Trumpet
King is a royal title given to a male monarch. A king is an Absolute monarchy, absolute monarch if he holds unrestricted Government, governmental power or exercises full sovereignty over a nation. Conversely, he is a Constitutional monarchy, constitutional monarch if his power is restrained by fixed laws. Kings are Hereditary monarchy, hereditary monarchs when they inherit power by birthright and Elective monarchy, elective monarchs when chosen to ascend the throne. *In the context of prehistory, antiquity and contemporary indigenous peoples, the title may refer to tribal kingship. Germanic kingship is cognate with Indo-European languages, Indo-European traditions of tribal rulership (cf. Indic ''rājan'', Gothic ''reiks'', and Old Irish ''rí'', etc.). *In the context of classical antiquity, king may translate in Latin as ''rex (king), rex'' and in Greek as ''archon'' or ''basileus''. *In classical European feudalism, the title of ''king'' as the ruler of a ''kingdom'' is und ...
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Roman Tuba
The Roman (plural: ), or trumpet was a military signal instrument used by the ancient Roman military and in religious rituals. They would signal troop movements such as retreating, attacking, or charging, as well as when guards should mount, sleep, or change posts. Thirty-six or thirty-eight ''tubicines'' (tuba players; singular ''tubicen'') were assigned to each Roman legion. The would be blown twice each spring in military, governmental, or religious functions. This ceremony was known as the . It was also used in ancient Roman triumphs. It was considered a symbol of war and battle. The instrument was used by the Etruscans in their funerary rituals. It continued to be used in ancient Roman funerary practices. Roman were usually straight cylindrical instruments with a bell at the end. They were typically made of metals such as silver, bronze, or lead and measured around 4.33 ft or 1.31 meters. Their players, known as the or were well-respected in Roman society. The was ...
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Salpinx
A salpinx (; plural salpinges ; Greek σάλπιγξ) was a trumpet-like instrument of the ancient Greeks. Construction The salpinx consisted of a straight, narrow bronze tube with a mouthpiece of bone and a bell (also constructed of bronze) of variable shape and size; extant descriptions describe conical, bulb-like, and spherical structures. Each type of bell may have had a unique effect on the sound made by the instrument. The instrument has been depicted in some classical era vases as employing the use of a phorbeia, similar to those used by aulos players of the era. Though similar to the Roman tuba, the salpinx was shorter than the approximately 1.5 meter long Roman tuba. A rare example of a salpinx, held at the Museum of Fine Arts, Boston, is unique in that it is constructed from thirteen sections of bone connected using tenons and sockets (with bronze ferrules) rather than the long, bronze tube described elsewhere. This salpinx is over 1.57 m long dwarfing the common s ...
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Olifant (instrument)
Olifant (also known as oliphant) was the name applied in the Middle Ages to a type of carved ivory hunting horn created from elephant tusks. Olifants were most prominently used in Europe from roughly the tenth to the sixteenth century, although there are later examples. The surviving inventories of Renaissance treasuries and armories document that Europeans, especially in France, Germany, and England, owned trumpets in a variety of media that were used to signal, both in war and hunting. They were manufactured primarily in Italy (from either African elephant, African or Indian elephant tusk), but towards the end of the fifteenth and early sixteenth centuries, they were also made in Africa for a European market. Typically, they were made with relief carvings that showed animal and human combat scenes, hunting scenes, fantastic beasts, and European heraldry. About seventy-five ivory hunting horns survive and about half can be found in museums and church treasuries, while others a ...
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Horn (instrument)
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts. Types Variations include: * Lur (prehistoric) * Shofar * Alboka *Roman horns: ** Cornu ** Buccina * Dung chen * Dord * Sringa * Nyele * Wazza * Waqra phuku * Alphorn *Cornett * Serpent * Ophicleide * Natural horn ** Bugle ** Post horn *French horn * German horn * Vienna horn * Wagner tuba * Saxhorns, including: ** Alto horn (UK: tenor horn), pitched in E ** Baritone ho ...
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