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Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Grammy Lifetime Achievement Award, Lifetime Achievement Award. Career Carter was born in New York City in 1907. He was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark (musician), June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bronx
The Bronx ( ) is the northernmost of the five Boroughs of New York City, boroughs of New York City, coextensive with Bronx County, in the U.S. state of New York (state), New York. It shares a land border with Westchester County, New York, Westchester County to its north; to its south and west, the New York City borough of Manhattan is across the Harlem River; and to its south and east is the borough of Queens, across the East River. The Bronx, the only New York City borough not primarily located on an island, has a land area of and a population of 1,472,654 at the 2020 United States census, 2020 census. It has the fourth-largest area, fourth-highest population, and third-highest population density of the boroughs.New York State Department of Health''Population, Land Area, and Population Density by County, New York State – 2010'' retrieved on August 8, 2015. The Bronx is divided by the Bronx River into a hillier section in the West Bronx, west, and a flatter East Bronx, easte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Henderson
Horace W. Henderson (November 22, 1904 – August 29, 1988), the younger brother of Fletcher Henderson, was an American jazz pianist, organist, arranger, and bandleader. Henderson was born in Cuthbert, Georgia, United States. While later attending Wilberforce University he formed a band called the Collegians, which included Benny Carter and Rex Stewart. This band was later known as the Horace Henderson Orchestra and then as the Dixie Stompers. Henderson left it to work with Sammy Stewart, then in 1928 organized a new band called the Collegians. Don Redman took over this band in 1931; Henderson continued to work as the band's pianist and arranger before leaving to work for his brother. Fletcher Henderson's book contained about as many of Horace's arrangements as of Fletcher's. Although Horace worked continually, led bands, arranged, recorded, and composed into the 1980s, and although he is considered by many the more talented and skillful of the Henderson brothers, Fletcher r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocalion Records
Vocalion Records is an American record label, originally founded by the Aeolian Company, a piano and organ manufacturer before being bought out by Brunswick in 1924. History The label was founded in 1916 by the Aeolian Company, a maker of pianos and organs, as Aeolian-Vocalion; the company also sold phonographs under the Vocalion name. "Aeolian" was later dropped from the label's name. In late 1924, the label was acquired by Brunswick Records. During the 1920s, Vocalion also began the 1000 race series, records recorded by and marketed to African Americans. Jim Jackson recorded " Jim Jackson's Kansas City Blues" for Vocalion in 1927. It sold exceptionally well, and the song became a blues standard for musicians from Memphis and Mississippi. The label issued Robert Johnson's " Cross Road Blues" Vocalion was one of the most popular labels in the late 1930s. However, Columbia Broadcasting System ( CBS) bought American Record Corporation American Record Corporation (ARC) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OKeh Records
OKeh Records () is an American record label founded by the Otto Heinemann Phonograph Corporation, a phonograph supplier established in 1916, which branched out into phonograph records in 1918. The name originally was spelled "OkeH" from the initials of Otto K. E. Heinemann but was later changed to "OKeh". In 1965, OKeh became a subsidiary of Epic Records, a subsidiary of Sony Music. OKeh has since become a jazz imprint, distributed by Sony Masterworks. Early history OKeh was founded by Otto (Jehuda) Karl Erich Heinemann (Lüneburg, Germany, 20 December 1876 – New York, USA, 13 September 1965) a German-American manager for the U.S. branch of Odeon Records, which was owned by Carl Lindstrom. In 1916, Heinemann incorporated the Otto Heinemann Phonograph Corporation, set up a recording studio and pressing plant in New York City, and started the label in 1918. The first discs were vertical cut, but later the more common lateral-cut method was used. The label's parent company ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia Records
Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Music Group, an American division of multinational conglomerate Sony. Founded in 1889, Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. It is one of Sony Music's four flagship record labels, along with Epic Records, RCA Records and Arista Records. History Beginnings (1888–1929) The Columbia Phonograph Company was founded on January 15, 1889, by stenographer, lawyer, and New Jersey native Edward D. Easton (1856–1915) and a group of investors. It derived its name from the District of Columbia, where it was headquartered. At first it had a local monopoly on sales and service of Edison ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teddy Wilson
Theodore Shaw Wilson (November 24, 1912 – July 31, 1986) was an American jazz pianist. Described by critic Scott Yanow as "the definitive Swing music, swing pianist", Wilson's piano style was gentle, elegant, and virtuosic. His style was highly influenced by Earl Hines and Art Tatum. His work was featured on the records of many of the biggest names in jazz, including Louis Armstrong, Lena Horne, Benny Goodman, Billie Holiday, and Ella Fitzgerald. With Goodman, he was one of the first black musicians to perform prominently alongside white musicians. In addition to his extensive work as a sideman, Wilson also led his own groups and recording sessions from the late 1920s to the 1980s. Life and career Early life Wilson was born in Austin, Texas. Under his parents as school teachers, his early music education began at the age 6 with piano. Then, he studied violin, oboe, and clarinet at the Tuskegee Institute in Tuskegee, Alabama. From 1929 to the early 1930s Wilson moved to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayman Carver
Wayman Carver (December 25, 1905, Portsmouth, Virginia – May 6, 1967, Atlanta) was an American jazz flutist and reeds player. He is considered as a pioneer of the use of the flute in jazz. Carver was a rare jazz flautist active during the swing era, and was among the earliest soloists on his main instrument to perform jazz, although Alberto Socarras preceded him by about five years. Many historians credit him as the first pure jazz flutist. His first professional experience was with J. Neal Montgomery. After he moved to New York City in 1931, he recorded and performed with Dave Nelson, and played with Elmer Snowden (1931–32), Benny Carter, and Spike Hughes (1933). His recordings from this time, among the first which included jazz flute, are cited by jazz flutists during the late 1940`s and early 1950`s as being models for their playing. From 1934 to 1939, he played with Chick Webb on both saxophone and flute. After Webb died, he continued in the orchestra during its perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dicky Wells
William Wells (June 10, 1907 or 1909 – November 12, 1985), known professionally as Dicky Wells (sometimes Dickie Wells), was an American jazz trombonist. Early life Wells was born in Centerville, Tennessee. Early in his life, he lived in Centerville with his farmer father, George Washington Wells, and mother, Florence. Wells had a brother, Charlie or Henry Wells (musician), Henry Wells, and three sisters, Leona, Tenny, and Georgia.Wells, Dicky, and Stanley Dance. ''The Night People : The Jazz Life of Dicky Wells''. [Rev. and Expanded ed.]., Smithsonian Institution Press, 1991. Wells and his family moved to Nashville, Tennessee for some time where he started drinking whiskey from a bar. When Wells was ten years old his stepfather Felix Murray moved the family to Louisville, Kentucky. Wells' mother was absent as she was traveling with his stepfather so his sister, Leona, took care of him and his brother. Both of Wells' parents died within a year of each other which took its t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankie Newton
Frankie Newton ( William Frank Newton; January 4, 1906 – March 11, 1954) was an American jazz trumpeter from Emory, Virginia, United States. He played in several New York City bands in the 1920s and 1930s, including those led by Lloyd Scott, Charlie "Fess" Johnson, Chick Webb, Benny Carter, Sam Wooding, and Lucky Millinder. He played in clubs in New York and Boston, with musicians such as pianist Art Tatum, pianist James P. Johnson, drummer Sid Catlett and clarinetist Edmond Hall. He accompanied Bessie Smith on her final recordings (November 24, 1933), Maxine Sullivan on ' "Loch Lomond", and Billie Holiday on her original "Strange Fruit" session in 1939. Between March 1937 and August 1939, Newton recorded eight sessions as a leader. Three sessions in 1937 were produced by Helen Oakley Dance for Irving Mills's Variety label. Five sessions were made in 1939, including a six-song session for Victor produced by Hugues Panassié, two sessions for Vocalion produced by John ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sid Catlett
Sidney "Big Sid" Catlett (January 17, 1910 – March 25, 1951) was an American jazz drummer. Catlett was one of the most versatile drummers of his era, adapting with the changing music scene as bebop emerged. Early life Catlett was born in Evansville, Indiana, United States, and at an early age he was instructed in the rudiments of piano and drums, under the tutelage of a music teacher hired by his mother. When he and his family relocated to Chicago, Catlett received his first drum kit, and immersed himself in the diverse styles and techniques of Zutty Singleton, Warren "Baby" Dodds, and Jimmy Bertrand, among others. Later life and career In 1928, Catlett began playing with violinist and clarinet player Darnell Howard, before joining pianist Sammy Stewart's Orchestra in New York City, and making appearances at the Savoy Ballroom. After performing for several lesser established musical acts, Catlett began recording and performing with multiple musicians including Benny Cart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chu Berry
Leon Brown "Chu" Berry (September 13, 1908 – October 30, 1941) was an American jazz tenor saxophonist during the 1930s. He is perhaps best known for his time as a member of singer Cab Calloway's big band. According to music critic Gary Giddins, musicians called him "Chu" either because he chewed on the mouthpiece of his saxophone or because he had a Fu Manchu mustache. Early life Berry was born in Wheeling, West Virginia, to father Brown Berry and mother Maggie Glasgow Berry. He graduated from Lincoln High School, in Wheeling, then attended West Virginia State College for three years. His sister Ann played piano. Berry became interested in music at an early age, playing alto saxophone, at first with local bands. He was inspired to take up the tenor saxophone after hearing Coleman Hawkins on tour. Career Most of Berry's career was spent with swing bands: Sammy Stewart, 1929–1930, with whom he switched to tenor sax; Benny Carter, 1932–1933; Teddy Hill, 1933–1935; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McKinney's Cotton Pickers
McKinney's Cotton Pickers were an American jazz band, founded in Detroit, Michigan, United States in 1926, and led by Bill McKinney (drummer), Bill McKinney, who expanded his Synco Septet to ten players. Cuba Austin took over for McKinney on drums, with the latter becoming the band's manager. Between 1927 and 1931, they were one of the most popular African American bands. Many of their records for Victor Records, Victor were bestsellers. In 1927, Fletcher Henderson's arranger and saxophone player Don Redman was invited to become the Cotton Pickers' musical director and he assembled a band. John Nesbitt helped Redman with arrangements and rehearsals. The band in 1928 included Cuba Austin (drums and vocals), Langston Curl (trumpet), Ralph Escudero (tuba), Claude Jones, Redman (clarinet, alto saxophone, baritone saxophone, vocals), Todd Rhodes (piano, celeste), Prince Robinson (clarinet, tenor saxophone), Milton Senior (trombone), George Thomas (clarinet, alto saxophone, tenor saxoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
