Birutė (opera)
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Birutė (opera)
''Birutė'' is a two-act opera composed by Mikas Petrauskas based on the play by Gabrielius Landsbergis-Žemkalnis. It was first performed on 6 November 1906 in Vilnius and became the first Lithuanian national opera. The plot is based on the medieval legend about the love between Birutė and Grand Duke of Lithuania Kęstutis recorded in the Lithuanian Chronicles. The opera was written for the amateur Lithuanian performers and thus is mostly valued for its historical significance. Plot The opera is set during the 14th-century Lithuanian Crusade. Winrich von Kniprode, komtur of the Teutonic Order, wishes to marry Birutė, daughter of the ruler of Palanga. In Act I, von Kniprode sends his envoys to persuade Birutė's father to agree to the marriage. If persuasion and gifts fail, they are prepared to take her by force. Birutė weeps and asks her father to kill her instead. However, '' krivių krivaitis'' (chief pagan priest) Lizdeika decrees that it is the will of the gods for Birut ...
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Stamps Of Lithuania, 2006-27
Stamp or Stamps or Stamping may refer to: Official documents and related impressions * Postage stamp, used to indicate prepayment of fees for public mail * Ration stamp, indicating the right to rationed goods * Revenue stamp, used on documents to indicate payment of tax * Rubber stamp, device used to apply inked markings to objects ** Passport stamp, a rubber stamp inked impression received in one's passport upon entering or exiting a country ** National Park Passport Stamps * Food stamps, tickets used in the United States that indicate the right to benefits in the Supplemental Nutrition Assistance Program Collectibles * Trading stamp, a small paper stamp given to customers by merchants in loyalty programs that predate the modern loyalty card * Eki stamp, a free collectible rubber ink stamp found at many train stations in Japan Places * Stamp Creek, a stream in Georgia * Stamps, Arkansas People * Stamp Brooksbank, English MP * Stamp Fairtex, mixed martial artist * Stamp or Ap ...
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Vytautas
Vytautas the Great (; 27 October 1430) was a ruler of the Grand Duchy of Lithuania. He was also the prince of Grodno (1370–1382), prince of Lutsk (1387–1389), and the postulated king of the Hussites. In modern Lithuania, Vytautas is revered as a Folk hero, national hero and was an important figure in the Lithuanian National Revival, national rebirth in the 19th century. ''Vytautas'' is a popular male given Lithuanian name, name in Lithuania. In commemoration of the 500-year anniversary of his death, Vytautas Magnus University was named after him. Monuments in his honour were built in many towns in independent Lithuania during the History of Lithuania#Independent interwar Lithuania (1918–1940), interwar period from 1918 to 1939. Vytautas knew and spoke the Lithuanian language with his cousin Władysław II Jagiełło, Jogaila. Struggle for power 1377–1384 Vytautas' uncle Algirdas had been Grand Duke of Lithuania until his death in 1377. Algirdas and Vytautas' father K ...
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Melodeclamation
Melodeclamation (from Greek “melos” = song, and Latin “declamatio” = declamation) was a chiefly 19th century practice of reciting poetry while accompanied by concert music. It is also described as "a type of rhythmic vocal writing that bears a resemblance to Sprechstimme." It combines the principles of melodrama with a kind of extended technique. Examples can be found in the music of Robert Schumann, Franz Liszt, Anton Arensky, Mélanie Bonis, Vladimir Rebikov, Isaak Dunayevsky, Dmitri Shostakovich, Franek Kimono, etc. Particular poems might be associated with particular composers; the works of Frédéric Chopin Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period who wrote primarily for Piano solo, solo piano. He has maintained worldwide renown ... were often accompanied by the poem cycle of Kornel Ujejski that he called ''Tłumaczenia Szopena'' (''Translat ...
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Lament
A lament or lamentation is a passionate expression of grief, often in music, poetry, or song form. The grief is most often born of regret, or mourning. Laments can also be expressed in a verbal manner in which participants lament about something that they regret or someone that they have lost, and they are usually accompanied by wailing, complaint, moaning and/or crying. Laments constitute some of the oldest forms of writing, and examples exist across human cultures. History Many of the oldest and most lasting poems in human history have been laments. The Lament for Sumer and Ur dates back at least 4000 years to ancient Sumer, the world's first urban civilization. Laments are present in both the ''Iliad'' and the ''Odyssey'', and laments continued to be sung in elegiacs accompanied by the aulos in classical and Hellenistic Greece. Elements of laments appear in ''Beowulf'', in the Hindu Vedas, and in ancient Near Eastern religious texts. They are included in the City Lament, Meso ...
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Lithuanian Folk Songs
Lithuanian folk songs (in Lithuanian: ) are often noted for not only their mythological content but also their relating historical events. Lithuanian folk music includes romantic songs, wedding songs, as well as work songs and archaic war songs. Traditional songs are performed either solo or in groups, in unison or harmonized in primarily in thirds (''tūravoti'' - lith. "to harmonize"). There are three ancient styles of singing in Lithuania that are connected with ethnographical regions: monophony, multi-voiced homophony, heterophony and polyphony. Monophony mostly occurs in southern (Dzūkija), southwest (Suvalkija) and eastern (Aukštaitija) parts of Lithuania. Multi-voiced homophony is widespread in the entire Lithuania. It is most archaic in the western part (Samogitia). Polyphonic songs are common in the renowned sutartinės tradition of Aukštaitija and occurs only sporadically in other regions. Many Lithuanian dainos are performed in the minor key. Parts of Igor Str ...
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Mazurka
The Mazurka ( Polish: ''mazurek'') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The Mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''Mazurk'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic '' kujawiak'', * fast '' oberek''. The ''mazurka'' is always found to have either a triplet, trill, dotted eighth note (quaver) pair, or an ordinary eighth note pair before two quarter notes ( ...
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Polonaise
The polonaise (, ; , ) is a dance originating in Poland, and one of the five Polish folk dances#National Dances, Polish national dances in Triple metre, time. The original Polish-language name of the dance is ''chodzony'' (), denoting a walking dance. The polonaise dance influenced European ballrooms, folk music and European classical music. The polonaise has a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska (dance), polska, and the two dances share a common origin. Polska dance was introduced to Sweden during the period of the Vasa dynasty and the Polish–Swedish union. The polonaise is popular in Poland today. It is the opening dance in major events, at New Year's balls, on national days as well as other parties. The polonaise is always the first dance at a ''studniówka'' ("student ball"), the Polish equivalent of the senior prom that occurs approximately 100 days before exams, hence its name "studniówka" or literally in Polish "the ball ...
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Arioso
In classical music, arioso (; also aria parlante ) is a category of Solo (music), solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means ''airy''. The term arose in the 16th century along with the aforementioned styles and monody. It is commonly confused with Recitative, recitativo accompagnato. Arioso is similar to recitative due to its unrestrained structure and inflexions, close to those of speech. It differs, however, in its rhythm. Arioso is similar to aria in its melodic form, both being closer to singing than recitative; however, they differ in Musical form, form, arioso generally not resorting to the process of repetition. Well-known examples At the start of the finale in the first act of Mozart's ''The Magic Flute'', the andante of the priest (''Sprecher'') "''Sobald dich führt der Freundschaft Hand ins Heiligtum zum ew'gen Band''" is an example of arioso. "''Amor ti vieta''", sung by L ...
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Aria
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century, it was in common use as meaning a simple setting of strophe, strophi ...
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Lithuanian National Revival
The Lithuanian National Revival, alternatively the Lithuanian National Awakening or Lithuanian nationalism (), was a period of the history of Lithuania in the 19th century, when a major part of Lithuanian-inhabited areas belonged to the Russian Empire (the Russian partition of the Polish–Lithuanian Commonwealth). It was expressed by the rise of self-determination of the Lithuanians that led to the formation of the modern Lithuanian nation and culminated in the re-establishment of an independent Lithuanian state. The most active participants of the national revival included Vincas Kudirka and Jonas Basanavičius. The period largely corresponded to the rise of romantic nationalism and other national revivals of 19th-century Europe. The revival was predated by a short period of the early 19th century known as the "Samogitian revival" led by students of Vilnius University, including Simonas Daukantas and Simonas Stanevičius. The most recent Lithuanian national revival may be ...
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Vytautas Landsbergis
Vytautas Landsbergis (; born 18 October 1932) is a Lithuanian politician and former Member of the European Parliament. He was the first Speaker of Reconstituent Seimas of Lithuania after its independence declaration from the Soviet Union. He has written 20 books on a variety of topics, including a biography of Mikalojus Konstantinas Čiurlionis, as well as works on politics and music. He is a founding signatory of the Prague Declaration, and a member of the international advisory council of the Victims of Communism Memorial Foundation. Biography Vytautas Landsbergis, member of an old German Landsberg family, was born in Kaunas, Lithuania. His father was the architect Vytautas Landsbergis-Žemkalnis. His mother, ophthalmologist Dr. Ona Jablonskytė-Landsbergienė, assisted her sister's family in sheltering a Jewish child, Avivit Kissin, from the Holocaust. She brought Kissin to her sister's home and produced a forged birth certificate with a Lithuanian for Kissin. Her s ...
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Saint Petersburg Conservatory
The N. A. Rimsky-Korsakov Saint Petersburg State Conservatory () (formerly known as the Petrograd Conservatory and Leningrad Conservatory) is a school of music in Saint Petersburg, Russia. In 2004, the conservatory had around 275 faculty members and 1,400 students. History The conservatory was founded in 1862 by the Russian Music Society and Anton Rubinstein, a Russian pianist and composer. On his resignation in 1867, he was succeeded by Nikolai Zaremba. Nikolai Rimsky-Korsakov was appointed as a professor in 1871, and the conservatory has borne his name since 1944, the centenary of his birth. In 1887, Rubinstein returned to the conservatory with the goal of improving overall standards. He revised the curriculum, expelled inferior students, fired and demoted many professors, and made entrance and examination requirements more stringent. In 1891, he resigned again over the Imperial demand of racial quotas. The current building was erected in the 1890s on the site of the old ...
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