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Bjäresjö Church
Bjäresjö Church () is a medieval church in , in the province of Skåne, Sweden. The church contains several medieval mural paintings as well as a richly decorated Romanesque baptismal font. History and architecture There was probably a wooden church in the same spot as the current church as early as the 11th century. It was replaced by the present stone church around 1150. The church was built using unusually expensive materials (such as delicately cut sandstone instead of fieldstone) and is unusually richly decorated. The apse in particular displays Romanesque sculptures unusual for a countryside church. It has been assumed that the building of the church was financed by a local lord, indicating that this area of the province was important also politically during the early Middle Ages. A broad, western tower was built during the 12th century but demolished and replaced with the currently visible Neo-Romanesque tower in 1892. Inside the church the vaults were constructed in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swedish Language
Swedish ( ) is a North Germanic languages, North Germanic language from the Indo-European languages, Indo-European language family, spoken predominantly in Sweden and parts of Finland. It has at least 10 million native speakers, making it the Germanic_languages#Statistics, fourth most spoken Germanic language, and the first among its type in the Nordic countries overall. Swedish, like the other North Germanic languages, Nordic languages, is a descendant of Old Norse, the common language of the Germanic peoples living in Scandinavia during the Viking Age. It is largely mutually intelligible with Norwegian language, Norwegian and Danish language, Danish, although the degree of mutual intelligibility is dependent on the dialect and accent of the speaker. Standard Swedish, spoken by most Swedes, is the national language that evolved from the Central Swedish dialects in the 19th century, and was well established by the beginning of the 20th century. While distinct regional Variety ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandorla
A mandorla is an almond-shaped aureola, i.e. a frame that surrounds the totality of an iconographic figure. It is usually synonymous with '' vesica'', a lens shape. Mandorlas often surround the figures of Jesus Christ and the Virgin Mary in traditional Christian iconography. It is distinguished from a halo in that it encircles the entire body and not just the head. It is commonly used to frame the figure of Christ in Majesty in early medieval and Romanesque art, as well as Byzantine art of the same periods. It is the shape generally used for mediaeval ecclesiastical seals, secular seals generally being round. Depictions ''Mandorla'' is Italian for the almond nut, to which shape it refers. It may be elliptical or depicted as a vesica, a lens shape as the intersection of two circles. Rhombic mandorlas are also sometimes depicted. In icons of the Eastern Orthodox Church, the mandorla is used to depict sacred moments that "transcend time and space", such as the Resurrection and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late Middle Ages, late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the Church (congregation), congregation below, especially prior to the invention of modern audio equipment. Most pulpits have one or more book-stands for the preacher to rest his bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Art
The Baroque ( , , ) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, it had evolved into an even more flamboyant style, called ''rocaille'' or ''Rococo'', which appeared in France and Central Europe until the mid to late 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is a painting or sculpture, including relief, of religious subject matter made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of Baroque painting. The word altarpiece, used for paintings, usually means a framed work of panel painting on wood, or later on canvas. In the Middle Ages they were generally the largest genre for these formats. Murals in fresco tend to cover larger surfaces. The largest painted altarpieces developed complicated structures, especially winged altarpieces with hinged side wings that folded in to cover the main image, and were painted o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John The Evangelist
John the Evangelist ( – ) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although there is no consensus on how many of these may actually be the same individual. Identity The exact identity of John – and the extent to which his identification with John the Apostle, John of Patmos and John the Presbyter is historical – is disputed between Christian tradition and scholars. The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus. The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary, Mother Of Jesus
Mary was a first-century Jewish woman of Nazareth, the wife of Saint Joseph, Joseph and the mother of Jesus. She is an important figure of Christianity, venerated under titles of Mary, mother of Jesus, various titles such as Perpetual virginity of Mary, virgin or Queen of Heaven, queen, many of them mentioned in the Litany of Loreto. The Eastern Orthodox Church, Eastern and Oriental Orthodox, Catholic, Anglican, Methodist, Reformed Christianity, Reformed, Baptist, and Lutheran churches believe that Mary, as mother of Jesus, is the Theotokos, Mother of God. The Church of the East historically regarded her as Christotokos, a term still used in Assyrian Church of the East liturgy. Other Protestant views on Mary vary, with some holding her to have lesser status. She has the Mary in Islam, highest position in Islam among all women and is mentioned numerous times in the Quran, including in a chapter Maryam (surah), named after her.Jestice, Phyllis G. ''Holy people of the world: a cros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swedish History Museum
The Swedish History Museum () is a museum located in Stockholm, Sweden, that covers Swedish archaeology and cultural history from the Mesolithic period to present day. Founded in 1866, it operates as a government agency and is tasked with preserving Swedish historical items as well as making knowledge about history available to the public. The origin of the museum is the collections of art and historical objects gathered by Swedish monarchs since the 16th century. It has a number of permanent exhibitions and annually hosts special exhibitions tied to current events. Function The History Museum is part of a central museum agency called the ''Statens historiska museer'' (SHM) ("National Historical Museums"). Other museums under the aegis of this agency are The Royal Armouries, The Economy Museum, Skokloster Castle, The Hallwyl Museum, The Tumba Papermill Museum and The Swedish Holocaust Museum. History The foundation for what was to become the Swedish History Museum and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triumphal Cross
A rood or rood cross, sometimes known as a triumphal cross, is a cross or crucifix, especially the large crucifix set above the entrance to the chancel of a medieval church. Alternatively, it is a large sculpture or painting of the crucifixion of Jesus. Derivation ''Rood'' is an archaic word for ''pole'', from Old English 'pole', specifically 'cross', from , cognate to Old Saxon , Old High German 'rod'. ''Rood'' was originally the only Old English word for the instrument of Jesus Christ's death. The words and in the North (from either Old Irish or Old Norse) appeared by late Old English; ''crucifix'' is first recorded in English in the Ancrene Wisse of about 1225. More precisely, the Rood or Holyrood was the True Cross, the specific wooden cross used in Christ's crucifixion. The word remains in use in some names, such as Holyrood Palace and the Old English poem '' The Dream of the Rood''. The phrase "by the rood" was used in swearing, e.g. "No, by the rood, not so" in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tove (sculptor)
Tove was a sculptor and stonemason active in Scania during the Middle Ages. The artist made and signed the baptismal font of Gumlösa Church with the words ''Tove gierhi'' ("Tove made me"). Gumlösa Church was inaugurated in 1191. Tove also made the baptismal font in Lyngsjö Church and perhaps Östra Sönnarslöv and Bjäresjö Church, also in Scania. References {{reflist External links * Frans Carlsson"Lyngsjömästaren : en tysk stenhuggare i Skåne omkring 1200" ''Fornvännen (), ''Journal of Swedish Antiquarian Research'' is a Swedish academic journal in the fields of archaeology and Medieval art. It is published quarterly by the Royal Swedish Academy of Letters, History and Antiquities in Stockholm, Sweden. The jou ...'', 1970, p. 318-327. Romanesque artists People from Skåne County 12th-century sculptors 12th-century Danish people Medieval sculptors fr:Tove (sculpteur) sv:Tove stenmästare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptismal Font
A baptismal font is an Church architecture, ecclesiastical architectural element, which serves as a receptacle for baptismal water used for baptism, as a part of Christian initiation for both rites of Infant baptism, infant and Believer's baptism, adult baptism. Aspersion and affusion fonts The earliest western fonts are found in the Catacombs of Rome. The fonts of many western Christian denominations that practice infant baptism are designed for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal with a holder for a basin of water. The materials vary greatly, consisting of carved and sculpted stone (including marble), wood, or metal in different shapes. Many fonts are in Octagon, octagonal shape, as a reminder of the new creation and as a connection to the Old Testament practice of circumcision, which traditionally occurs on the eighth day. Some fonts are three-sided as a reminder of the Holy T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
