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Bertram (play)
''Bertram; or The Castle of St. Aldobrand'' is an 1816 Gothic tragedy by the Irish writer Charles Maturin, his first and most successful play. It premiered at the Theatre Royal, Drury Lane in London on 9 May 1816.Greene p.4535 The original case included Edmund Kean as Bertram, Alexander Pope as St Aldobrand, Charles Holland as Prior of St Anslem, John Powell as Monk, Thomas Cooke as Robber, Margaret Somerville as Imogine and Susan Boyce as Clotilda. The prologue was written by John Hobhouse. The 1827 opera '' Il pirata'' composed by Vincenzo Bellini uses a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Felice Romani inspired by Maturin's work. References Bibliography * Greene, John C. ''Theatre in Dublin, 1745-1820: A Calendar of Performances, Volume 6 ...
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Charles Maturin
Charles Robert Maturin, also known as C. R. Maturin (25 September 1780 – 30 October 1824), was an Irish Protestant clergyman (ordained in the Church of Ireland) and a writer of Gothic plays and novels.Chris Morgan, "Maturin, Charles R(obert)." in ''St. James Guide to Horror, Gothic, and Ghost Writers'', ed. David Pringle. Detroit and New York: St. James Press, 1998. (396–97) His best known work is the novel ''Melmoth the Wanderer''. Early life Maturin was descended from Huguenots who found shelter in Ireland, one of whom was Gabriel Jacques Maturin who became Dean of St Patrick's Cathedral, Dublin after Jonathan Swift in 1745. Charles Robert Maturin was born in Dublin and attended Trinity College. Shortly after being ordained as curate of Loughrea, County Galway, in 1803, he moved back to Dublin as curate of St Peter's Church. He lived in York Street with his father William, a Post Office official, and his mother, Fedelia Watson, and married on 7 October 1804 the a ...
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Prologue
A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek ''prólogos'' included the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the '' Rudens'', Plautus rises to the height of his genius in his adroit and romantic pr ...
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British Plays
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *'' Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Br ...
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West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dir ...
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1816 Plays
This year was known as the ''Year Without a Summer'', because of low temperatures in the Northern Hemisphere, possibly the result of the Mount Tambora volcanic eruption in Indonesia in 1815, causing severe global cooling, catastrophic in some locations. Events January–March * December 25 1815–January 6 – Tsar Alexander I of Russia signs an order, expelling the Jesuits from St. Petersburg and Moscow. * January 9 – Sir Humphry Davy's Davy lamp is first tested underground as a coal mining safety lamp, at Hebburn Colliery in northeast England. * January 17 – Fire nearly destroys the city of St. John's, Newfoundland. * February 10 – Friedrich Karl Ludwig, Duke of Schleswig-Holstein-Sonderburg-Beck, dies and is succeeded by Friedrich Wilhelm, his son and founder of the House of Glücksburg. * February 20 – Gioachino Rossini's opera buffa ''The Barber of Seville'' premières at the Teatro Argentina in Rome. * March 1 – The Gorkha ...
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Felice Romani
Giuseppe Felice Romani (31 January 178828 January 1865) was an Italian poet and scholar of literature and mythology who wrote many librettos for the opera composers Donizetti and Bellini. Romani was considered the finest Italian librettist between Metastasio and Boito.Branca, Emilia (1882). ''Felice Romani ed i più riputati maestri di musica del suo tempo''Roccatagliati, Alessandro (1996). ''Felice Romani librettista'', Quaderni di Musica, Lucca, Italy – Biography Born Giuseppe Felice Romani to a bourgeois family in Genoa, he studied law and literature in Pisa and Genoa.Roccatagliati, Allesandro (2001). "Romani, (Giuseppe) Felice" in ''The New Grove Dictionary of Music and Musicians'', 2nd edition. London: Macmillan. (hardcover). (eBook). At the University of Genoa he translated French literature and, with a colleague, prepared a six-volume dictionary of mythology and antiquities, including the history of the Celts in Italy. Romani's expertise in French and antiquity is ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by sce ...
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Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian ''bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much a ...
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Il Pirata
''Il pirata'' (''The Pirate'') is an opera in two acts by Vincenzo Bellini with an Italian libretto by Felice Romani which was based on a three-act '' mélodrame ''from 1826: ''Bertram, ou le Pirate'' (''Bertram, or The Pirate'') by Charles Nodier and Isidore Justin Séverin Taylor). This play was itself based upon a French translation of the five-act verse tragedy ''Bertram, or The Castle of St. Aldobrand'' by Charles Maturin which appeared in London in 1816. The original play has been compared with Bellini's opera and the influence of ''Il pirata'' on Gaetano Donizetti's ''Lucia di Lammermoor'' has been noted. Also, Bellini's recycling of his own music in this opera has been analyzed, as well as his utilizing "a more self-consciously innovative compositional style" and participating more in work on the libretto, as compared with prior efforts where he was more deferential to the librettists chosen by the Naples opera management and the corresponding texts. In addition, 19 ...
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John Hobhouse, 1st Baron Broughton
John Cam Hobhouse, 1st Baron Broughton, (27 June 1786 – 3 June 1869), known as Sir John Hobhouse, Bt, from 1831 to 1851, was an English politician and diarist. Early life Born at Redland near Bristol, Broughton was the eldest son of Sir Benjamin Hobhouse, 1st Baronet, and Charlotte, daughter of Samuel Cam. He was educated at Westminster School, and at Trinity College, Cambridge where he graduated in 1808. Broughton took the Hulsean prize in 1808 for his ''Essay on the Origin and Intention of Sacrifices''. At Cambridge he founded the "Whig Club," and the "Amicable Society". Friendship with Lord Byron and mainland European journeys While at Cambridge Broughton became good friends with Lord Byron, who accompanied him on a tour in Spain, Greece and Turkey in 1809. Hobhouse was present at the Battle of Dresden in August 1813, and, following the Coalition armies into France, he saw Louis XVIII enter Paris in May 1814. In 1815 Broughton was again in Paris after the return of ...
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Susan Boyce
Susan is a feminine given name, from Persian "Susan" (lily flower), from Egyptian ''c:Lotus flower (hieroglyph), sšn'' and Coptic ''shoshen'' meaning "lotus flower", from Hebrew ''Shoshana'' meaning "lily" (in modern Hebrew this also means "rose" and a flower in general), from Greek ''Sousanna'', from Latin Susanna (given name), ''Susanna'', from Old French ''Susanne''. Variations * Susana (given name), Susanna (given name), Susanna, Susannah (given name), Susannah * Suzana, Suzanna, Suzannah * Susann, Suzan (other), Suzan, Suzann * Susanne (given name), Suzanne (given name), Suzanne * Susanne (given name) * Suzan (given name) * Suzanne (other), Suzanne * Suzette (given name) * Suzy (given name) * Zuzanna (given name) *Cezanne (Avant-garde) Nicknames Common nicknames for Susan include: * Sue (other), Sue, Susie (other), Susie, Susi (German), Suzi (other), Suzi, Suzy (other), Suzy, Suzie (other), Suzie, Suze (disambi ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initial ...
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