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Boasting
Boasting or bragging is speaking with excessive pride and self-satisfaction about one's achievements, possessions, or abilities. Boasting tends to be an attempt to prove one's superiority by recounting accomplishments so that others will feel admiration or envy. It is often done by those who are socially insecure and find other people's perception of them important. Individuals construct an image of themselves, a personal identity, and present themselves in a manner that is consistent with that image. Theodore Millon theorized that in self-presentation, individuals seek to balance boasting against discrediting themselves with excessive self-promotion or being caught blatantly misrepresenting themselves. Studies show that people often have a limited ability to perceive how their efforts at self-presentation are actually impacting their acceptance and likeability by others. Forms of bragging Although a brag can be as straightforward as a simple claim to riches or greatness, it ...
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Beot
A is Old English for a ritualized boast, vow, threat, or promise. Clark Hall, John R. ''A Concise Anglo-Saxon Dictionary''. Cambridge University Press, 1960, p. 42. The principle of a ''bēot'' is to proclaim one's acceptance of a seemingly impossible challenge in order to gain tremendous glory for actually accomplishing it. Anglo-Saxon warriors would usually deliver ''bēot''s in the mead hall the night before a military engagement or during the battle itself. For example, a typical warrior may boast that he will be the first to strike a blow in a battle, that he would claim a renowned sword from an enemy warrior as spoil of battle, that he will slay a particular monster that has been wreaking havoc on a town or village, and so on. ''Bēot''s were usually accompanied by grand stories of one's past glorious deeds. Although other cultures and times might disdain boasting as a sign of arrogance, or sinful pride, the pagan Anglo-Saxons highly regarded such behaviour as a positive s ...
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Gab (song)
A ''gab'' or ''gap'' (, "boast") is a troubadour boasting song. It is often considered related to the '' tenso'' and '' partimen'', two types of debate poem. Sometimes the ''gab'' is not considered a separate genre of poetry but simply a boast found within another genre, commonly the '' sirventes''.Veronica M. Fraser (2006), ''The Songs of Peire Vidal: Translation and Commentary'' (New York: Peter Lang, ), 153. The Occitan word ''gab'' means "boast" and comes from the verb ''gabar'' (to open the mouth wide, i.e. gape). The song is innately competitive and the boast is often presented as a challenge, which may generate poetical responses. The boasting, however, is made in good fun and typically follows a formula ensuring it will be well-received (unlike a real boast). Often it is heavily ironic, and the boasts are intended specifically to entertain the audience that knows better. The first ''gab'' was "Ben vuelh", composed by William IX of Aquitaine William IX ( or , ; 22 Octob ...
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Rodomonte
Rodomonte (or Rodamonte) is a major character in the Italian romantic epic poems ''Orlando innamorato'' by Matteo Maria Boiardo and ''Orlando furioso'' by Ludovico Ariosto. He is the King of Sarza and Algiers and the leader of the Saracen army which besieges Charlemagne in Paris. He is in love with Doralice, Princess of Granada, but she elopes with his rival Mandricardo. He tries to seduce Isabella but she tricks him into killing her by mistake. In remorse, Rodomonte builds a bridge in her memory and forces all who cross it to pay tribute. When the "naked and mad" Orlando arrives at the bridge, it is Rodomonte, the pagan, who throws him into the river below. They both swim ashore, but Orlando who is naked and is unimpeded by heavy armor gets to the shore first. Finally, Rodomonte appears at the wedding of Bradamante and Ruggiero and accuses Ruggiero of treason for converting to Christianity and abandoning the Saracen cause. The two fight a duel and Rodomonte is killed. Rodomonte ...
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Impression Management
Impression management is a conscious or subconscious process in which people attempt to influence the perceptions of other people about a person, object or event by regulating and controlling information in social interaction.Sanaria, A. D. (2016). A conceptual framework for understanding the impression management strategies used by women in indian organizations. South Asian Journal of Human Resources Management, 3(1), 25-39. https://doi.org/10.1177/2322093716631118 https://www.researchgate.net/publication/299373178_A_Conceptual_Framework_for_Understanding_the_Impression_Management_Strategies_Used_by_Women_in_Indian_Organizations It was first conceptualized by Erving Goffman in 1956 in '' The Presentation of Self in Everyday Life,'' and then was expanded upon in 1967. Impression management behaviors include accounts (providing "explanations for a negative event to escape disapproval"), excuses (denying "responsibility for negative outcomes"), and opinion conformity ("speak(ing) o ...
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Harris Wittels
Harris Lee Wittels (April 20, 1984 – February 19, 2015) was an American comedian. He was a writer for ''The Sarah Silverman Program'', a writer and executive producer for '' Parks and Recreation'', and a recurring guest on ''Comedy Bang! Bang!'' He coined the word in 2010. Early life Wittels was born in Oklahoma City, Oklahoma, US, the son of Ellison Wittels and Maureen (née Davidson) Wittels. He was raised in Houston, Texas, in the Jewish faith. He celebrated his bar mitzvah at Temple Emanu-El. His elder sister is writer and anime voice-over actress Stephanie Wittels.Greater Houston Jewish Genealogical Society, ''The Houston Jewish Herald-Voice Index to Vitals and Family Events, 1908-2007''. He described his father as "the funniest dude alive". Wittels attended the High School for the Performing and Visual Arts in Houston. In 2006, he graduated from Emerson College, where he was a member of Sigma Alpha Epsilon, with a degree in television and video production. Career Aft ...
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Rodomontade
''Rodomontade'' () is a mass noun meaning boastful talk or behavior. The term is a reference to Rodomonte, a character in the Italian Renaissance epic poem ''Orlando innamorato'' and its sequel ''Orlando furioso''. Henry Fielding in ''History of Tom Jones'' writes, “In fact, the good squire was a little too apt to indulge that kind of pleasantry which is generally called rhodomontade. . .” Examples of use 17th century A 17th-century example of the term exists in ''Don Tomazo'' by Thomas Dangerfield, albeit with a slight alteration of spelling. As the titular protagonist heads towards Cairo with a number of stolen treasures, he is informed by an acquaintance that: ::''. . . he could, in that heathenish city, command a thousand pound – which was at that time no rodomontado, in regard the jewels were worth above four times the value.'' 18th century In 1784, a tract of satirical but politically charged poetry of 94 pages was published in London, titled A Rodomontade of ...
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Troubadour
A troubadour (, ; ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female equivalent is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, '' trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his '' De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) and since died out. The texts of troubado ...
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Scaramouche
Scaramouche () or Scaramouch (; Italian: Scaramuccia ; ) is a stock clown character of the 16th-century commedia dell'arte (comic theatrical arts of Italian literature). The role combined characteristics of the Zanni (servant) and il Capitano (masked henchman), with some assortment of villainous traits. Usually attired in black Spanish dress and burlesquing a don, he was often beaten by Harlequin for his boasting and cowardice. History Although Tiberio Fiorillo (1608–1694) was not the first to play the role, he greatly developed and popularized it. He removed the mask, used white powder on his face, and employed grimaces. He was small, had a long beard, and wore a predominantly black costume with a white ruff. In France, he became known as Scaramouche. In the 19th century, the English actor Joseph Grimaldi and his son J. S. Grimaldi made numerous appearances as Scaramouche. Character Scaramouche influences the audience to do his bidding. Rosa says that Coviello (like ...
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Orlando Furioso
''Orlando furioso'' (; ''The Frenzy of Orlando'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. ''Orlando furioso'' is a continuation of Matteo Maria Boiardo's unfinished romance ''Orlando innamorato'' (''Orlando in Love'', published posthumously in 1495). In its historical setting and characters, it shares some features with the Old French ''La Chanson de Roland">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... ''La Chanson de Roland'' of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French (and subsequently Englis ...
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Ludovico Ariosto
Ludovico Ariosto (, ; ; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic '' Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal ...
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Pride
Pride is a human Emotion, secondary emotion characterized by a sense of satisfaction with one's Identity (philosophy), identity, performance, or accomplishments. It is often considered the opposite of shame or of humility and, depending on context, may be viewed as either virtue or vice. ''Pride'' may refer to a feeling of satisfaction derived from one's own or another's choices and actions, or one's belonging to a group of people. Typically, it is a product of praise, independent self-reflection and/or a fulfilled feeling of belongingness, belonging. The word ''pride'' may refer to group identity manifestations, including one's Racial pride, ethnicity—notably, Black Pride, which gained historical momentum during the U.S. Civil Rights Movement, and earlier independence struggles—Feminist movement, Feminist Pride, rooted in the women's rights movement and gender equality struggles—and Sexual identity, sexual identity (for example, Gay pride, Gay Pride or LGBT Pride, rising ...
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Commedia Dell'arte
Commedia dell'arte was an early form of professional theatre, originating from Theatre of Italy, Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by Theatre mask, masked "types", was responsible for the rise of actresses such as Isabella Andreini and Improvisational theatre, improvised performances based on Sketch comedy, sketches or scenarios. A , such as ''The Tooth Puller'', contains both scripted and improvised portions; key plot points and characters' entrances and exits are scripted, but the actors may otherwise be expected to improvise new gags on stage. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is Mime artist, pantomime, which is mostly used by the character Harlequin, Arlecchino, now better known as H ...
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