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Box Set (theatre)
In theatre, a box set is a set with a proscenium arch stage and three walls. The proscenium opening is the fourth wall. Box sets create the illusion of an interior room on the stage, and are contrasted with earlier forms of sets which contained sliding flaps and gaps between set pieces. Box sets are traditionally attributed to Elizabeth Vestris with the Victorian farce ''London Assurance'' by Dion Boucicault. But evidence suggests the first description of the box set was by Paolo Landriani in 1818, with his description of a ''scena parapettata''. They were popularized by Marie Wilton at the Prince of Wales's Royal Theatre. They later became a feature of realist theatre, and an example of the "fourth wall removed" principle that characterized the work of noted realists such as Henrik Ibsen's ''A Doll's House'', George Bernard Shaw's '' Pygmalion'', and Anton Chekhov's ''The Seagull''. Nineteenth-century theatrical scenery In the play style of realism, the box set of the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stage Layout Plan
Stage, stages, or staging may refer to: Arts and media Acting * Stage (theatre), a space for the performance of theatrical productions * Theatre, a branch of the performing arts, often referred to as "the stage" * ''The Stage'', a weekly British theatre newspaper * Stages Repertory Theatre, a theatre company in Houston, Texas Music Performers * Stage, an American band featuring Ryan Star Albums * ''Stage'' (David Bowie album), 1978 * ''Stage'' (Great White album), 1995 * ''Stage'' (Keller Williams album), 2004 * ''Stage'', by Mónica Naranjo, 2009 * ''The Stage'' (album), by Avenged Sevenfold, or the title song (see below), 2016 * ''Stages'' (Cassadee Pope album), 2019 * ''Stages'' (Elaine Paige album), 1983 * ''Stages'' (Eric Clapton album), 1993 * ''Stages'' (Jimi Hendrix album), 1991 * ''Stages'' (Josh Groban album), 2015 * ''Stages'' (Melanie C album), 2012 * ''Stages'' (Triumph album), 1985 * ''Stages'' (Vedera album), 2009 * '' Stages: The Lost Album'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scala Theater
The Scala Theatre was a theatre in Charlotte Street, London, off Tottenham Court Road. The first theatre on the site opened in 1772; the last was demolished in 1969, after a catastrophic fire. From 1865 to 1882, the theatre was known as the Prince of Wales's Theatre (not to be confused with Prince of Wales Theatre). Origins The theatre began on this site as The New Rooms where concerts were performed, in Charlotte Street, in 1772, under the management of Francis Pasquali. Popularity, and royal patronage led to the building's enlargement by James Wyatt, and its renaming as the King's Concert Rooms (1780–1786). It then became Rooms for Concerts of Ancient Music and Hyde's Rooms (1786–1802), managed by ''The Directors of Concerts and Ancient Music''. In 1802, a private theatre club managed by Captain Caulfield, the ''"Pic-Nics"'', occupied the building and named it the Cognoscenti Theatre (1802–1808). It became the New Theatre (1808–1815) and was extended and fitted out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (theatre)
Realism was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. 19th-century realism is closely connected to the development of modern drama, which "is usually said to have begun in the early 1870s" with the "middle-period" work of the Norwegian dramatist Henrik Ibsen. Ibsen's realistic drama in prose has been "enormously influential." It developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. These conventions occur in the text, (set, costume, sound, and lighting) design, performance style, and narrative structure. They include recreating on stage a facsimile of real life except missing a fourth wall (on proscenium arch stages). Characters speak in naturalistic, authentic dialogue without verse or poetic stylings, and acting is meant to emulate human behaviour in real life. Narratives typically are psychologically drive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nineteenth-century Theatrical Scenery
Nineteenth-century theatre, Theatre in the nineteenth century was noted for its changing philosophy from the Romanticism and Neoclassicism that dominated Europe since the late 18th century to Realism (theatre), Realism and Naturalism (theatre), Naturalism in the latter half of the 19th century before it eventually gave way to the rise of Modernism in the 20th century. Scenery in theater at the time closely mirrored these changes, and with the onset of the Industrial Revolution and technological advancement throughout the century, dramatically changed the aesthetics of the theater. Realism Theatrical realism was a general movement in 19th-century theatre from the time period of 1870-1960 that developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. Part of a broader artistic movement, it included a focus on everyday middle-class drama, ordinary speech, and simple settings. This idea of representing subje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Seagull
''The Seagull'' () is a play by Russian dramatist Anton Chekhov, written in 1895 in literature, 1895 and first produced in 1896 in literature#Drama, 1896. ''The Seagull'' is generally considered to be the first of his four major plays. It dramatizes the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arkadina, and her son the Russian symbolism, symbolist playwright Konstantin Treplev. Like Chekhov's other full-length plays, ''The Seagull'' relies upon an ensemble cast of diverse, fully-developed characters. In contrast to the melodrama of mainstream Nineteenth-century theatre, 19th-century theatre, lurid actions (such as Konstantin's suicide attempts) are not shown onstage. Characters tend to speak in subtext rather than directly. The character Trigorin is considered one of Chekhov's greatest male roles. The opening night of the first production was a famous failure. Vera Komiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Chekhov
Anton Pavlovich Chekhov (; ; 29 January 1860 – 15 July 1904) was a Russian playwright and short-story writer, widely considered to be one of the greatest writers of all time. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. "Medicine is my lawful wife," he once said, "and literature is my mistress." Chekhov renounced the theatre after the reception of ''The Seagull'' in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's ''Uncle Vanya'' and premiered his last two plays, ''Three Sisters (play), Three Sisters'' and ''The Cherry Orchard''. These four works present a challenge to the acting ensemble as well as to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pygmalion (play)
''Pygmalion'' is a play by Irish playwright George Bernard Shaw, named after the Pygmalion (mythology), Greek mythological figure. It premiered at the Burgtheater, Hofburg Theatre in Vienna on 16 October 1913 and was first presented on stage in German. Its English-language premiere took place at Her Majesty's Theatre, His Majesty's Theatre in London's West End theatre, West End in April 1914 and starred Herbert Beerbohm Tree as phonetics professor Henry Higgins and Mrs Patrick Campbell as Cockney flower-girl Eliza Doolittle. Inspiration In ancient Greek mythology, Pygmalion (mythology), Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called ''Pygmalion and Galatea (play), Pygmalion and Galatea'' that was first presented in 1871. Shaw would also have been familiar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Bernard Shaw
George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as ''Man and Superman'' (1902), ''Pygmalion (play), Pygmalion'' (1913) and ''Saint Joan (play), Saint Joan'' (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. Born in Dublin, in 1876 Shaw moved to London, where he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the Gradualism (politics), gradualist Fabian Society and became its most prominent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Doll's House
''A Doll's House'' (Danish language, Danish and ; also translated as ''A Doll House'') is a three-act Play (theatre), play written by Norwegian playwright Henrik Ibsen. It premiered at the Royal Danish Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is set in a Norwegian town . The play concerns the fate of a married woman, who, at the time Feminism in Norway, in Norway, lacked reasonable opportunities for self-fulfillment in a male-dominated world. Despite the fact that Ibsen denied it was his intent to write a feminist play, it was a great sensation at the time and caused a "storm of outraged controversy" that went beyond the theater to the world of newspapers and society. In 2006, the centennial of Ibsen's death, ''A Doll's House'' held the distinction of being the world's most-performed play that year. UNESCO has inscribed Ibsen's autographed manuscripts of ''A Doll's House'' on the Memory of the World Register in 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henrik Ibsen
Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright, poet and actor. Ibsen is considered the world's pre-eminent dramatist of the 19th century and is often referred to as "the father of modern drama." He pioneered theatrical realism, but also wrote lyrical epic works. His major works include ''Brand'', ''Peer Gynt'', '' Emperor and Galilean'', '' A Doll's House'', '' Ghosts'', '' An Enemy of the People'', '' The Wild Duck'', '' Rosmersholm'', '' Hedda Gabler'', '' The Master Builder'', and '' When We Dead Awaken''. Ibsen is the most frequently performed dramatist in the world after Shakespeare, and ''A Doll's House'' was the world's most performed play in 2006. Ibsen was born into the merchant elite of the port town of Skien, and had strong family ties to the families who had held power and wealth in Telemark since the mid-1500s. Both his parents belonged socially or biologically to the Paus family of Rising and Altenburggården—the extende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to Representation (arts), represent subject-matter truthfully, without artificiality, exaggeration, or speculative fiction, speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist polit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Wilton
Marie Effie Wilton, Lady Bancroft (1836–1921) was an English actress and Actor-manager, theatre manager. She appeared onstage as Marie Wilton until after her marriage in December 1867 to Squire Bancroft, when she adopted his last name. Bancroft and her husband were important in the development of Victorian era theatre through their presentation of innovative plays at the London theatres that they managed, first the Prince of Wales's Theatre and later the Haymarket Theatre. Life and career Bancroft was born at Doncaster, and as a child appeared on the stage with her parents, who were both actors. Although her birth date is usually given as 1839, in fact she was born in 1836; she appeared as a 6-year-old at the Theatre Royal, Norwich, Norwich Theatre on 14 May 1842, reciting a 120-line poem from memory. (In her autobiography Bancroft characteristically took a year off her age, claiming "At the age of five I recited William Collins (poet), Collins's ''Ode to the Passions''".) Am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
