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Bufalini Chapel
The Bufalini Chapel is a side chapel of the church of Santa Maria in Aracoeli, Rome, Italy. The first chapel on the right after the entrance, it houses a cycle of frescoes executed c. 1484-1486 by Pinturicchio depicting the life of the Franciscan friar St. Bernardino of Siena, sainted in 1450. History The chapel was commissioned by Niccolò Di Manno BufaliniHis full name was ''Niccolò Di Manno Bufalini, Di Città Di Castello'' (~1450 - 1506) for his mortuary chapel in the church of Santa Maria in Aracoeli. Bufalini was a prelate, citizen of Città di Castello, who worked as abbreviator 'The abbreviators ''di parco maggiore'', which are all prelates draw the Papal bulls, and send them when they are written. () and consistorial lawyer in Rome. His family coat of arms (a bull with a flower) appears widely in the chapel. Several important painters, including Pietro Perugino, Sandro Botticelli, Luca Signorelli, and Pinturicchio, had finished the wall decoration of the Sistine Chapel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chapel
A chapel is a Christian place of prayer and worship that is usually relatively small. The term has several meanings. Firstly, smaller spaces inside a church that have their own altar are often called chapels; the Lady chapel is a common type of these. Secondly, a chapel is a place of worship, sometimes non-denominational, that is part of a building or complex with some other main purpose, such as a school, college, hospital, palace or large aristocratic house, castle, barracks, prison, funeral home, cemetery, airport, or a military or commercial ship. Thirdly, chapels are small places of worship, built as satellite sites by a church or monastery, for example in remote areas; these are often called a chapel of ease. A feature of all these types is that often no clergy were permanently resident or specifically attached to the chapel. Finally, for historical reasons, ''chapel'' is also often the term used by independent or nonconformist denominations for their places of wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmatesque
Cosmatesque, or Cosmati, is a style of geometric decorative inlay stonework typical of the architecture of Medieval Italy, and especially of Rome and its surroundings. It was used most extensively for the decoration of church floors, but was also used to decorate church walls, pulpits, and bishop's thrones. The name derives from the Cosmati, the leading family workshop of craftsmen in Rome who created such geometrical marble decorations. The style spread across Europe, where it was used in the most prestigious churches; the high altar of Westminster Abbey, for example, is decorated with a Cosmatesque marble floor. Description and early history The Cosmatesque style takes its name from the family of the Cosmati, which flourished in Rome during the twelfth and thirteenth centuries and practiced the art of mosaic. The Cosmati's work is peculiar in that it consists of glass mosaic in combination with marble. At times it is inlaid on the white marble architraves of doors, on the fri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mullioned Window
A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an arch or lintel above the window opening. Horizontal elements separating the head of a door from a window above are called transoms. History Stone mullions were used in Armenian, Saxon and Islamic architecture prior to the 10th century. They became a common and fashionable architectural feature across Europe in Romanesque architecture, with paired windows divided by a mullion, set beneath a single arch. The same structural form was used for open arcades as well as windows, and is found in galleries and cloisters. In Gothic architecture windows became larger and arrangements of multiple mullions and openings were used, both for structure an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carafa Chapel
The Carafa Chapel ( it, Cappella Carafa) is a chapel in the church of Santa Maria sopra Minerva, Rome, Italy, known for a series of frescoes by Filippino Lippi. History The chapel, located in the right side of the basilica and dedicated to St. Mary and St. Thomas of Aquino, was built in the late 15th century by will of Cardinal Oliviero Carafa. He was a member of the Dominicans, who at the time administrated the church, and his palace was located nearby. Lorenzo de' Medici of Florence recommended to Cardinal Carafa that he grant the commission to decorate the chapel to Filippino Lippi, then in his thirties. In order to fulfill the order, the artist had to halt the works at the Filippo Strozzi Chapel in Santa Maria Novella, which he had begun in 1487 and which he would complete in 1502. Documents attest Lippi's presence in Rome as early as 27 August 1488, working with his assistant Raffaellino del Garbo. For the painter it was the first large fresco cycle, and his first (and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippino Lippi
Filippino Lippi (April 1457 – 18 April 1504) was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. Biography Filippino Lippi was born in Prato, Tuscany, the illegitimate son of the painter Fra Filippo Lippi and Lucrezia Buti. Filippino first trained under his father. They moved to Spoleto, where Filippino served as workshop adjuvant in the construction of the Cathedral. When his father died in 1469, he completed the frescoes with ''Storie della Vergine'' (''Histories of the Virgin'') in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippino's father. In 1472 the records of the painters' guild record that Botticelli had only Filippino Lippi as an assistant. His first works greatly resemble those of Botticelli, but with less sensitivity and subtlety. The very first ones (dating from 1475 onwards) were initiall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiquities
Antiquities are objects from antiquity, especially the civilizations of the Mediterranean: the Classical antiquity of Greece and Rome, Ancient Egypt and the other Ancient Near Eastern cultures. Artifacts from earlier periods such as the Mesolithic, and other civilizations from Asia and elsewhere may also be covered by the term. The phenomenon of giving a high value to ancient artifacts is found in other cultures, notably China, where Chinese ritual bronzes, three to two thousand years old, have been avidly collected and imitated for centuries, and the Pre-Columbian cultures of Mesoamerica, where in particular the artifacts of the earliest Olmec civilization are found reburied in significant sites of later cultures up to the Spanish Conquest. A person who studies antiquities, as opposed to just collecting them, is often called an antiquarian. Definition The definition of the term is not always precise, and institutional definitions such as museum "Departments of Antiquit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blind Niche
A niche ( CanE, or ) in Classical architecture is an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. Nero's Domus Aurea (AD 64–69) was the first semi-private dwelling that possessed rooms that were given richly varied floor plans, shaped with niches and exedrae; sheathed in dazzling polished white marble, such curved surfaces concentrated or dispersed the daylight. A is a very shallow niche, usually too shallow to contain statues, and may resemble a blind window (a window without openings) or sealed door. (Compare: blind arcade) The word derives from the Latin (), via the French . The Italian '' nicchio'' () may also be involved, OED, "Niche" as the traditional decoration for the top of a niche is a scallop shell, as in the illustration, hence also the alternative term of "conch" for a semi-dome, usually reserved for larger exedra. In Gothic architecture, a niche may be set within a tabernacle framing, like a ric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umbria
it, Umbro (man) it, Umbra (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-55 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €22.5 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 = €25,400 (2018) , blank2_name_sec1 = HDI (2018) , blank2_info_sec1 = 0.884 · 12th of 21 , blank_name_sec2 = NUTS Region , blank_info_sec2 = ITE , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antony Of Padua
Anthony of Padua ( it, Antonio di Padova) or Anthony of Lisbon ( pt, António/Antônio de Lisboa; born Fernando Martins de Bulhões; 15 August 1195 – 13 June 1231) was a Portuguese Catholic priest and friar of the Franciscan Order. He was born and raised by a wealthy family in Lisbon, Portugal, and died in Padua, Italy. Noted by his contemporaries for his powerful preaching, expert knowledge of scripture, and undying love and devotion to the poor and the sick, he was one of the most quickly canonized saints in church history, being canonized less than a year after his death. He was proclaimed a Doctor of the Church by Pope Pius XII on 16 January 1946. Life Early years Fernando Martins de Bulhões was born in Lisbon, Portugal. While 15th-century writers state that his parents were Vicente Martins and Teresa Pais Taveira, and that his father was the brother of Pedro Martins de Bulhões, the ancestor of the Bulhão or Bulhões family, Niccolò Dal-Gal views this as les ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augustine
Augustine of Hippo ( , ; la, Aurelius Augustinus Hipponensis; 13 November 354 – 28 August 430), also known as Saint Augustine, was a theologian and philosopher of Berber origin and the bishop of Hippo Regius in Numidia, Roman North Africa. His writings influenced the development of Western philosophy and Western Christianity, and he is viewed as one of the most important Church Fathers of the Latin Church in the Patristic Period. His many important works include ''The City of God'', '' On Christian Doctrine'', and '' Confessions''. According to his contemporary, Jerome, Augustine "established anew the ancient Faith". In his youth he was drawn to the eclectic Manichaean faith, and later to the Hellenistic philosophy of Neoplatonism. After his conversion to Christianity and baptism in 386, Augustine developed his own approach to philosophy and theology, accommodating a variety of methods and perspectives. Believing the grace of Christ was indispensable to human freed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Campitelli - Aracoeli - Pinturicchio S Bernardino 1010843
Campitelli is the 10th '' rione'' of Rome, identified by the initials R. X, and is located in the Municipio I. Its emblem consists of a black dragon's head on a white background. This symbol comes from the legend that Pope Silvester I threw out a dragon staying in the Forum Romanum. History Some of the major vestiges of the Ancient Rome are located in the area, such as the Palatine Hill, the Campidoglio and the Roman Forum. When in the Middle Ages the new administrative subdivision of the city was adopted, Campitelli was the 12th and last ''rione''. It was called ''Campitelli in Sancti Adriani'', after the deconsecrated church of Sant'Adriano al Foro. Since the 12th century, the Palazzo Senatorio became the seat of the ''Senatore di Roma'' (Senator of Rome), the principal civic authority of the city in the Middle Ages. The Palazzo Senatorio and the basilica of Santa Maria in Ara Coeli are the only remaining features of the medieval construction industry in the ''rione''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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