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Boss Tenor
''Boss Tenor'' is an album by saxophonist Gene Ammons recorded in 1960 and released on the Prestige label. accessed December 7, 2012 Reception The review by stated: "Unlike his earlier jam sessions, this particular outing finds Ammons as the only horn, fronting a talented rhythm section... This is a fine outing by one of the true "bosses" of the tenor".Yanow, SAllmusic Review ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Ammons
Eugene "Jug" Ammons (April 14, 1925 – August 6, 1974), also known as "The Boss", was an American jazz tenor saxophonist. The son of boogie-woogie pianist Albert Ammons, Gene Ammons is remembered for his accessible music, steeped in soul and R&B. Biography Born in Chicago, Illinois, Ammons studied music with instructor Walter Dyett at DuSable High School. Ammons began to gain recognition while still at high school when in 1943, at the age of 18, he went on the road with trumpeter King Kolax's band. In 1944, he joined the band of Billy Eckstine (who bestowed on him the nickname "Jug" when straw hats ordered for the band did not fit), playing alongside Charlie Parker and later Dexter Gordon. Performances from this period include "Blowin' the Blues Away," featuring a saxophone duel between Ammons and Gordon. After 1947, when Eckstine became a solo performer, Ammons then led a group, including Miles Davis and Sonny Stitt, that performed at Chicago's Jumptown Club. In 1949, Ammons r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Sunset
"Canadian Sunset" is a popular song with music by jazz pianist Eddie Heywood Jr., Eddie Heywood and lyrics by Norman Gimbel. An instrumental version by Heywood and Hugo Winterhalter reached No. 2 on the Billboard magazine, ''Billboard'' Billboard Hot 100, Hot 100 chart and No. 7 on the Hot R&B/Hip-Hop Songs, R&B chart in 1956. A version sung by Andy Williams was also popular that year, reaching No. 7 on the ''Billboard'' chart. The Sounds Orchestral, conducted by Johnny Pearson, hit the Adult Contemporary (chart), Easy Listening chart reaching No. 14 and the ''Billboard'' Hot 100 in 1965 reaching No. 76. In Canada their version reached No.25 on the Top 40 charts. Notable Recordings The tune has been covered by a number of pop, jazz, R&B, and country performers: *Wes Montgomery (guitar) recorded the piece with small combo. The recording features his signature octave melodic technique. *Danny Gatton (guitar) playing with Buddy Emmons (pedal steel) produced a funky version of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched string instrument, chordophone in the modern orchestra, symphony orchestra (excluding rare additions such as the octobass). It has four or five strings, and its construction is in between that of the gamba and the violin family. The bass is a standard member of the orchestra's string section, along with violins, violas, and cellos,''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doug Watkins
Douglas Watkins (March 2, 1934 – February 5, 1962) was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean. Biography Watkins was born in Detroit, Michigan, United States. An original member of the Jazz Messengers, he later played in Horace Silver's quintet and freelanced with Gene Ammons, Kenny Burrell, Donald Byrd, Art Farmer, Jackie McLean, Hank Mobley, Lee Morgan, Sonny Rollins, and Phil Woods among others. Some of Watkins' best-known work can be heard, when as a 22-year-old, he appeared on the 1956 album '' Saxophone Colossus'' by tenor saxophonist Sonny Rollins, with Max Roach and Tommy Flanagan. According to Horace Silver's autobiography, ''Let's Get to the Nitty Gritty'', Watkins, along with Silver, later left Art Blakey's Jazz Messengers because the other members of the band at the time (Kenny Dorham, Hank Mobley and Blakey) had serious drug probl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the #Grand, grand piano and the #Upupright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a Bridge (instrument), bridge to a Soundboard (music), soundboard that amplifies the sound by Coupling (physics), coupling the Sound, acoustic energy t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Flanagan (musician)
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album ''Saxophone Colossus''. Recordings under various leaders, including ''Giant Steps'' of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and is a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andy Razaf
Andy Razaf (born Andriamanantena Paul Razafinkarefo; December 16, 1895 – February 3, 1973) was the American lyricist of such well-known songs as " Ain't Misbehavin'" and " Honeysuckle Rose". He was also a composer, poet and vocalist. Biography Razaf was born in 1895 in Washington, D.C., United States. His birth name was Andriamanantena Paul Razafinkarefo. He was the son of Henri Razafinkarefo, nephew of Queen Ranavalona III of the Imerina kingdom in Madagascar, and Jennie Razafinkarefo (née Waller), daughter of John L. Waller, the first African American consul to Imerina. The French invasion of Madagascar (1894-95) left Henri dead, and forced pregnant 15-year-old Jennie to escape to the U.S.. Razaf was raised in Harlem, Manhattan. At age 16, Razaf quit school and took a job as an elevator operator in a Tin Pan Alley office building. A year later he penned his first song text, embarking on his career as a lyricist. During this time he spent many nights in the Greyhound Lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chick Webb
William Henry "Chick" Webb (February 10, 1905 – June 16, 1939) was an American jazz and swing music drummer and band leader. Early life Webb was born in Baltimore, Maryland, to William H. and Marie Webb. The year of his birth is disputed. The ''Encyclopædia Britannica'' and Allmusic indicate 1905, and this seems to be supported by census information. Other publications claim other years. During Webb's lifetime, a December 1937 ''DownBeat'' magazine article, "The Rise of a Crippled Genius", stated he was born in 1909, which is the year that appears on his grave marker. In 1939, ''The New York Times'' stated that Webb was born in 1907, the year also suggested in ''Rhythm on Record'' by Hilton Schleman. Webb was one of four children; the other three were sisters (Bessie, Mabel, and Ethel). His sister Mabel married Wilbur Porter around 1928. When an infant, Webb fell down some stairsteps in his family's home, crushing several vertebrae and requiring surgery, from which he never ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Sampson
Arthur Graves Sampson (October 24, 1898 – March 29, 1984) was an American football coach and sportswriter who was the head football coach at Tufts University from 1926 to 1929. Early life Sampson was born and raised in Weymouth, Massachusetts. He attended Tufts College and was manager of the school's football team for three years. Coaching Sampson coached football, basketball, and track at Medford High School. In 1926 he became Tufts' head football coach. His 1927 team finished the season undefeated and outscored their opponents 218 to 19. He finished at Tufts with a career record of 22–7–1. After leaving Tufts, Sampson spent one season as an assistant under Lou Little at Columbia and two seasons under Eddie Casey at Harvard. Journalism After the 1932 season, Sampson joined the staff of the ''Boston Herald'' as a sportswriter. He also authored several books, including ''Lou Little's Football'' and ''Ted Williams: A Biography of The Kid'' and wrote for national magazine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader, known as the "King of Swing". His orchestra did well commercially. From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his trio and quartet. He continued performing until the end of his life while pursuing an interest in classical music. Early years Goodman was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. His father, David Goodman, came to the United States in 1892 from Warsaw in partitioned Poland and becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz Saxophone, saxophonist, bandleader, and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, Virtuoso, virtuosic technique, and advanced harmonies. He was a virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid Passing chord, passing chords, new variants of Altered chord, altered chords, and Chord substitution, chord substitutions. Parker was primarily a player of the alto saxophone. Parker was an icon for the hipster (1940s subculture), hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer. Early life Charles Parker Jr. was born in Kansas City, Kansas, to Charles Parker Sr. and Adelaide "Addie" Bailey, who was of mixed Choctaw and African-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
