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Begrepp – En Samling
Begrepp – En Samling (Concepts – a Collection) was an art project realized at the Royal Swedish Academy of Arts, Royal Academy of Fine Arts in Stockholm in 1992. It comprised an exhibition, a publication and a lecture series that all focused on the heart and brain in various fields: art, science, religion, the occult and cooking, in order to reflect on the philosophical and practical relationship between art and science. The project was initiated by artist Per Huttner, at that time a student at the Royal Institute of Art in Stockholm and M.D. Ph.D. student Elias Arnér. In the exhibition, one could see two large metal and glass sculptures of the heart and the brain that contained the crumbled posters promoting the exhibition. Large photographs of histological samples of the two organs sat next to scientific abstracts, occult and religious images. Close to the entry of the exhibition, hearts and brains of various animals including an elephant and a lemur which had been lent by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Swedish Academy Of Arts
The Royal Swedish Academy of Fine Arts (), commonly called the Royal Academy, is located in Stockholm, Sweden. An independent organization that promotes the development of painting, sculpture, architecture, and other fine arts, it is one of several Swedish Royal Academies. The Royal Institute of Art, an art school that was once an integral part of the academy, was broken out in 1978 as an independent entity directly under the supervision of the Ministry of Education. History In 1735, Carl Gustaf Tessin set up a drawing school at Stockholm Castle, naming it the Royal Drawing Academy. It was modeled after French academies of the day as a gathering place for established artists and art connoisseurs. The painters Guillaume Taraval, Johan Henrik Scheffel, and Olof Arenius and the architect Carl Hårleman taught there, and the first group of students included Johan Pasch. In 1766, the academy expanded its activities following a parliamentary decree. In 1768, its name was cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creativity
Creativity is the ability to form novel and valuable Idea, ideas or works using one's imagination. Products of creativity may be intangible (e.g. an idea, scientific theory, Literature, literary work, musical composition, or joke), or a physical object (e.g. an invention, dish or meal, piece of Jewellery, jewelry, costume, a painting). Creativity may also describe the ability to find Creative problem-solving, new solutions to problems, or new methods to accomplish a goal. Therefore, creativity enables people to Solves problem, solve problems in new ways. Most ancient cultures (including Ancient Greece, History of China#Ancient China, Ancient China, and Outline of ancient India, Ancient India) lacked the concept of creativity, seeing art as a form of discovery rather than a form of creation. In the Judeo-Christian-Islamic tradition, creativity was seen as the sole province of God, and human creativity was considered an expression of God's work; the modern conception of creativi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Installation Art Works
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Installation may refer to: * Installation (Christianity), a Christian liturgical act that formally makes a clergyman assume office of his appointed position at a particular place * Installation (computer programs), the act of making the program ready for execution * Installation art, an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space * Military installation, a grouping of facilities that constitute a permanent military base A military base is a facility directly owned and operated by or for the military or one of its branches that shelters military equipment and personnel, and facilitates training and operations. A military base always provides accommodations for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(In)Visible Dialogues
(In)visible Dialogues was an art project realized at the Royal Academy of Fine Arts in Stockholm in 2011. It was initiated by artist Per Huttner and biochemist Elias Arnér. The project was transgressing the boundaries of exhibition, publication and lectures in order to stimulate dialogues between art and science. The project was a sequel to the project Begrepp – En samling from 1992''(In)visible Dialogues'', Ed. E. Arnér and P. Huttner, Published by Dent-de-Leone. and drew on Hüttner's experiences from projects like I am a Curator and Democracy and Desire. (In)Visible Dialogues was installed in three interconnected rooms. In the first, there were 120 fluorescent chairs facing a blank wall. On the back of each chair a copy of the project's catalogue had been nailed and officially signed by a Professor from Karolinska Institutet and approved for publication, following local academic protocol. Each chair was an authorized copy of Jonas Bohlin's Concrete from 1980 that had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Invisible Generation
The Invisible Generation was a contemporary art project conceived by artist Per Hüttner and Curator Daniele Balit and organized by Vision Forum and created new meeting places between art and its audiences. A great number of projects were realized in Melbourne, Shenzhen, Beijing and Kyiv in 2009-2010. For each city the program and artist list was totally new. No project was ever repeated twice. The project always allowed the audience to meet art in new and unexpected situations and played with or confused the audiences' expectations about what art is, where it normally appears and what shape it should take.The Invisible Generation, ed. Gerrie van Noord, design Marie Proyard, Published by Vision Forum, Stockholm, Sweden. Most projects were realized in contexts where the audience does not necessarily expect to find artwork. In the metro (Dinu Li, Per Hüttner), in a newspaper office (Yan Jun), on a public square (Natasha Rosling) or even contained as a story in the mind of a pers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vision Forum (art Organisation)
Vision Forum is an organisation that carries out research in contemporary art and organises events that transgresses the boundaries between performance art, performance, exhibition, workshops and education. It grew from a series of events organised by Curatorial Mutiny in collaboration with KSM at Campus Norrköping, Linköping University in Sweden 2005–2007. Vision Forum took its present form in 2008. It does not have a physical location or a program, but responds to the needs of the group of artists, curators and researchers that are part of the network at any given moment. Its members are mostly based in Europe and have carried out projects all over the continent, in North America, Australia and Asia. In 2009, neuroscientisStephen Whitmarshjoined the group, showing that the organisation can host members outside of the artistic community. A strategy that has been developed further in subsequent years.Time Capsules and Conditions of Now, Edited by Fatos Ustek, David Roberts Art Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
