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Buck Clayton
Wilbur Dorsey "Buck" Clayton (November 12, 1911 – December 8, 1991) was an American jazz trumpeter who was a member of Count Basie's orchestra. His principal influence was Louis Armstrong, first hearing the record " Confessin' that I Love You" as he passed by a shop window. Early years Clayton learned to play the piano from the age of six. His father was an amateur musician associated with the family's local church, who was responsible for teaching his son the scales on a trumpet, which he did not take up until his teens. From the age of 17, Clayton was taught the trumpet by Bob Russell, a member of George E. Lee's band. In his early twenties he was based in California, and was briefly a member of Duke Ellington's Orchestra and worked with other leaders. Clayton was also taught at this time by trumpeter Mutt Carey, who later emerged as a prominent west-coast revivalist in the 1940s. He also met Louis Armstrong, while Armstrong was performing at Sebastian's Cotton Club, who t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Gottlieb
William Paul Gottlieb (January 28, 1917 – April 23, 2006) was an American photographer and newspaper columnist who is best known for his classic photographs of the high performers of the Golden Age of American jazz in the 1930s and 1940s. Gottlieb's photographs are among the best known and widely reproduced images of this jazz era. Gottlieb took pictures of hundreds of prominent jazz musicians and personalities, typically while they were playing or singing at well-known New York City jazz clubs. His subjects included Louis Armstrong, Duke Ellington, Charlie Parker, Billie Holiday, Dizzy Gillespie, Earl Hines, Jo Stafford, Thelonious Monk, Stan Kenton, Ray McKinley, Benny Goodman, Coleman Hawkins, Louis Jordan, Ella Fitzgerald, Toots Thielemans, Cab Calloway, and Benny Carter. In accord with his wishes, Gottlieb's photographs were placed in the public domain in 2010; many are used in Wikipedia and other public domain or Free-culture movement, freely licensed venues. Biography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a wikt:glide, glide from one pitch (music), pitch to another (). It is an Italianized Musical terminology, musical term derived from the French ''glisser'', "to glide". In some contexts, it is equivalent to portamento, which is a continuous, seamless glide between notes. In other contexts, it refers to discrete, stepped glides across notes, such as on a piano. Some terms that are similar or equivalent in some contexts are slide, sweep bend, smear, rip (for a loud, violent glissando to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure, except on instruments that have a slide (such as a trombone). Notation The glissando is indicated by following the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Revolution
The Cultural Revolution, formally known as the Great Proletarian Cultural Revolution, was a Social movement, sociopolitical movement in the China, People's Republic of China (PRC). It was launched by Mao Zedong in 1966 and lasted until his death in 1976. Its stated goal was to preserve Ideology of the Chinese Communist Party, Chinese socialism by purging remnants of Capitalism, capitalist and Four Olds, traditional elements from Chinese culture, Chinese society. In May 1966, with the help of the Cultural Revolution Group, Mao launched the Revolution and said that Bourgeoisie, bourgeois elements had infiltrated the government and society with the aim of restoring capitalism. Mao called on young people to Bombard the Headquarters, bombard the headquarters, and proclaimed that "to rebel is justified". Mass upheaval began in Beijing with Red August in 1966. Many young people, mainly students, responded by forming Cadre system of the Chinese Communist Party, cadres of Red Guards th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandopop
Mandopop or Mandapop refers to Mandarin popular music. The genre has its origin in the jazz-influenced popular music of 1930s Shanghai known as Shidaiqu; later influences came from Japanese enka, Hong Kong's Cantopop, Taiwan's Hokkien pop, and in particular the campus folk song folk movement of the 1970s. "Mandopop" may be used as a general term to describe popular songs performed in Mandarin. Though Mandopop predates Cantopop, the English term was coined around 1980 after " Cantopop" became a popular term for describing popular songs in Cantonese. "Mandopop" was used to describe Mandarin-language popular songs of that time, some of which were versions of Cantopop songs sung by the same singers with different lyrics to suit the different rhyme and tonal patterns of Mandarin. Mandopop is categorized as a subgenre of commercial Chinese-language music within C-pop. Popular music sung in Mandarin was the first variety of popular music in Chinese to establish itself as a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shidaiqu
Shidaiqu () is a type of Chinese popular music that is a fusion of Chinese folk, American jazz and Hollywood film music that originated in Shanghai in the 1920s.Shoesmith, Brian. Rossiter, Ned. 004(2004). Refashioning Pop Music in Asia: Cosmopolitan flows, political tempos and aesthetic Industries. Routeledge Publishing. Terminology The term literally translates to 'songs of the era' in Mandarin Chinese. When sung in Cantonese, it is commonly referred to as ; in Amoy Hokkien, it is known as . These terms incorporate the native names for the dialects. The term is believed to have originated in Hong Kong to describe a genre of popular Chinese music that gained prominence in Shanghai during the early to mid-20th century. This genre emerged as a fusion of traditional Chinese melodies, Western musical elements, and influences from jazz and popular music of the time. Musicality Shidaiqu is a kind of fusion music that makes use of jazz musical instruments (castanets, maracas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second Sino-Japanese War
The Second Sino-Japanese War was fought between the Republic of China (1912–1949), Republic of China and the Empire of Japan between 1937 and 1945, following a period of war localized to Manchuria that started in 1931. It is considered part of World War II, and often regarded as the beginning of World WarII in Asia. It was the largest Asian war in the 20th century and has been described as The Asian Holocaust, in reference to the scale of Japanese war crimes against Chinese civilians. It is known in China as the War of Resistance against Japanese Aggression. On 18 September 1931, the Japanese staged the Mukden incident, a false flag event fabricated to justify their Japanese invasion of Manchuria, invasion of Manchuria and establishment of the puppet state of Manchukuo. This is sometimes marked as the beginning of the war. From 1931 to 1937, China and Japan engaged in skirmishes, including January 28 incident, in Shanghai and in Northern China. Chinese Nationalist and C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Jinhui
Li Jinhui (; 5 September 1891 – 15 February 1967 although some sources suggest he died 1968) was a Chinese composer and songwriter born in Xiangtan, Hunan, Qing China.Aigomusic.Aigomusic." ''Shanghai introduction.'' Retrieved on 2007-04-30. He created a new musical form with shidaiqu after the fall of the Qing Dynasty—moving away from established musical forms. The Nationalist government attempted to ban Li's music. Critics branded his music as " Yellow Music", a form of pornography, because of its sexual associations and he was branded a "corruptor" of public morals. This kind of music was banned in China after the Chinese Communist Revolution in 1949, and Li was eventually hounded to his death, a victim of political persecution in 1967 during the height of the Cultural Revolution.Freemuse Retrieved on 2009-02-12. Early years |
Soong Mei-ling
Soong Mei-ling (also spelled Soong May-ling; March 4, 1898 – October 23, 2003), also known as Madame Chiang (), was a Chinese political figure and socialite. The youngest of the Soong sisters, she married Chiang Kai-shek and played a prominent role in Chinese politics and foreign relations in the first half of the 20th century. Early life Soong Mei-ling was born in the Song family home, a traditional house called Neishidi (內史第), in Pudong, Shanghai, China. Her passport issued by the Qing government showed that she was born on 4 March 1898. Some sources said she was born on 5 March 1898 at St. Luke's Hospital in Shanghai, while others gave the year as 1897, since Chinese tradition considers one to be a year old at birth.. While records at Wellesley College and the ''Encyclopædia Britannica'' indicate she was born in 1897, the Republic of China government as well as the BBC and the ''New York Times'' cite her year of birth as 1898. The ''New York Times'' obituary inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke University Press
Duke University Press is an academic publisher and university press affiliated with Duke University. It was founded in 1921 by William T. Laprade as The Trinity College Press. (Duke University was initially called Trinity College). In 1926 Duke University Press was formally established. Ernest Seeman became the first director of DUP, followed by Henry Dwyer (1929–1944), W.T. LaPrade (1944–1951), Ashbel Brice (1951–1981), Richard Rowson (1981–1990), Larry Malley (1990–1993), Stanley Fish and Steve Cohn (1994–1998), Steve Cohn (1998–2019). Writer Dean Smith is the current director of the press. It publishes approximately 150 books annually and more than 55 academic journals, as well as five electronic collections. The company publishes primarily in the humanities and social sciences but is also particularly well known for its mathematics journals. The book publishing program includes lists in African studies, African American studies, American studies, anthrop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canidrome (Shanghai)
The Shanghai Culture Plaza precinct () is a park and cultural precinct in Shanghai's Luwan District, in the former French Concession of Shanghai, China. The area began as the Canidrome (), a stadium structure originally built for greyhound racing in 1928. The clubhouse and racetrack became a multi-purpose entertainment venue, but became a place for political rallies after the founding of the People's Republic of China and a mass execution facility. Later it became a theatre and exhibition space before it was demolished in 2006. The original Canidrome grandstand was demolished as part of the reconstruction of the precinct to become a park incorporating various cultural venues.Beyer Blinder Belle China.Shanghai Cultural Plaza." Retrieved on 2007-05-19. Location The Canidrome was located on the rue Lafayette, which is today known as Central Fuxing Road.Mountainsongs.Mountainsongs" ''Canidrome-YìyuánPǎogǒuchǎng.'' Retrieved on 2007-04-11. It occupies a large portion of the str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teddy Weatherford
Teddy Weatherford (October 11, 1903 − April 25, 1945) was an American jazz pianist and an accomplished stride pianist. Biography Weatherford was born in Pocahontas, Virginia and was raised in neighboring Bluefield, West Virginia. From 1915 through 1920, he lived in New Orleans, Louisiana, where he learned to play jazz piano. He then moved to Chicago, Illinois, where he worked with such bands as that of Erskine Tate through the 1920s and with such jazz notables as Louis Armstrong and Johnny Dodds and impressed the young Earl Hines. Weatherford then traveled, first to Amsterdam, then around Asia playing professionally. In the early 1930s, he led a band at the Taj Mahal Hotel in Bombay (now Mumbai), India. He joined Crickett Smith's band in Jakarta, Indonesia. Weatherford took over leadership of Smith's band in Ceylon (now Sri Lanka) in 1937. During World War II, he led a band in Calcutta, where he made radio broadcasts for the U. S. Armed Forces Radio Service. Performers w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
