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Blues Musicians
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spiritual (music), spirituals, work songs, field hollers, Ring shout, shouts, chants, and rhymed simple narrative ballad (music), ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the Call and response (music), call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in Pitch (music), pitch, are also an essential part of the sound. Blues shuffle note, shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove (popular music), groove. Blues as a genre is also characterized by its lyrics, Bassline, bass lines, and Instrumentation (music), instrumentation. Early tradi ...
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Plantation-era Songs
A work song is a piece of music closely connected to a form of work, either sung while conducting a task (usually to coordinate timing) or a song linked to a task which might be a connected narrative, description, or protest song. Definitions and categories Records of work songs are as old as historical records, and anthropological evidence suggests that most agrarian societies tend to have them. Most modern commentators on work songs have included both songs sung while working as well as songs about work since the two categories are seen as interconnected. Norm Cohen divided collected work songs into domestic, agricultural or pastoral, sea shanties, African-American work songs, songs and chants of direction, and street cries. Ted Gioia further divided agricultural and pastoral songs into hunting, cultivation and herding songs, and highlighted the industrial or proto-industrial songs of Textile industry, cloth workers (see Waulking song), factory workers, Sailor, seamen, lumberjack ...
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Hokum
Hokum is a particular song type of American blues music—a humorous song which uses extended analogies or euphemistic terms to make sexual innuendos. This trope goes back to early blues recordings and is used from time to time in modern American blues and blues rock. An example of hokum lyrics is this sample from "Meat Balls", by Lil Johnson, recorded about 1937: Technique In a general sense, hokum was a style of comedic farce, spoken, sung and spoofed, while masked in both risqué innuendo and "tomfoolery". It is one of the many legacies and techniques of 19th century blackface minstrelsy. Like so many other elements of the minstrel show, stereotypes of racial, ethnic and sexual fools were the stock in trade of hokum. Hokum was stagecraft, gags and routines for embracing farce. It was so broad that there was no mistaking its ludicrousness. Hokum also encompassed dances like the cakewalk and the buzzard lope in skits that unfolded through spoken narrative and song. W. C. H ...
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Kansas City Blues (music)
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current ...
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Hill Country Blues
Hill country blues (also known as North Mississippi hill country blues or North Mississippi blues) is a regional style of country blues. It is characterized by a strong emphasis on rhythm and percussion, steady guitar riffs, few chord changes, unconventional song structures, and heavy emphasis on the "groove", which has been characterized as the "hypnotic boogie". The hill country is a region of northern Mississippi bordering Tennessee. It lies in the counties of Desoto, Marshall, Panola, Tate, Tippah, and Lafayette and straddles the ecoregions of the North Hilly Plain (Red Clay Hills or North Central Hills), the Loess Plains, and Bluff Hills. The hills have poor agricultural soil and wide forested areas, which led to the development of a lumber industry but only small farms. Holly Springs and Oxford, Mississippi, are often cited as centers of hill country music. The style is regarded as distinct from the blues of the Mississippi Delta, which lies west of the hill country. A ...
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Detroit Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current st ...
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Chicago Blues
Chicago blues is